Bøger af Sheba Blake

The Canterbury Tales is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387-1400. In 1386, Chaucer became Controller of Customs and Justice of Peace and, three years later, Clerk of the King's work in 1389. It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together on a journey from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return. After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372. It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularization of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries-John Gower, William Langland, the Pearl Poet, and Julian of Norwich-also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.

The Song of the Lark is the third novel by American author Willa Cather. It is generally considered to be the second novel in Cather's Prairie Trilogy, following O Pioneers! (1913) and preceding My Ántonia (1918). The book tells the story of a talented artist born in a small town in Colorado who discovers and develops her singing voice. Her story is told against the backdrop of the burgeoning American West in which she was born in a town along the rail line, of fast-growing Chicago near the turn of the twentieth century, and of the audience for singers of her skills in the US compared to Europe. Thea Kronborg grows up, learning herself, her strengths and her talent, until she reaches success. The title comes from a painting of the same name by Jules Breton in 1884 and part of the collection of the Art Institute of Chicago. Set in the 1890s in Moonstone, a fictional town in Colorado, The Song of the Lark is the self-portrait of an artist in the making. The ambitious young heroine, Thea Kronborg leaves her hometown to go to Chicago to fulfill her dream of becoming a well-trained pianist, a better piano teacher. When her instructor hears her voice, he realizes that this is her true artistic gift. He encourages her to pursue her vocal training instead of piano saying ... "your voice is worth all that you can put into it. I have not come to this decision rashly." In that pursuit she travels to Dresden, then to New York City, singing operas. Her reference for life is always her home town and the people she encountered there. The novel captures Thea's independent-mindedness, her strong work ethic, and her ascent to her highest achievement. At each step along the way, her realization of the mediocrity of her peers propels her to greater levels of accomplishment, but in the course of her ascent she must discard those relationships which no longer serve her.

Middlemarch is a novel by English author George Eliot, first published in eight installments (volumes) during 1871-2. The novel is set in the fictitious Midlands town of Middlemarch during 1829-32, and it comprises several distinct (though intersecting) stories and a large cast of characters. Significant themes include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education. Although containing comical elements, Middlemarch is a work of realism that refers to many historical events: the 1832 Reform Act, the beginnings of the railways, the death of King George IV, and the succession of his brother, the Duke of Clarence (the future King William IV). In addition, the work incorporates contemporary medical science and examines the deeply reactionary mindset found within a settled community facing the prospect of unwelcome change. Eliot began writing the two pieces that would eventually form Middlemarch during the years 1869-70 and completed the novel in 1871. Although the first reviews were mixed, it is now widely regarded as her best work and one of the greatest novels written in English.

His Last Bow is a collection of previously published Sherlock Holmes stories by Arthur Conan Doyle, including the titular short story, "His Last Bow. The War Service of Sherlock Holmes" (1917). The collection's first US edition adjusts the anthology's subtitle to Some Later Reminiscences of Sherlock Holmes. All editions contain a brief preface, by "John H. Watson, M.D.", that assures readers that as of the date of publication (1917), Holmes is long retired from his profession of detective but is still alive and well, albeit suffering from a touch of rheumatism. The collection contains "The Adventure of the Cardboard Box", which was also included in the first edition of in The Memoirs of Sherlock Holmes (1894) but was dropped from later editions of that book. Six of the stories were published in The Strand Magazine between September 1908 and December 1913. The Strand published "The Adventure of Wistaria Lodge" as "A Reminiscence of Sherlock Holmes" and divided it into two parts, called "The Singular Experience of Mr. John Scott Eccles" and "The Tiger of San Pedro". Later printings of His Last Bow correct Wistaria to Wisteria. The final story, "His Last Bow. The War Service of Sherlock Holmes" (1917), an epilogue about Holmes' war service, was first published in Collier's on 22 September 1917-one month before the book's premiere on 22 October.

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters. Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray. This novel has been adapted for several films, many television programs, and a long list of stage plays. Emma Woodhouse has just attended the wedding of Miss Taylor, her friend and former governess, to Mr Weston. Having introduced them, Emma takes credit for their marriage, and decides that she likes matchmaking. After she returns home to Hartfield with her father, Emma forges ahead with her new interest against the advice of her brother-in-law, Mr Knightley, and tries to match her new friend Harriet Smith to Mr Elton, the local vicar. First, Emma must persuade Harriet to refuse the marriage proposal from Robert Martin, a respectable, educated, and well-spoken young farmer, which Harriet does against her own wishes. However, Mr Elton, a social climber, thinks Emma is in love with him and proposes to her. When Emma tells him that she had thought him attached to Harriet, he is outraged. After Emma rejects him, Mr Elton leaves for a stay at Bath and returns with a pretentious, nouveau-riche wife, as Mr Knightley expected. Harriet is heartbroken and Emma feels ashamed about misleading her.

A Daughter of Eve is a short novel wriiten by Honore de Balzac. This short novel, part of the Scenes of Private Life section of Honore de Balzac's vast masterpiece The Human Comedy, includes the first appearances of key characters who return later in the series. A Daughter of Eve is a tale in which seemingly innocent peccadilloes soon spiral into an inescapable web of intrigue, fraud, and lust. Honoré de Balzac (20 May 1799 - 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie Humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Gustave Flaubert, Jack Kerouac, and Henry James, filmmakers Akira Kurosawa and Eric Rohmer as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers. An enthusiastic reader and independent thinker as a child, Balzac had trouble adapting to the teaching style of his grammar school. His willful nature caused trouble throughout his life and frustrated his ambitions to succeed in the world of business. When he finished school, Balzac was apprenticed in a law office, but he turned his back on the study of law after wearying of its inhumanity and banal routine. Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comédie Humaine reflects his real-life difficulties, and includes scenes from his own experience.

The Defenders is a science fiction novelette by American author Philip K. Dick, and the basis for Dick's 1964 novel The Penultimate Truth. It is one of several of his stories to be expanded into a novel. The story was first published in the January 1953 issue of Galaxy Science Fiction. In 1956, the story was adapted for the radio program X Minus One by George Lefferts. Eight years ago a nuclear war began between the United States and the Soviet Union. American survivors evacuated to gigantic bunkers miles under ground. Sophisticated, radioactivity-immune robots called "leadys" continue fighting the war on the devastated surface that is far too dangerous for humans. The Soviets have similarly evacuated underground, and each side builds powerful weapons and vehicles for the remote-controlled war they only see from film that the robots deliver. The security department asks Taylor, an American war planner, to observe the interrogation of a leady regarding the progress of the war. Although the robot reports that lethal radioactivity and sophisticated new Soviet weapons continue to make the surface dangerous for humans, the observers find that the leady is not radioactive. Taylor learns that this is the second such robot the security department has found; it assigns him to an expedition, wearing lead suits, to investigate the truth about surface conditions. Taylor's group surprises the leadys at the surface and demands to see the outside. Although the robots attempt to delay the humans as long as possible, the group discovers outside the bunker an undamaged valley with forests, animals, and a farm. The leadys reveal that the war ended as soon as the humans evacuated because the robots could not see a rational purpose for it. Analyzing history, they found that groups of humans warred with each other until they matured to overcome conflict. Humanity is almost ready for a single culture, the current worldwide division into American and Soviet sides being the final step.

Metropolis is a novel by the German writer Thea von Harbou. The story is set in 2026 in a technologically advanced city, which is sustained by the existence of an underground society of labourers. The son of one of the city's founders falls in love with a girl from the underground society, as the two societies begin to clash due to the lack of a unifying force. The novel was the basis for Fritz Lang's 1927 film Metropolis. The novel was serialised in the magazine Illustriertes Blatt in 1925, accompanied by screenshots from the upcoming film adaptation. It was published in book form in 1926 by August Scherl. An English translation was published in 1927. Michael Joseph of The Bookman wrote about the novel: "It is a remarkable piece of work, skilfully reproducing the atmosphere one has come to associate with the most ambitious German film productions. Suggestive in many respects of the dramatic work of Karel Capek and of the earlier fantastic romances of H. G. Wells, in treatment it is an interesting example of expressionist literature. ... Metropolis is one of the most powerful novels I have read and one which may capture a large public both in America and England if it does not prove too bewildering to the plain reader."

Herbert West: Reanimator is a short story by American horror fiction writer H. P. Lovecraft. It was written between October 1921 and June 1922. It was first serialized in February through July 1922 in the amateur publication Home Brew. The story was the basis of the 1985 horror film Re-Animator and its sequels, in addition to numerous other adaptations in various media. The story is the first to mention Lovecraft's fictional Miskatonic University. It is also notable as one of the first depictions of zombies as scientifically reanimated corpses, with animalistic and uncontrollable temperament. Lovecraft originally serialised the story in Home Brew Vol. 1, No. 1-6, an amateur magazine published by his friend George Julian Houtain. Lovecraft claimed to be unhappy with the work, writing it only because he was being paid five dollars for each installment. Moreover, he disliked the requirement that each installment end with a cliffhanger, which was unlike his normal style. He also had to begin each installment with a recap of the previous episode. The book Science Fiction-The Early Years calls "Herbert West-Reanimator" "wretched work". Lovecraft scholar S. T. Joshi claims that "Herbert West-Reanimator" is "universally acknowledged as Lovecraft's poorest work." According to his letters, Lovecraft wrote the story as a parody of Mary Shelley's Frankenstein. He drops in numerous Frankenstein references (even hinting at the poetry of Samuel Taylor Coleridge, as Shelley did).

The Brothers Karamazov is the final novel by the Russian author Fyodor Dostoyevsky. Dostoyevsky spent nearly two years writing The Brothers Karamazov, which was published as a serial in The Russian Messenger from January 1879 to November 1880. The author died less than four months after its publication. The Brothers Karamazov is a passionate philosophical novel set in 19th-century Russia, that enters deeply into the ethical debates of God, free will, and morality. It is a spiritual drama of moral struggles concerning faith, doubt, judgment, and reason, set against a modernizing Russia, with a plot which revolves around the subject of patricide. Dostoyevsky composed much of the novel in Staraya Russa, which inspired the main setting. Since its publication, it has been acclaimed as one of the supreme achievements in world literature.

The Canterbury Tales is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387-1400. In 1386, Chaucer became Controller of Customs and Justice of Peace and, three years later, Clerk of the King's work in 1389. It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together on a journey from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return. After a long list of works written earlier in his career, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales is near-unanimously seen as Chaucer's magnum opus. He uses the tales and descriptions of its characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Chaucer's use of such a wide range of classes and types of people was without precedent in English. Although the characters are fictional, they still offer a variety of insights into customs and practices of the time. Often, such insight leads to a variety of discussions and disagreements among people in the 14th century. For example, although various social classes are represented in these stories and all of the pilgrims are on a spiritual quest, it is apparent that they are more concerned with worldly things than spiritual. Structurally, the collection resembles The Decameron, which Chaucer may have read during his first diplomatic mission to Italy in 1372. It has been suggested that the greatest contribution of The Canterbury Tales to English literature was the popularization of the English vernacular in mainstream literature, as opposed to French, Italian or Latin. English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries-John Gower, William Langland, the Pearl Poet, and Julian of Norwich-also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.

What defense could she raise against mutant science-telepathy, invisibility, teleportation-especially since Earth was not aware of its danger! Kris Neville (1925-1980) was an American science fiction writer. His most famous work, "Bettyann" (1970) is considered an underground classic of science fiction. "Calvin practiced teleportation for endless hours. He kept the metal ball Forential had given him in almost constant motion. He would exclaim delightedly and hurl it toward one of the twenty-seven other mutants in his compartment. Until the time he hit John in the back of the head with it, his intended victims had always parried it. John lay in a pool of blood, and Calvin began to cry--loud, shrill wails of despair and contrition. When Forential came, he knew instinctively what had happened. Calvin represented the only failure the aliens had experienced in their mutation program; ten years ago his mind had ceased to develop."

Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century. The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They centre on Joyce's idea of an epiphany: a moment where a character experiences a life-changing self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce's novel Ulysses. The initial stories in the collection are narrated by child protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce's tripartite division of the collection into childhood, adolescence and maturity. Between 1905, when Joyce first sent a manuscript to a publisher, and 1914, when the book was finally published, Joyce submitted the book 18 times to a total of 15 publishers. The book's publishing history is a harrowing tale of persistence in the face of frustration. The London house of Grant Richards agreed to publish it in 1905. Its printer, however, refused to set one of the stories (Two Gallants), and Richards then began to press Joyce to remove a number of other passages that he claimed the printer also refused to set. Joyce protested, but eventually did agree to some of the requested changes. Richards eventually backed out of the deal. Joyce thereupon resubmitted the manuscript to other publishers, and about three years later (1909) he found a willing candidate in Maunsel & Roberts of Dublin. Yet, a similar controversy developed and Maunsel too refused to publish it, even threatening to sue Joyce for printing costs already incurred. Joyce offered to pay the printing costs himself if the sheets were turned over to him and he was allowed to complete the job elsewhere and distribute the book, but when Joyce arrived at the printers they refused to surrender the sheets. They burned them the next day. Joyce managed to save one copy, which he obtained "by ruse". He then returned to submitting the manuscript to other publishers, and in 1914 Grant Richards once again agreed to publish the book, using the page proofs saved from Maunsel as copy.

Henry V is a historical play by William Shakespeare, believed to have been written around 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was entitled The Cronicle History of Henry the fift, which became The Life of Henry the Fifth in the First Folio text. The play is the final part of a tetralogy, preceded by Richard II, Henry IV, Part 1, and Henry IV, Part 2. The original audiences would thus have already been familiar with the title character, who was depicted in the Henry IV plays as a wild, undisciplined lad known as "Prince Harry" and by Falstaff as "Hal". In Henry V, the young prince has become a mature man and embarks on a successful conquest of France. Elizabethan stages did not use scenery. Acknowledging the difficulty of conveying great battles and shifts of location on a bare stage, the Chorus (a single actor) calls for a "Muse of fire" so that the actor playing King Henry can "[a]ssume the port [bearing] of Mars". He asks, "Can this cockpit [i.e. the theatre] hold / The vasty fields of France?" and encourages the audience to use their "imaginary forces" (imaginations) to overcome the stage's limitations: "Piece out our imperfections with your thoughts." The early scenes deal with the embarkation of Henry's fleet for France, and include a real-life incident in which the Earl of Cambridge and two others plotted to assassinate Henry at Southampton. (Henry's clever uncovering of the plot and his ruthless treatment of the plotters show that he has changed from the earlier plays in which he appeared.) When the Chorus reappears, he describes the country's dedication to the war effort - "They sell the pasture now to buy the horse." The chorus tells the audience, "We'll not offend one stomach with our play", a humorous reference to the fact that the scene of the play crosses the English Channel.

Dreams in the Witch House is a short story by H. P. Lovecraft, part of the Cthulhu Mythos cycle of horror fiction. Walter Gilman, a student of mathematics and folklore at Miskatonic University, rents an attic room in the "Witch House," a house in Arkham that is rumored to be cursed. The first part of the story is an account of the house's history. The house once harboured Keziah Mason, an accused witch who disappeared mysteriously from a Salem jail in 1692. Gilman discovers that, for the better part of two centuries, many of the attic's occupants have died prematurely. The dimensions of Gilman's attic room are unusual and seem to conform to a kind of unearthly geometry. Gilman theorizes that the structure can enable travel from one plane or dimension to another. Shortly after moving into the attic, Gilman begins experiencing bizarre dreams in which he seems to float without physical form through an otherworldly space of unearthly geometry and indescribable colors and sounds. Among the elements, both organic and inorganic, he perceives shapes that he innately recognizes as entities which appear and disappear instantaneously and at random. Several times, his dreaming-self encounters bizarre clusters of "iridescent, prolately spheroidal bubbles," as well as a rapidly changing polyhedral-figure, both of which appear sapient. Gilman also has nightly experiences involving Keziah Mason and her rat-bodied, human-faced familiar, Brown Jenkin, which he believes are not dreams at all. In other dreams, Gilman is taken to a city of the "Elder Things" and even brings back evidence that he has actually been there-a miniature statue of an "Elder Thing" which he breaks off from a balustrade within the city. The statue is made of unknown materials and a strange kind of alloy. Gilman also finds an inexplicable urge to return to the remote worlds visited in the dreams. Gilman's odd experiences seem to escalate as he dreams that he signs the "Book of Azathoth" under the commands of Keziah, Brown Jenkin, and the infamous "Black Man" (a form of the malign Nyarlathotep, which is, like Azathoth, a deity in the fictional world of the Cthulhu Mythos). Gilman is later taken to Azathoth's throne at the "Center of Chaos" by this group and is even forced to be an accomplice in the kidnapping of an infant. He awakes to find mud on his feet and the news of his involved kidnapping in the city's newspaper.

Walking is a lecture by Henry David Thoreau first delivered at the Concord Lyceum on April 23, 1851. It was written between 1851 and 1860, but parts were extracted from his earlier journals. Thoreau read the piece a total of ten times, more than any other of his lectures. "Walking" was first published as an essay in the Atlantic Monthly after his death in 1862. He considered it one of his seminal works, so much so, that he once wrote of the lecture, "I regard this as a sort of introduction to all that I may write hereafter." Walking is a Transcendental essay in which Thoreau talks about the importance of nature to mankind, and how people cannot survive without nature, physically, mentally, and spiritually, yet we seem to be spending more and more time entrenched by society. For Thoreau walking is a self-reflective spiritual act that occurs only when you are away from society, that allows you to learn about who you are, and find other aspects of yourself that have been chipped away by society. Walking is an important cannon in the transcendental movement that would lay the foundation for his best known work, Walden. Along with Ralph Waldo Emerson's Nature, and George Perkins Marsh's Man and Nature, it has become one of the most important essays in the environmental movement. Walking was written between 1851-1860. During this time a large number of important works were published such as, Nathaniel Hawthorne's, The Scarlet Letter in 1850, Emerson's A Representative Man, Herman Melville's Moby Dick in 1851, Harriet Beecher Stowe's Uncle Tom's Cabin in 1852, and Walt Whitman's Leaves of Grass in 1855. Politically and socially, there was the 1850 compromise, and Kansas/Nebraska Act, as well as the Fugitive Slave act. The 1850 compromise and Kansas/Nebraska Act influenced Thoreau's outlook on westward expansion, and how we had to preserve nature, how society was not everything, how there was much wild yet to be found, because at the time westward expansion was a cultural idea in the air. "

The Son of the Wolf is an adventure novel written by Jack London. The Son of the Wolf is a collection of stories, which draws on his experience in the Yukon. The stories tell of gambles won and lost, of endurance and sacrifice, and often turn on the qualities of exceptional women and on the relations between the white adventurers and the native tribes. Jack London (January 12, 1876 - November 22, 1916) was an American novelist, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone, including science fiction. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote about the South Pacific in stories such as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf. London was part of the radical literary group "The Crowd" in San Francisco and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.

Dracula's Guest and Other Weird Stories is a collection of short stories by Bram Stoker, first published in 1914, two years after Stoker's death. The same collection has been issued under short titles including simply Dracula's Guest. Meanwhile collections published under Dracula's Guest and longer titles contain different selections of stories. Dracula's Guest follows an Englishman (whose name is never mentioned but is presumed to be Jonathan Harker) on a visit to Munich before leaving for Transylvania. It is Walpurgis Night, and in spite of the hotelier's warning to not be late back, the young man later leaves his carriage and wanders toward the direction of an abandoned "unholy" village. As the carriage departs with the frightened and superstitious driver, a tall and thin stranger scares the horses at the crest of a hill. After a few hours, as he reaches a desolate valley, it begins to snow; as a dark storm gathers intensity, the Englishman takes shelter in a grove of cypress and yew trees. The Englishman's location is soon illuminated by moonlight to be a cemetery, and he finds himself before a marble tomb with a large iron stake driven through the roof, the inscription reads: Countess Dolingen of Gratz / in Styria / sought and found death / 1801. Inscribed on the back of the tomb "graven in great Russian letters" is: 'The dead travel fast.' which was an ode to the fable Lenore. The Englishman is disturbed to be in such a place on such a night and as the storm breaks anew, he is forced by pelting hail to shelter in the doorway of the tomb. As he does so, the bronze door of the tomb opens under his weight and a flash of forked lightning shows the interior - and a "beautiful woman with rounded cheeks and red lips, seemingly sleeping on a bier". The force of the following thunder peal throws the Englishman from the doorway (experienced as "being grasped as by the hand of a giant") as another lightning bolt strikes the iron spike, destroying the tomb and the now screaming woman inside. The Englishman's troubles are not quite over, as he painfully regains his senses from the ordeal, he is repulsed by a feeling of loathing which he connects to a warm feeling in his chest and a licking at this throat. The Englishman summons courage to peek through his eyelashes and discovers a gigantic wolf with flaming eyes is attending him. Military horsemen are the next to wake the semi-conscious man, chasing the wolf away with torches and guns. Some horsemen return to the main party and Harker after the chase, reporting that they had not found 'him' and that the Englishman's animal is "a wolf - and yet not a wolf". They also note that blood is on the ruined tomb, yet the Englishman's neck is unbloodied. "See comrades, the wolf has been lying on him and keeping his blood warm". Later, the Englishman finds his neck pained when a horseman comments on it. When the Englishman is taken back to his hotel by the men, he is informed that it is none other than his expectant host Dracula that has alerted his employees, the horsemen, of "dangers from snow and wolves and night" in a telegram received by the hotel during the time the Englishman was away.

Pride and Prejudice is a novel by Jane Austen. The story charts the emotional development of the protagonist, Elizabeth Bennet, who learns the error of making hasty judgements and comes to appreciate the difference between the superficial and the essential. The comedy of the writing lies in the depiction of manners, education, and marriage and money in the British Regency. Mr Bennet of the Longbourn estate has five daughters, but his property is entailed, meaning that none of the girls can inherit it. Since his wife had no fortune, it is imperative that one of the girls marries well in order to support the others on his death. However, Jane Austen's opening line 'It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife' is a sentence filled with irony and playfulness. The novel revolves around the necessity of marrying for love, not simply for mercenary reasons despite the social pressures to make a good (i.e. wealthy) match. Pride and Prejudice retains the fascination of modern readers, consistently appearing near the top of lists of "most-loved books" among both literary scholars and the general public. It has become one of the most popular novels in English literature, with over 20 million copies sold, and paved the way for many archetypes that abound in modern literature. Continuing interest in the book has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen's memorable characters or themes.

Walden is a book by noted transcendentalist Henry David Thoreau. The text is a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and (to some degree) manual for self-reliance. First published in 1854, Walden details Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond, amidst woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts. Thoreau used this time to write his first book, A Week on the Concord and Merrimack Rivers. The experience later inspired Walden, in which Thoreau compresses the time into a single calendar year and uses passages of four seasons to symbolize human development. By immersing himself in nature, Thoreau hoped to gain a more objective understanding of society through personal introspection. Simple living and self-sufficiency were Thoreau's other goals, and the whole project was inspired by transcendentalist philosophy, a central theme of the American Romantic Period.

Heidi is a work of children's fiction published by Swiss author Johanna Spyri, originally published in two parts as Heidi: her years of wandering and learning and Heidi: How she used what she learned. It is a novel about the events in the life of a young girl in her grandfather's care, in the Swiss Alps. It was written as a book "for children and those who love children" (as quoted from its subtitle). Heidi is one of the best-selling books ever written and is among the best-known works of Swiss literature. Heidi is an orphaned girl initially raised by her aunt Dete in Maienfeld, Switzerland after the early deaths of her parents, Tobias and Adelheid (Dete's sister and brother-in-law). Dete brings 5-year-old Heidi to her paternal grandfather's house, up the mountain from Dörfli. He has been at odds with the villagers and embittered against God for years and lives in seclusion on the alm. This has earned him the nickname 'Uncle Alp'. He briefly resents Heidi's arrival, but the girl's evident intelligence and cheerful yet unaffected demeanor soon earn his genuine, if reserved, affection. Heidi enthusiastically befriends her new neighbors, young Peter the goatherd, his mother, Bridgget, and his blind maternal grandmother. With each season that passes, the mountaintop inhabitants grow more attached to Heidi. Three years later, Dete returns to take Heidi to Frankfurt to be a hired lady's companion to a wealthy girl named Clara Sesemann, who is regarded as an invalid. The girl is charmed by Heidi's simple friendliness, and delights in all the funny mishaps brought about by Heidi's lack of experience with city life. However, the Sesemanns' strict housekeeper, Fräulein Rottenmeier, views the household disruptions as wanton misbehavior, and places Heidi under more and more restraint. Soon, Heidi becomes terribly homesick, and grows alarmingly pale and thin. Her one diversion is learning to read and write, motivated by her desire to go home and read to Peter's blind grandmother. Clara's paternal grandmother comes to visit the children and becomes a friend to Heidi. She teaches Heidi that she can always seek relief from misery by praying to God. After months pass, the Frankfurt household is brought near hysteria by nightly sightings of what appears to be a ghost. When Clara's father and his friend the doctor keep awake one night to find out what is causing the disturbances, they see that the "ghost" is actually just Heidi, who's sleepwalking in her nightgown. The doctor sees that Heidi's under a great deal of stress. He warns Mr. Sesemann that if Heidi is not sent home promptly, she may become very ill. Soon, a joyous Heidi returns to the mountains, where she teaches her grandfather about the comfort of prayer. She reassures him that it's never too late to turn back to God. Her simple lesson prompts her grandfather to descend to the village and attend a church service for the first time in years, marking an end to his seclusion. He's heartily welcomed back by the church pastor and the villagers.

Given the rich history of hypnosis, it's surprising that few people actively practice it. There is no real difference between "hypnosis" and "self-hypnosis," as all hypnosis is really self-hypnosis: the former is guided with a therapist and the latter is self-administered. However, one can't be hypnotized without one's full participation - thus self-hypnosis is perhaps more valuable, since you can do it at home without paying the $100 an hour to a shrink. Powers' A Practical Guide to Self-Hypnosis offers the basics of the techniques, explains what it is and is not, and how to perform it on oneself. It is a good book for learning the basics. Anything that affects the mind can be fixed or enhanced with self-hypnosis: learn to control fear, quit smoking, be more confident, lose weight, and strengthen your creative energies. That said, self-hypnosis isn't something you do once and are done. One must repeat the processes over and over to achieve results. This book is written in terms that are comprehensible to the layman. The step-by-step instructions should afford the reader a means of acquiring self-hypnosis. The necessary material is here. The reader need only follow the instructions as they are given. It is the author's hope that you will, through the selective use of self-hypnosis, arrive at a more rewarding, well-adjusted, and fuller life.

Book of Snobs is a collection of satirical works by William Makepeace Thackeray first published in the magazine Punch as The Snobs of England, By One of Themselves. Published in 1848, the book was serialised in 1846/47 around the same time as Vanity Fair. While the word 'snob' had been in use since the end of the 18th century Thackeray's adoption of the term to refer to people who look down on others who are "socially inferior" quickly gained popularity. William Makepeace Thackeray (18 July 1811 - 24 December 1863) was an English novelist of the 19th century. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray, an only child, was born in Calcutta, British India, where his father, Richmond Thackeray (1 September 1781 - 13 September 1815), was secretary to the Board of Revenue in the British East India Company. His mother, Anne Becher (1792-1864), was the second daughter of Harriet Becher and John Harman Becher, who was also a secretary (writer) for the East India Company. Richmond died in 1815, which caused Anne to send her son to England in 1816, while she remained in British India. The ship on which he travelled made a short stopover at St. Helena, where the imprisoned Napoleon was pointed out to him. Once in England he was educated at schools in Southampton and Chiswick, and then at Charterhouse School, where he became a close friend of John Leech. Thackeray disliked Charterhouse, and parodied it in his fiction as "Slaughterhouse". Nevertheless, Thackeray was honoured in the Charterhouse Chapel with a monument after his death. Illness in his last year there, during which he reportedly grew to his full height of six foot three, postponed his matriculation at Trinity College, Cambridge, until February 1829. Never too keen on academic studies, Thackeray left Cambridge in 1830, but some of his earliest published writing appeared in two university periodicals, The Snob and The Gownsman.

Dracula is a gothic horror novel by Irish author Bram Stoker, famous for introducing the character of the vampire Count Dracula. The novel tells the story of Dracula's attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel, and invasion literature. Stoker did not invent the vampire but he defined its modern form, and the novel has spawned numerous theatrical, film, and television interpretations. The story is told in epistolary format, as a series of letters, diary entries, newspaper articles, and ships' log entries, whose narrators are the novel's protagonists, and occasionally supplemented with newspaper clippings relating events not directly witnessed. The events portrayed in the novel take place chronologically and largely in England and Transylvania during the 1890s and all transpire within the same year between the 3rd of May and the 6th of November. A short note is located at the end of the final chapter written 7 years after the events outlined in the novel.

Heart of Darkness is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilised people and those described as savages; Heart of Darkness raises questions about imperialism and racism. Originally published as a three-part serial story in Blackwood's Magazine, Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century. Aboard the Nellie, anchored in the River Thames near Gravesend, England, Charles Marlow tells his fellow sailors about the events that led to his appointment as captain of a river steamboat for an ivory trading company. As a child, Marlow had been fascinated by "the blank spaces" on maps, particularly by the biggest, which by the time he had grown up was no longer blank but turned into "a place of darkness" (Conrad 10). Yet there remained a big river, "resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land" (Conrad 10). The image of this river on the map fascinated Marlow "as a snake would a bird" (Conrad 10). Feeling as though "instead of going to the centre of a continent I were about to set off for the centre of the earth", Marlow takes passage on a French steamer bound for the African coast and then into the interior (Conrad 18). After more than thirty days the ship anchors off the seat of the government near the mouth of the big river. Marlow, still some two hundred miles to go, now takes passage on a little sea-going steamer captained by a Swede. He departs some thirty miles up the river where his Company's station is. Work on the railway is going on, involving removal of rocks with explosives. Marlow enters a narrow ravine to stroll in the shade under the trees, and finds himself in "the gloomy circle of some Inferno": the place is full of diseased Africans who worked on the railroad and now await their deaths, their sickened bodies already as thin as air (Conrad 24-25). Marlow witnesses the scene "horror-struck" (Conrad 26).

American Fairy Tales is the title of a collection of twelve fantasy stories by L. Frank Baum, published in 1901 by the George M. Hill Company, the firm that issued The Wonderful Wizard of Oz the previous year. The twelve stories were published in this order in the first edition. "The Box of Robbers." "The Glass Dog." "The Queen of Quok." "The Girl Who Owned a Bear." "The Enchanted Types." "The Laughing Hippopotamus." "The Magic Bon Bons." "The Capture of Father Time." "The Wonderful Pump." "The Dummy That Lived." "The King of the Polar Bears." "The Mandarin and the Butterfly." The stories, as critics have noted, lack the high-fantasy aspect of the best of Baum's work, in Oz or out. With ironic or nonsensical morals attached to their ends, their tone is more satirical, glib, and tongue-in-cheek than is usual in children's stories; the serialization in newspapers for adult readers was appropriate for the materials. "The Magic Bon Bons" was the most popular of the tales, judging by number of reprints. Two of the stories, "The Enchanted Types" and "The Dummy That Lived," employ knooks and ryls, the fairies that Baum would use in The Life and Adventures of Santa Claus the next year, 1902. "The Dummy That Lived" depends upon the idea of a department-store mannequin brought to life, an early expression of an idea that would be re-used by many later writers in television and films.

Martin Chuzzlewit is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised between 1842 and 1844. Dickens thought it to be his best work, but it was one of his least popular novels. Like nearly all of Dickens' novels, Martin Chuzzlewit was released to the public in monthly instalments. Early sales of the monthly parts were disappointing, compared to previous works, so Dickens changed the plot to send the title character to America. This allowed the author to portray the United States (which he had visited in 1842) satirically as a near wilderness with pockets of civilisation filled with deceptive and self-promoting hucksters. The main theme of the novel, according to a preface by Dickens, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel is also notable for two of Dickens' great villains, Seth Pecksniff and Jonas Chuzzlewit. It is dedicated to Angela Georgina Burdett-Coutts, a friend of Dickens. Martin Chuzzlewit has been raised by his grandfather and namesake. Years before, Martin senior took the precaution of raising an orphaned girl, Mary Graham. She is to be his nursemaid, with the understanding that she will be well cared for only as long as Martin senior lives. She thus has strong motivation to promote his well-being, in contrast to his relatives, who only want to inherit his money. However, his grandson Martin falls in love with Mary and wishes to marry her, ruining Martin senior's plans. When Martin refuses to give up the engagement, his grandfather disinherits him. Martin becomes an apprentice to Seth Pecksniff, a greedy architect. Instead of teaching his students, he lives off their tuition fees and has them do draughting work that he passes off as his own. He has two spoiled daughters, nicknamed Cherry and Merry, having been christened as Charity and Mercy. Unbeknown to Martin, Pecksniff has actually taken him on to establish closer ties with the wealthy grandfather, thinking that this will gain Pecksniff a prominent place in the will.

Dorothy and the Wizard of Oz is the fourth book set in the Land of Oz written by L. Frank Baum. It was published on June 18, 1908 and reunites Dorothy with the humbug Wizard from The Wonderful Wizard of Oz (1900). This is one of only two of the original fourteen Oz books (the other being The Emerald City of Oz (1910), to be illustrated with watercolor paintings. Baum, having resigned himself to writing a series of Oz books, set up elements of this book in the prior Ozma of Oz (1907). He was not entirely pleased with this, as the introduction to Dorothy and the Wizard of Oz opens with the protest that he knows many tales of many lands, and hoped that children would permit him to tell them those tales. Written shortly after the 1906 San Francisco earthquake and around the time Baum moved to California, the book starts with an earthquake in California. Dorothy and others are swallowed up by cracks in the earth, and fall into an underground cavern, where they begin their adventures. Very little of the story-six of the twenty chapters-actually takes place in Oz. As in Ozma of Oz before it, and in some of the books after, Oz is not the land where the adventures take place, but the land the characters are seeking as a refuge from adventure. The book was dedicated to Harriet Alvena Baum Neal, the author's eldest sister.

Vanity Fair is an English novel by William Makepeace Thackeray which follows the lives of Becky Sharp and Emmy Sedley amid their friends and families during and after the Napoleonic Wars. It was first published as a 19-volume monthly serial from 1847 to 1848, carrying the subtitle Pen and Pencil Sketches of English Society, reflecting both its satirisation of early 19th-century British society and the many illustrations drawn by Thackeray to accompany the text. It was published as a single volume in 1848 with the subtitle A Novel without a Hero, reflecting Thackeray's interest in deconstructing his era's conventions regarding literary heroism. It is sometimes considered the "principal founder" of the Victorian domestic novel. The story is framed as a puppet play and the narrator, despite being an authorial voice, is notoriously unreliable. Late in the narrative, it is revealed that the entire account has been 2nd- or 3rd-hand gossip the writer picked up "years ago" from Lord Tapeworm, British charge d'affaires in one of the minor German states and relative of several of the other aristocrats in the story but none of the main characters: "the famous little Becky puppet", "the Amelia Doll", "the Dobbin Figure", "the Little Boys", and "the Wicked Nobleman, on which no expense has been spared". Despite her many stated faults and still worse ones admitted to have been passed over in silence, Becky emerges as the "hero"-what is now called an antihero-in place of Amelia because Thackeray is able to illustrate that "the highest virtue a fictional character can possess is interest." The serial was a popular and critical success; the novel is now considered a classic and has inspired several film adaptations. In 2003, Vanity Fair was listed at No. 122 on the BBC's The Big Read poll of the UK's best-loved books.

Martin Chuzzlewit is a novel by Charles Dickens, considered the last of his picaresque novels. It was originally serialised between 1842 and 1844. Dickens thought it to be his best work, but it was one of his least popular novels. Like nearly all of Dickens' novels, Martin Chuzzlewit was released to the public in monthly instalments. Early sales of the monthly parts were disappointing, compared to previous works, so Dickens changed the plot to send the title character to America. This allowed the author to portray the United States (which he had visited in 1842) satirically as a near wilderness with pockets of civilisation filled with deceptive and self-promoting hucksters. The main theme of the novel, according to a preface by Dickens, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel is also notable for two of Dickens' great villains, Seth Pecksniff and Jonas Chuzzlewit. It is dedicated to Angela Georgina Burdett-Coutts, a friend of Dickens. Martin Chuzzlewit has been raised by his grandfather and namesake. Years before, Martin senior took the precaution of raising an orphaned girl, Mary Graham. She is to be his nursemaid, with the understanding that she will be well cared for only as long as Martin senior lives. She thus has strong motivation to promote his well-being, in contrast to his relatives, who only want to inherit his money. However, his grandson Martin falls in love with Mary and wishes to marry her, ruining Martin senior's plans. When Martin refuses to give up the engagement, his grandfather disinherits him. Martin becomes an apprentice to Seth Pecksniff, a greedy architect. Instead of teaching his students, he lives off their tuition fees and has them do draughting work that he passes off as his own. He has two spoiled daughters, nicknamed Cherry and Merry, having been christened as Charity and Mercy. Unbeknown to Martin, Pecksniff has actually taken him on to establish closer ties with the wealthy grandfather, thinking that this will gain Pecksniff a prominent place in the will.