Bøger af Sheba Blake

The Old Curiosity Shop is a novel by Charles Dickens. The plot follows the life of Nell Trent and her grandfather, both residents of The Old Curiosity Shop in London. The Old Curiosity Shop was one of two novels (the other being Barnaby Rudge) which Dickens published along with short stories in his weekly serial Master Humphrey's Clock, which lasted from 1840 to 1841. It was so popular that New York readers stormed the wharf when the ship bearing the final instalment arrived in 1841. The Old Curiosity Shop was printed in book form in 1841. Queen Victoria read the novel in 1841, finding it "very interesting and cleverly written." The Old Curiosity Shop tells the story of Nell Trent, a beautiful and virtuous young girl of "not quite fourteen". An orphan, she lives with her maternal grandfather (whose name is never revealed) in his shop of odds and ends. Her grandfather loves her dearly, and Nell does not complain, but she lives a lonely existence with almost no friends her own age. Her only friend is Kit, an honest boy employed at the shop, whom she is teaching to write. Secretly obsessed with ensuring that Nell does not die in poverty as her parents did, her grandfather attempts to provide Nell with a good inheritance through gambling at cards. He keeps his nocturnal games a secret, but borrows heavily from the evil Daniel Quilp, a malicious, grotesquely deformed, hunchbacked dwarf moneylender. In the end, he gambles away what little money they have, and Quilp seizes the opportunity to take possession of the shop and evict Nell and her grandfather. Her grandfather suffers a breakdown that leaves him bereft of his wits, and Nell takes him away to the Midlands of England, to live as beggars. Convinced that the old man has stored up a large and prosperous fortune for Nell, her wastrel older brother, Frederick, convinces the good-natured but easily led Dick Swiveller to help him track Nell down, so that Swiveller can marry Nell and share her supposed inheritance with Frederick. To this end, they join forces with Quilp, who knows full well that there is no fortune, but sadistically chooses to 'help' them to enjoy the misery it will inflict on all concerned. Quilp begins to try to track Nell down, but the fugitives are not easily discovered. To keep Dick Swiveller under his eye, Quilp arranges for him to be taken as a clerk by Quilp's lawyer, Mr. Brass. At the Brass firm, Dick befriends the mistreated maidservant and nicknames her 'the Marchioness'. Nell, having fallen in with a number of characters, some villainous and some kind, succeeds in leading her grandfather to safety in a far-off village (identified by Dickens as Tong, Shropshire), but this comes at a considerable cost to Nell's health. Meanwhile, Kit, having lost his job at the curiosity shop, has found new employment with the kind Mr and Mrs Garland. Here he is contacted by a mysterious 'single gentleman' who is looking for news of Nell and her grandfather. The 'single gentleman' and Kit's mother go after them unsuccessfully, and encounter Quilp, who is also hunting for the runaways. Quilp forms a grudge against Kit and has him framed as a thief. Kit is sentenced to transportation. However, Dick Swiveller proves Kit's innocence with the help of his friend the Marchioness. Quilp is hunted down and dies trying to escape his pursuers. At the same time, a coincidence leads Mr Garland to knowledge of Nell's whereabouts, and he, Kit, and the single gentleman (who turns out to be the younger brother of Nell's grandfather) go to find her. Sadly, by the time they arrive, Nell has died as a result of her arduous journey. Her grandfather, already mentally infirm, refuses to admit she is dead and sits every day by her grave waiting for her to come back until, a few months later, he dies himself.

Jude the Obscure, the last completed novel by Thomas Hardy, began as a magazine serial in December 1894 and was first published in book form in 1895. Its protagonist, Jude Fawley, is a working-class young man, a stonemason, who dreams of becoming a scholar. The other main character is his cousin, Sue Bridehead, who is also his central love interest. The novel is concerned in particular with issues of class, education, religion and marriage. The novel tells the story of Jude Fawley, who lives in a village in southern England (part of Hardy's fictional county of Wessex), who yearns to be a scholar at "Christminster", a city modelled on Oxford. As a youth, Jude teaches himself Classical Greek and Latin in his spare time, while working first in his great-aunt's bakery, with the hope of entering university. But before he can try to do this the naïve Jude is seduced by Arabella Donn, a rather coarse and superficial local girl who traps him into marriage by pretending to be pregnant. The marriage is a failure, and they separate by mutual agreement, and Arabella later emigrates to Australia, where she enters into a bigamous marriage. By this time, Jude has abandoned his classical studies.

The Moon and Sixpence is a novel by W. Somerset Maugham. It is told in episodic form by a first-person narrator, in a series of glimpses into the mind and soul of the central character Charles Strickland, a middle-aged English stockbroker, who abandons his wife and children abruptly to pursue his desire to become an artist. The story is in part based on the life of the painter Paul Gauguin. The novel is written largely from the point of view of the narrator, a young, aspiring writer and playwright in London. Certain chapters entirely comprise accounts of events by other characters, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to have a very poor ability to express himself in words). The narrator first develops an acquaintance with Strickland's wife at literary parties, and later meets Strickland himself, who appears to be an unremarkable businessman with no interest in his wife's literary or artistic tastes. Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. (The narrator enters directly into the story at this point, when he is asked by Mrs Strickland to go to Paris and talk with her husband.) He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is helped and supported by a commercially successful but hackneyed Dutch painter, Dirk Stroeve (coincidentally, also an old friend of the narrator's), who recognises Strickland's genius as a painter. After helping Strickland recover from a life-threatening illness, Stroeve is repaid by having his wife, Blanche, abandon him for Strickland. Strickland later discards the wife; all he really sought from Blanche was a model to paint, not serious companionship, and it is hinted in the novel's dialogue that he indicated this to her and she took the risk anyway. Blanche then commits suicide - yet another human casualty in Strickland's single-minded pursuit of art and beauty; the first casualties being his own established life and those of his wife and children. After the Paris episode, the story continues in Tahiti. Strickland has already died, and the narrator attempts to piece together his life there from recollections of others. He finds that Strickland had taken up a native woman, had two children by her, one of whom dies, and started painting profusely. We learn that Strickland had settled for a short while in the French port of Marseilles before traveling to Tahiti, where he lived for a few years before dying of leprosy. Strickland left behind numerous paintings, but his magnum opus, which he painted on the walls of his hut before losing his sight to leprosy, was burnt after his death by his wife per his dying orders.

The Iron Heel is a dystopian novel by American writer Jack London, first published in 1908. Generally considered to be "the earliest of the modern Dystopian", it chronicles the rise of an oligarchic tyranny in the United States. It is arguably the novel in which Jack London's socialist views are most explicitly on display. A forerunner of soft science fiction novels and stories of the 1960s and '70s, the book stresses future changes in society and politics while paying much less attention to technological changes. The book is unusual among London's writings (and in the literature of the time in general) in being a first-person narrative of a woman protagonist written by a man. Much of the narrative is set in the San Francisco Bay Area, including events in San Francisco and Sonoma County. The novel is based on the (fictional) "Everhard Manuscript" written by Avis Everhard which she hid and which was subsequently found centuries later. In addition, this novel has an introduction and series of (often lengthy) footnotes written from the perspective of scholar Anthony Meredith. Meredith writes from around 2600 AD or 419 B.O.M. (the Brotherhood of Man). Jack London writes at two levels, often having Meredith condescendingly correcting the errors of Everhard yet, at the same time, exposing the often incomplete understanding of this distant future perspective. Meredith's introduction also acts as a deliberate "spoiler" (the term did not yet exist at the time of writing). Before ever getting a chance to get to know Avis and Ernest, how they fell in love or how Avis became politically involved, the reader is already told that all their struggles and hopes would end in total failure and repression, and that both of them would be summarily executed. This gives all that follows the air of a foreordained tragedy. There is still left the consolation that a happy end would come for humanity as a whole - though hundreds of years too late for Avis and Ernest as individuals; the cruel oligarchy would fall, and the two will be vindicated and respected by posterity as pioneers and martyrs. The Manuscript itself covers the years 1912 through 1932 in which the Oligarchy (or "Iron Heel") arose in the United States. In Asia, Japan conquered East Asia and created its own empire, India gained independence, and Europe became socialist. Canada, Mexico, and Cuba formed their own Oligarchies and were aligned with the U.S. (London remains silent as to the fates of South America, Africa, and the Middle East.) In North America, the Oligarchy maintains power for three centuries until the Revolution succeeds and ushers in the Brotherhood of Man. During the years of the novel, the First Revolt is described and preparations for the Second Revolt are discussed. From the perspective of Everhard, the imminent Second Revolt is sure to succeed but from Meredith's frame story, the reader knows that Ernest Everhard's hopes would go unfulfilled until centuries after his death.

Tales of Space and Time is a fantasy and science fiction collection of three short stories and two novellas written by the English author H. G. Wells between 1897 and 1898. All the stories had first been published in various monthly periodicals and this was the first volume to collect these stories. H. G. Wells (21 September 1866 - 13 August 1946) was an English writer. He was prolific in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction", along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898). He was nominated for the Nobel Prize in Literature four times. Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he sometimes indicated on official documents that his profession was that of journalist. Novels like Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion, when they were published, that he was a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. A diabetic, in 1934, Wells co-founded the charity The Diabetic Association (known today as Diabetes UK).

The Adventures of Pinocchio is a novel for children by Italian author Carlo Collodi, written in Pescia. The first half was originally a serial in 1881 and 1882, published as La storia di un burattino (literally "The tale of a puppet"), and then later completed as a book for children in February 1883. It is about the mischievous adventures of an animated marionette named Pinocchio and his father, a poor woodcarver named Geppetto. It is considered a canonical piece of children's literature and has inspired hundreds of new editions, stage plays, merchandising and movies, such as Walt Disney's iconic animated version and commonplace ideas such as a liar's long nose. According to extensive research done by the Fondazione Nazionale Carlo Collodi in late 1990s and based on UNESCO sources, it has been adapted in over 260 languages worldwide. That makes it the most translated non-religious book in the world, and one of the best-selling books ever published. According to Francelia Butler, it remains "the most widely read book in the world after the Bible". Pinocchio is a story about an animated puppet, boys who turn into donkeys and other fairy tale devices. The setting of the story is the Tuscan area of Italy. It was a unique literary marriage of genres for its time. The story's Italian language is peppered with Florentine dialect features, such as the protagonist's Florentine name. In the 1850s, Collodi began to have a variety of both fiction and non-fiction books published. Once, he translated some French fairy-tales so well that he was asked whether he would like to write some of his own. In 1881, he sent a short episode in the life of a wooden puppet to a friend who edited a newspaper in Rome, wondering whether the editor would be interested in publishing this "bit of foolishness" in his children's section. The editor did, and the children loved it. The Adventures of Pinocchio were serialized in the paper in 1881-2, and then published in 1883 with huge success. In the original, serialized version, Pinocchio dies a gruesome death: hanged for his innumerable faults, at the end of Chapter 15. At the request of his editor, Collodi added chapters 16-36, in which the Fairy with Turquoise Hair (or "Blue Fairy", as the Disney version names her) rescues Pinocchio and eventually transforms him into a real boy, when he acquires a deeper understanding of himself, making the story more suitable for children. In the second half of the book, the maternal figure of the Blue-haired Fairy is the dominant character, versus the paternal figure of Geppetto in the first part. Children's literature was a new idea in Collodi's time, an innovation in the 19th century. Thus in content and style it was new and modern, opening the way to many writers of the following century.

Armadale is a novel by Wilkie Collins, first published in 1864-66. Armadale is the third of the four great novels produced by Collins during the 1860s: after The Woman in White (1859-60) and No Name (1862), and before The Moonstone (1868). In the German spa town of Wildbad, the 'Scotchman' Mr. Neal is asked to transcribe the deathbed confession of Allan Armadale; his story concerns his murder of the man he had disinherited (also called Allan Armadale), who had subsequently married the woman he was betrothed to under false pretensions. Under Allan's instructions, the confession is left to be opened by his son once he comes of age. Nineteen years later, the son of the murdered man, also Allan Armadale, rescues a man of his own age-Ozias Midwinter. The stranger reveals himself to Reverend Decimus Brock, a friend of Allan through his late mother, as another Allan Armadale (the son of the man who committed the murder). Ozias tells Brock of his desperate upbringing, having run away from his mother and stepfather (Mr. Neal). The Reverend promises not to disclose their relation to one another, and the young men become close companions. Ozias remains haunted by a fear that he will harm Allan as a result of their proximity, a fate warned of in his father's letter; this feeling intensifies when the pair spend a night on a shipwreck off the Isle of Man-as it turns out, the very ship on which the murder was committed. Also on the vessel, Allan has a mysterious dream involving three characters; Ozias believes that the events are prophesy of the future. Three members of Allan's family die in mysterious circumstances, one of which was instigated in the rescue of a woman who attempted to commit suicide by drowning. As a result, Allan inherits the estate of Thorpe-Ambrose in Norfolk and relocates there with Ozias, intending to make him steward. Once there he falls in love with Eleanor (Neelie) Milroy, the sixteen-year-old daughter of Major Milroy, to whom he has rented a cottage. During this time, correspondence takes place between Maria Oldershaw and Lydia Gwilt concerning the latter's ambitions to marry Allan as a means of achieving retribution for his family's apparent wrongdoings (she was originally a maid in the service of his mother).

The Ambassadors is a novel by Henry James, originally published as a serial in the North American Review (NAR). This dark comedy, seen as one of the masterpieces of James's final period, follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fiancée's supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of view. Lambert Strether, a middle-aged, yet not broadly experienced, man from Woollett, Massachusetts, agrees to assume a mission for his wealthy fiancée: go to Paris and rescue her son, Chad Newsome, from the clutches of a presumably wicked woman. On his journey, Strether stops in England and there meets Maria Gostrey, an American who has lived in Paris for years. Her cynical wit and worldly opinions start to rattle Strether's preconceived view of the situation. In Paris, Strether meets Chad and is impressed by the much greater sophistication Chad seems to have gained during his years in Europe. Chad takes him to a garden party, where Strether meets Marie de Vionnet, a lovely woman of impeccable manners, separated from her reportedly unpleasant husband, and Jeanne, her exquisite daughter. Strether is confused as to whether Chad is more attracted to the mother or the daughter. At the same time, Strether, himself, feels an overwhelming attraction to Marie de Vionnet, which he suspects she might requite, and so begins questioning his commitment to return to Woollett and marry Chad's mother, despite his admiration for her. All of these impressions of Parisian culture lead Strether to confide in Little Bilham, a friend of Chad's, that he might have missed the best life has to offer. Strether starts to delight in the loveliness of Paris and stops Chad from returning to America. Strether's American traveling companion, Waymarsh, provides thematic counterpoint, by refusing to be seduced by the charms of Europe. Meanwhile, Mrs. Newsome, Strether's fiancée and Chad's mother, impatiently waiting in America, enlists new "ambassadors" to return forthwith with Chad. The most important of the new ambassadors, Sarah Pocock, Chad's sister, harshly dismisses Strether's impression that Chad has improved, condemns Marie as an indecent woman, and demands that Chad immediately return to the family business in America. To escape his troubles, Strether takes a brief tour of the French countryside, and accidentally encounters Chad and Marie de Vionnet at a rural inn; he then comprehends the full extent of their romance. After returning to Paris, he counsels Chad not to leave Marie, but Strether finds he is now uncomfortable in Europe. In the end, he declines Maria Gostrey's virtual marriage proposal and returns to America.

The Mill on the Floss is a novel by George Eliot, first published in three volumes in 1860 by William Blackwood. The first American edition was published by Thomas Y. Crowell Co., New York. The novel spans a period of 10 to 15 years and details the lives of Tom and Maggie Tulliver, siblings growing up at Dorlcote Mill on the River Floss at its junction with the more minor River Ripple near the village of St. Ogg's in Lincolnshire, England. Both the river and the village are fictional. The novel is initially set in the late 1820s or early 1830s - a number of historical references place the events in the book after the Napoleonic Wars but before the Reform Act of 1832. (In chapter 3, the character Mr. Riley is described as an "auctioneer and appraiser thirty years ago," placing the opening events of the novel in approximately 1829, thirty years before the novel's composition in 1859. Additionally, in chapter 8, Mr. Tulliver and Mr. Deane discuss the Duke of Wellington and his "conduct in the Catholic Question," a conversation that could only take place after 1828 when Wellington became Prime Minister and supported a bill for Catholic Emancipation). The novel includes autobiographical elements, and reflects the disgrace that George Eliot (Mary Ann Evans) herself experienced while in a lengthy relationship with a married man, George Henry Lewes. Maggie Tulliver is the central character of the book. The story begins when she is 9 years old, 13 years into her parents' marriage. Her relationship with her older brother Tom, and her romantic relationships with Philip Wakem (a hunchbacked, sensitive, and intellectual friend) and with Stephen Guest (a vivacious young socialite in St. Ogg's and assumed fiancé of Maggie's cousin Lucy Deane) constitute the most significant narrative threads. Tom and Maggie have a close yet complex bond, which continues throughout the novel. Their relationship is coloured by Maggie's desire to recapture the unconditional love her father provides before his death. Tom's pragmatic and reserved nature clashes with Maggie's idealism and fervor for intellectual gains and experience. Various family crises, including bankruptcy, Mr. Tulliver's rancorous relationship with Philip Wakem's father, which results in the loss of the mill, and Mr. Tulliver's untimely death, serve both to intensify Tom's and Maggie's differences and to highlight their love for each other. To help his father repay his debts, Tom leaves school to enter a life of business. He eventually finds a measure of success, restoring the family's former estate. Meanwhile, Maggie languishes in the impoverished Tulliver home, her intellectual aptitude wasted in her socially isolated state. She passes through a period of intense spirituality, during which she renounces the world, spurred by Thomas a Kempis's The Imitation of Christ.

Tales of the Jazz Age is a collection of eleven short stories by F. Scott Fitzgerald. Divided into three separate parts, according to subject matter, it includes one of his better-known short stories, "The Curious Case of Benjamin Button". All of the stories had been published earlier, independently, in either Metropolitan Magazine (New York), Saturday Evening Post, Smart Set, Collier's, Chicago Sunday Tribune, or Vanity Fair. The Jelly-Bean: This is a Southern story, with the setting laid in the small Lily of Tarleton, Georgia. Fitzgerald wrote that he had "a profound affection for Tarleton, but somehow whenever I write a story about it I receive letters from all over the South denouncing me in no uncertain terms." Written shortly after his first novel was published, the author also collaborated with his wife on certain scenes. The story momentarily follows the life of a "jelly-bean", or idler, named Jim Powell. An invitation to a dance with the old crowd revives his dreams of social advancement and love, until the consequences of drink and power of money come through and ruin them. The Camel's Back: In the short introduction to this short story, Fitzgerald wrote, "I suppose that of all the stories I have ever written this one cost me the least travail and perhaps gave me the most amusement." The story, he confessed, was written "with the express purpose of buying a platinum and diamond wrist watch which cost six hundred dollars", and took seven hours to finish. Though it was the least-liked story by Fitzgerald in the volume, it was included in the O. Henry Memorial Collection (of the O. Henry Award) of 1920. May Day: Published as a novelette in the The Smart Set in July, 1920, "May Day" relates a series of events which took place in the spring of the previous year, during the "general hysteria" which inaugurated the Jazz Age. Porcelain and Pink: A play, published in The Smart Set in January, 1920.

The Invisible Man is a science fiction novella by H. G. Wells. Originally serialized in Pearson's Weekly in 1897, it was published as a novel the same year. The Invisible Man of the title is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it neither absorbs nor reflects light and thus becomes invisible. He successfully carries out this procedure on himself, but fails in his attempt to reverse it. While its predecessors, The Time Machine and The Island of Doctor Moreau, were written using first-person narrators, Wells adopts a third-person objective point of view in The Invisible Man. A mysterious man, Griffin, arrives at the local inn of the English village of Iping, West Sussex, during a snowstorm. The stranger wears a long-sleeved, thick coat and gloves; his face is hidden entirely by bandages except for a fake pink nose; and he wears a wide-brimmed hat. He is excessively reclusive, irascible, and unfriendly. He demands to be left alone and spends most of his time in his rooms working with a set of chemicals and laboratory apparatus, only venturing out at night. While Griffin is staying at the inn, hundreds of strange glass bottles (that he calls his luggage) arrive. Many local townspeople believe this to be very strange. He becomes the talk of the village with many theorizing as to his origins. Meanwhile, a mysterious burglary occurs in the village. Griffin is running out of money and is trying to find a way to pay for his board and lodging. When his landlady demands that he pay his bill and quit the premises, he reveals part of his invisibility to her in a fit of pique. An attempt to apprehend the stranger is frustrated when he undresses to take advantage of his invisibility, fights off his would-be captors, and flees to the downs. There Griffin coerces a tramp, Thomas Marvel, into becoming his assistant. With Marvel, he returns to the village to recover three notebooks that contain records of his experiments. When Marvel attempts to betray the Invisible Man to the police, Griffin chases him to the seaside town of Port Burdock, threatening to kill him. Marvel escapes to a local inn and is saved by the people at the inn, but Griffin escapes. Marvel later goes to the police and tells them of this "invisible man," then requests to be locked up in a high-security jail. Griffin's furious attempt to avenge his betrayal leads to his being shot. He takes shelter in a nearby house that turns out to belong to Dr. Kemp, a former acquaintance from medical school. To Kemp, he reveals his true identity: the Invisible Man is Griffin, a former medical student who left medicine to devote himself to optics. Griffin recounts how he invented chemicals capable of rendering bodies invisible, and, on impulse, performed the procedure on himself.

Aphrodite is a French-language novel by Pierre Louÿs. Set in Alexandria, the novel tells the story of Chrysis, a courtesan, and the sculptor Démétrios. A Galilaean with long golden hair (source of her Greek nickname), Chrysis is proud of her beauty and her skill at winning the devotion and servility of men. Démétrios, for his part, is worshipped by the women of the town, but has grown tired of their devotion. He has come to prefer his statue of the goddess Aphrodite even to his lover, Queen Bérénice, who posed for it. Chrysis is the only woman who does not care for him; piqued into desire by her resistance, Démétrios is spurred to commit theft and murder for her, to win the three objects she demands in return for her charms: a rival courtesan's silver mirror, the ivory comb of an Egyptian priestess, and the pearl necklace that adorns the cult image in the temple of Aphrodite. After carrying out these errands, Démétrios dreams of the night of love that Chrysis has offered him; and while she falls in love with the man who was moved to crime for her, Démétrios rejects the real Chrysis, sufficed by his dream. She presses her desire, so he makes her swear, as he had, to do his bidding, before revealing what it is: to wear the stolen items in public. She does so, appearing on the Lighthouse of Alexandria in the role of Aphrodite, nude and with the items worn as the attributes of the goddess. Imprisoned and condemned, Chrysis drinks hemlock in the indifferent presence of Démétrios. He then uses her nude body as a model, posing it in the violent attitude in which he had seen her in his dream, to create the statue of Immortal Life.

Jane Eyre is a novel by English writer Charlotte Brontë. It was published on 16 October 1847 under the pen name "Currer Bell." Primarily of the Bildungsroman genre, Jane Eyre follows the emotions and experiences of its eponymous heroine, including her growth to adulthood and her love for Mr. Rochester, the Byronic master of fictitious Thornfield Hall. In its internalisation of the action-the focus is on the gradual unfolding of Jane's moral and spiritual sensibility, and all the events are coloured by a heightened intensity that was previously the domain of poetry-Jane Eyre revolutionised the art of fiction. Charlotte Brontë has been called the 'first historian of the private consciousness' and the literary ancestor of writers like Joyce and Proust. The novel contains elements of social criticism, with a strong sense of Christian morality at its core, but is nonetheless a novel many consider ahead of its time given the individualistic character of Jane and the novel's exploration of classism, sexuality, religion, and proto-feminism. The novel is a first-person narrative from the perspective of the title character. The novel's setting is somewhere in the north of England, late in the reign of George III (1760-1820). It goes through five distinct stages: Jane's childhood at Gateshead Hall, where she is emotionally and physically abused by her aunt and cousins; her education at Lowood School, where she gains friends and role models but suffers privations and oppression; her time as governess at Thornfield Hall, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family, during which her earnest but cold clergyman cousin, St. John Rivers, proposes to her; and her reunion with, and marriage to, her beloved Rochester. During these sections the novel provides perspectives on a number of important social issues and ideas, many of which are critical of the status quo (see the Themes section below). Literary critic Jerome Beaty opines that the close first person perspective leaves the reader "too uncritically accepting of her worldview", and often leads reading and conversation about the novel towards supporting Jane, regardless of how irregular her ideas or perspectives are. Jane Eyre is divided into 38 chapters, and most editions are at least 400 pages long. The original publication was in three volumes, comprising chapters 1 to 15, 16 to 27, and 28 to 38; this was a common publishing format during the 19th century (see three-volume novel). Brontë dedicated the novel's second edition to William Makepeace Thackeray.

The Prince is a 16th-century political treatise, by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature. The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It even contributed to the modern negative connotations of the words "politics" and "politician" in western countries. In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which The Prince has been compared to is the Life of Castruccio Castracani. The descriptions within The Prince have the general theme of accepting that the aims of princes-such as glory and survival-can justify the use of immoral means to achieve those ends: He who neglects what is done for what ought to be done, sooner effects his ruin than his preservation.

Aesop's Fables or the Aesopica is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to the oral tradition and were not collected for some three centuries after Aesop's death. By that time a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the later Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more recent work and sometimes from known authors. Manuscripts in Latin and Greek were important avenues of transmission, although poetical treatments in European vernaculars eventually formed another. On the arrival of printing, collections of Aesop's fables were among the earliest books in a variety of languages. Through the means of later collections, and translations or adaptations of them, Aesop's reputation as a fabulist was transmitted throughout the world. Initially the fables were addressed to adults and covered religious, social and political themes. They were also put to use as ethical guides and from the Renaissance onwards were particularly used for the education of children. Their ethical dimension was reinforced in the adult world through depiction in sculpture, painting and other illustrative means, as well as adaptation to drama and song. In addition, there have been reinterpretations of the meaning of fables and changes in emphasis over time.

Strange Case of Dr. Jekyll and Mr. Hyde is a novella by the Scottish author Robert Louis Stevenson first published in 1886. The work is also known as The Strange Case of Dr. Jekyll and Mr. Hyde, Dr. Jekyll and Mr. Hyde, or simply Jekyll & Hyde. It is about a London lawyer named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde. The novella's impact is such that it has become a part of the language, with the very phrase "Jekyll and Hyde" coming to mean a person who is vastly different in moral character from one situation to the next. Gabriel John Utterson and his cousin Richard Enfield reach the door of a large house on their weekly walk. Enfield tells Utterson that months ago he saw a sinister-looking man named Edward Hyde trample a young girl after accidentally bumping into her. Enfield forced Hyde to pay £100 to avoid a scandal. Hyde brought them to this door and provided a cheque signed by a reputable gentleman (later revealed to be Dr. Henry Jekyll, a friend and client of Utterson). Utterson is disturbed because Jekyll recently changed his will to make Hyde the sole beneficiary. Utterson fears that Hyde is blackmailing Jekyll. When Utterson tries to discuss Hyde with Jekyll, Jekyll turns pale and asks that Hyde be left alone. One night in October, a servant sees Hyde beat to death Sir Danvers Carew, another of Utterson's clients. The police contact Utterson, who leads officers to Hyde's apartment. Hyde has vanished, but they find half of a broken cane. Utterson recognizes the cane as one he had given to Jekyll. Utterson visits Jekyll, who shows Utterson a note, allegedly written to Jekyll by Hyde, apologising for the trouble that he has caused. However, Hyde's handwriting is similar to Jekyll's own, leading Utterson to conclude that Jekyll forged the note to protect Hyde. For two months, Jekyll reverts to his former sociable manner, but in early January, he starts refusing visitors. Dr. Hastie Lanyon, a mutual acquaintance of Jekyll and Utterson, dies of shock after receiving information relating to Jekyll. Before his death, Lanyon gives Utterson a letter to be opened after Jekyll's death or disappearance. In late February, during another walk with Enfield, Utterson starts a conversation with Jekyll at a window of his laboratory. Jekyll suddenly slams the window and disappears. In early March, Jekyll's butler, Mr. Poole, visits Utterson and says Jekyll has secluded himself in his laboratory for weeks. Utterson and Poole break into the laboratory, where they find Hyde wearing Jekyll's clothes and apparently dead from suicide. They find a letter from Jekyll to Utterson. Utterson reads Lanyon's letter, then Jekyll's. Lanyon's letter reveals his deterioration resulted from the shock of seeing Hyde drink a serum that turned him into Jekyll. Jekyll's letter explains that he had indulged in unstated vices and feared discovery. He found a way to transform himself and thereby indulge his vices without fear of detection. Jekyll's transformed personality, Hyde, was evil, self-indulgent, and uncaring to anyone but himself. Initially, Jekyll controlled the transformations with the serum, but one night in August, he became Hyde involuntarily in his sleep.

Ivanhoe is a historical novel by Sir Walter Scott. At the time it was written it represented a shift by Scott away from fairly realistic novels set in Scotland in the comparatively recent past, to a somewhat fanciful depiction of mediaeval England. It has proved to be one of the best known and most influential of Scott's novels. Ivanhoe is set in 12th-century England, with colourful descriptions of a tournament, outlaws, a witch trial and divisions between Jews and Christians. It has been credited for increasing interest in romance and medievalism; John Henry Newman claimed Scott "had first turned men's minds in the direction of the Middle Ages", while Carlyle and Ruskin made similar assertions of Scott's overwhelming influence over the revival, based primarily on the publication of this novel. It has also had an important influence on popular perceptions of Robin Hood, Richard the Lionheart and King John. There have been several adaptations for stage, film and television. Ivanhoe is the story of one of the remaining Saxon noble families at a time when the nobility in England was overwhelmingly Norman. It follows the Saxon protagonist, Sir Wilfred of Ivanhoe, who is out of favour with his father for his allegiance to the Norman king Richard the Lionheart. The story is set in 1194, after the failure of the Third Crusade, when many of the Crusaders were still returning to their homes in Europe. King Richard, who had been captured by Leopold of Austria on his return journey to England, was believed to still be in captivity. The legendary Robin Hood, initially under the name of Locksley, is also a character in the story, as are his "merry men". The character that Scott gave to Robin Hood in Ivanhoe helped shape the modern notion of this figure as a cheery noble outlaw. Other major characters include Ivanhoe's intractable father, Cedric, one of the few remaining Saxon lords; various Knights Templar, most notable of whom is Brian de Bois-Guilbert, Ivanhoe's main rival; a number of clergymen; the loyal serfs: Gurth the swineherd and the jester Wamba, whose observations punctuate much of the action; and the Jewish moneylender, Isaac of York, who is equally passionate about his people and his beautiful daughter, Rebecca. The book was written and published during a period of increasing struggle for the emancipation of the Jews in England, and there are frequent references to injustices against them.

Star Maker is a science fiction novel by Olaf Stapledon. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written. A single human narrator from England is transported out of his body via unexplained means. He realizes he is able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail. The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. These include the first known instance of what is now called the Dyson sphere; a reference to a scenario closely predicting the later zoo hypothesis or Star Trek's Prime Directive; many imaginative descriptions of species, civilizations and methods of warfare; descriptions of the Multiverse; and the idea that the stars and even pre-galactic nebulae are intelligent beings, operating on vast time scales. A key idea is the formation of collective minds from many telepathically linked individuals, on the level of planets, galaxies, and eventually the cosmos itself. A symbiotic species, each individual composed of two species, both non-humanoid, is discussed in detail. Normally detached from the galaxy's turmoil, they intervene in a deus ex machina to end the threat of a civilization dedicated to the idea of total insanity trying to force its mentality onto one stellar civilization after another. The climax of the book is the "supreme moment of the cosmos", when the cosmical mind (which includes the narrator) attains momentary contact with the Star Maker, the creator of the universe. but stands in the same relation to it as an artist to his work, and calmly assesses its quality without any feeling for the suffering of its inhabitants. This element makes the novel one of Stapledon's efforts to write "an essay in myth making".

Adventures of Huckleberry Finn is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer. The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about 20 years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism. Perennially popular with readers, Adventures of Huckleberry Finn has also been the continued object of study by literary critics since its publication. It was criticized upon release because of its coarse language and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the racial slur "nigger", despite arguments that the protagonist and the tenor of the book are anti-racist. The story begins in fictional St. Petersburg, Missouri (based on the actual town of Hannibal, Missouri), on the shore of the Mississippi River "forty to fifty years ago" (the novel having been published in 1884). Huckleberry "Huck" Finn (the protagonist and first-person narrator) and his friend, Thomas "Tom" Sawyer, have each come into a considerable sum of money as a result of their earlier adventures (detailed in The Adventures of Tom Sawyer). Huck explains how he is placed under the guardianship of the Widow Douglas, who, together with her stringent sister, Miss Watson, are attempting to "sivilize" him and teach him religion. Finding civilized life confining, his spirits are raised somewhat when Tom Sawyer helps him to escape one night past Miss Watson's slave Jim, to meet up with Tom's gang of self-proclaimed "robbers." Just as the gang's activities begin to bore Huck, he is suddenly interrupted by the reappearance of his shiftless father, "Pap", an abusive alcoholic. Knowing that Pap would only spend the money on alcohol, Huck is successful in preventing Pap from acquiring his fortune; however, Pap kidnaps Huck and leaves town with him.

South Sea Tales is a collection of short stories written by Jack London. Most stories are set in island communities, like those of Hawaii, or are set aboard a ship. List of Stories: The House of Mapuhi The Whale Tooth Mauki "Yah! Yah! Yah!" The Heathen The Terrible Solomons The Inevitable White Man The Seed of McCoy

The Merry Adventures of Robin Hood is a novel by the American illustrator and writer Howard Pyle. Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century. The plot follows Robin Hood as he becomes an outlaw after a conflict with foresters and through his many adventures and runs with the law. Each chapter tells a different tale of Robin as he recruits Merry Men, resists the authorities, and aids his fellow man. The popular stories of Little John defeating Robin in a fight with staffs, of Robin's besting at the hands of Friar Tuck, and of his collusion with Allan-a-Dale all appear. In the end, Robin and his men are pardoned by King Richard the Lionheart and his band are incorporated into the king's retinue, much to the dismay of the Sheriff of Nottingham.

Antony and Cleopatra is a tragedy by William Shakespeare. The play was performed first circa 1607 at the Blackfriars Theatre or the Globe Theatre by the King's Men. Its first appearance in print was in the Folio of 1623. The plot is based on Thomas North's translation of Plutarch's Lives and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in Rome and Egypt, and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome. Many consider Shakespeare's Cleopatra, whom Antony describes as having "infinite variety," as one of the most complex and fully developed female characters in the playwright's body of work. She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, e.g. McCarter, a problem play. All one can say with certainty is that it is a Roman play, even a sequel to another of Shakespeare's tragedies, Julius Caesar.

Incidents in the Life of a Slave Girl is an autobiography by a young mother and fugitive slave published in 1861 by L. Maria Child, who edited the book for its author, Harriet Ann Jacobs. Jacobs used the pseudonym Linda Brent. The book documents Jacobs' life as a slave and how she gained freedom for herself and for her children. Jacobs contributed to the genre of slave narrative by using the techniques of sentimental novels "to address race and gender issues." She explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children when their children might be sold away. Jacobs' book is addressed to white women in the North who do not fully comprehend the evils of slavery. She makes direct appeals to their humanity to expand their knowledge and influence their thoughts about slavery as an institution. Jacobs began composing Incidents in the Life of a Slave Girl after her escape to New York, while living and working at Idlewild, the Hudson River home of writer and publisher Nathaniel Parker Willis. Portions of her journals were published in serial form in the New-York Tribune, owned and edited by Horace Greeley. Jacobs' reports of sexual abuse were deemed too shocking for the average newspaper reader of the day, and publication ceased before the completion of the narrative. Boston publishing house Phillips and Samson agreed to print the work in book form if Jacobs could convince Willis or abolitionist author Harriet Beecher Stowe to provide a preface. She refused to ask Willis for help and Stowe never responded to her request. The Phillips and Samson company closed. Jacobs eventually signed an agreement with the Thayer & Eldridge publishing house, and they requested a preface by abolitionist Lydia Maria Child, who agreed. Child also edited the book, and the company introduced her to Jacobs. The two women remained in contact for much of their remaining lives. Thayer & Eldridge, however, declared bankruptcy before the narrative could be published.

The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular long novels and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "confronting her destiny" finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal. Isabel Archer, originally from Albany, New York, is invited by her maternal aunt, Lydia Touchett, to visit Lydia's rich husband, Daniel, at his estate near London, following the death of Isabel's father. There, Isabel meets her uncle, her friendly invalid cousin Ralph Touchett, and the Touchetts' robust neighbor, Lord Warburton. Isabel later declines Warburton's sudden proposal of marriage. She also rejects the hand of Caspar Goodwood, the charismatic son and heir of a wealthy Boston mill owner. Although Isabel is drawn to Caspar, her commitment to her independence precludes such a marriage, which she feels would demand the sacrifice of her freedom. The elder Touchett grows ill and, at the request of his son, leaves much of his estate to Isabel upon his death. With her large legacy, Isabel travels the Continent and meets an American expatriate, Gilbert Osmond, in Florence. Although Isabel had previously rejected both Warburton and Goodwood, she accepts Osmond's proposal of marriage, unaware that it has been actively promoted by the accomplished but untrustworthy Madame Merle, another American expatriate, whom Isabel had met at the Touchetts' estate. Isabel and Osmond settle in Rome, but their marriage rapidly sours due to Osmond's overwhelming egotism and lack of genuine affection for his wife. Isabel grows fond of Pansy, Osmond's presumed daughter by his first marriage, and wants to grant her wish to marry Edward Rosier, a young art collector. The snobbish Osmond would prefer that Pansy accept the proposal of Warburton, who had previously proposed to Isabel. Isabel suspects, however, that Warburton may just be feigning interest in Pansy to get close to Isabel again, and the conflict creates even more strain within the unhappy marriage. Isabel then learns that Ralph is dying at his estate in England and prepares to go to him for his final hours, but Osmond selfishly opposes this plan. Meanwhile, Isabel learns from her sister-in-law that Pansy is actually the daughter of Madame Merle, who had had an adulterous relationship with Osmond for several years. Isabel pays a final visit to Pansy, who desperately begs her to return someday, which Isabel reluctantly promises to do. She then leaves, without telling her spiteful husband, to comfort the dying Ralph in England, where she remains until his death. Goodwood encounters her at Ralph's estate, and begs her to leave Osmond and come away with him. He passionately embraces and kisses her, but Isabel flees. Goodwood seeks her out the next day but is told she has set off again for Rome. The ending is ambiguous, and the reader is left to imagine whether Isabel returned to Osmond to suffer out her marriage in noble tragedy (perhaps for Pansy's sake), or she is going to rescue Pansy and leave Osmond.

Anthem is a dystopian fiction novella by Ayn Rand. It takes place at some unspecified future date when mankind has entered another dark age. Technological advancement is now carefully planned and the concept of individuality has been eliminated. Equality 7-2521, writing by candlelight in a tunnel under the earth, tells the story of his life up to that point. He exclusively uses plural pronoun(s) ("we", "our", "they") to refer to himself and others. He was raised like all children in his society, away from his parents in collective homes. Later, he realized that he was born with a "curse", that makes him learn quickly and ask many questions. He excelled at the Science of Things and dreamed of becoming a Scholar. However, a Council of Vocations assigns all people to their Life Mandate, and he was assigned to be a Street Sweeper. Equality 7-2521 accepts his street sweeping assignment as penance for his "Transgression of Preference" in secretly desiring to be a Scholar. He works with Union 5-3992 and International 4-8818, who is Equality's only friend (which is another Transgression of Preference). He found an entrance to a tunnel in their assigned work area. Despite International's protests that any exploration unauthorized by a Council is forbidden, Equality entered the tunnel and found that it contains metal tracks. Equality realized that the tunnel is from the Unmentionable Times of the distant past. He began sneaking away from his community to use the tunnel as a laboratory for scientific experiments. He stole paper and is using it to write his journal. He is now 21 years old. While cleaning a road at the edge of the City, Equality meets Liberty 5-3000, a 17-year-old Peasant girl who works in the fields. He commits another transgression by thinking constantly of her, instead of waiting to be assigned a woman at the annual Time of Mating. She has dark eyes and golden hair, and he names her "The Golden One". When he speaks to her, he discovers that she also thinks of him. Later he reveals his secret name for her, and Liberty tells Equality she has named him "The Unconquered". Continuing his scientific work, Equality rediscovers electricity. In the ruins of the tunnel, he finds a glass box with wires in it, that gives off light when he passes electricity through it. He decides to take his discovery to the World Council of Scholars, thinking that such a great gift to mankind will outweigh his transgressions and lead to him being made a Scholar. However, one night he loses track of time in the underground tunnel and his absence from the Home of the Street Sweepers is noticed. He is whipped and held in the Palace of Corrective Detention. The night before the World Council of Scholars is set to meet, he easily escapes; there are no guards because no one has ever attempted escape before. The next day he presents his work to the World Council of Scholars. Horrified that he has done unauthorized research, they assail him as a "wretch" and a "gutter cleaner", saying he must be punished. They say his discovery must be destroyed, lest it disrupt the plans of the World Council and the Department of Candles. Equality seizes the box and flees into the Uncharted Forest that lies outside the City.

A Voyage to Arcturus is a novel by Scottish writer David Lindsay. It combines fantasy, philosophy, and science fiction in an exploration of the nature of good and evil and their relationship with existence. Critic and philosopher Colin Wilson described it as the "greatest novel of the twentieth century", and it was a central influence on C. S. Lewis' Space Trilogy. J. R. R. Tolkien said he read the book "with avidity". Clive Barker has stated " A Voyage to Arcturus is a masterpiece" and called it "an extraordinary work . . . quite magnificent." An interstellar voyage is the framework for a narrative of a journey through fantastic landscapes. The story is set at Tormance, an imaginary planet orbiting Arcturus, which, in the novel (but not in reality) is a double star system, consisting of stars Branchspell and Alppain. The lands through which the characters travel represent philosophical systems or states of mind, through which the main character, Maskull, passes on his search for the meaning of life. Maskull, a man longing for adventures, accepts an invitation from Krag, an acquaintance of his friend Nightspore, to travel to Tormance after a seance. The three set off in a crystal ship from an abandoned observatory in Scotland but Maskull awakens to find himself alone on Tormance. In every land he passes through he usually meets only one or two persons; these meetings often (though not always) end in the death of those he meets, either at his own hand or by that of another. He learns of his own impending death, meets Krag again, and dies shortly after learning that he is in fact Nightspore himself. The book concludes with a final revelation from Krag (who claims to be known on Earth as "Pain") to Nightspore about the origin of the Universe. The author turns out to support a variation of the doctrine of the Demiurge, somewhat similar to that propounded by some Gnostics. All of the characters and lands are types used to convey the author's critique of several philosophical systems. On Tormance, most such viewpoints or ways of life are accompanied by corresponding new bodily sense organs or modifications of the same, thus each distinct Weltanschauung landscape has its corresponding sensorium.

The Innocents Abroad is a travel book by American author Mark Twain published in 1869 which humorously chronicles what Twain called his "Great Pleasure Excursion" on board the chartered vessel Quaker City (formerly USS Quaker City) through Europe and the Holy Land with a group of American travelers in 1867. It was the best-selling of Twain's works during his lifetime, as well as one of the best-selling travel books of all time. Innocents Abroad presents itself as an ordinary travel book based on an actual voyage in a retired Civil War ship (the USS Quaker City). The excursion was billed as a Holy Land expedition, with numerous stops and side trips along the coast of the Mediterranean Sea, notably: train excursion from Marseille to Paris for the 1867 Paris Exhibition during the reign of Napoleon III and the Second French Empire journey through the Papal States to Rome side trip through the Black Sea to Odessa culminating in an excursion through the Holy Land. Twain recorded his observations and critiques of the various aspects of culture and society which he encountered on the journey, some more serious than others. Many of his observations draw a contrast between his own experiences and the often grandiose accounts in contemporary travelogues, which were regarded in their own time as indispensable aids for traveling in the region. In particular, he lampooned William Cowper Prime's Tent Life in the Holy Land for its overly sentimental prose and its often violent encounters with native inhabitants. Twain also made light of his fellow travelers and the natives of the countries and regions that he visited, as well as his own expectations and reactions.

Sons and Lovers is a novel by the English writer D. H. Lawrence, originally published by B.W. Huebsch Publishers. The Modern Library placed it ninth on their list of the 100 best novels of the 20th century. While the novel initially received a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement. The refined daughter of a "good old burgher family," Gertrude Coppard meets a rough-hewn miner, Walter Morel, at a Christmas dance and falls into a whirlwind romance characterised by physical passion. But soon after her marriage to Walter, she realises the difficulties of living off his meagre salary in a rented house. The couple fight and drift apart and Walter retreats to the pub after work each day. Gradually, Mrs. Morel's affections shift to her sons beginning with the oldest, William. As a boy, William is so attached to his mother that he doesn't enjoy the fair without her. As he grows older, he defends her against his father's occasional violence. Eventually, he leaves their Nottinghamshire home for a job in London, where he begins to rise up into the middle class. He is engaged, but he detests the girl's superficiality. He dies and Mrs. Morel is heartbroken, but when Paul catches pneumonia she rediscovers her love for her second son. Both repulsed by and drawn to his mother, Paul is afraid to leave her but wants to go out on his own, and needs to experience love. Gradually, he falls into a relationship with Miriam, a farmer's daughter who attends his church. The two take long walks and have intellectual conversations about books but Paul resists, in part because his mother disapproves. At Miriam's family's farm, Paul meets Clara Dawes, a young woman with, apparently, feminist sympathies who has separated from her husband, Baxter. After pressuring Miriam into a physical relationship, which he finds unsatisfying, Paul breaks with her as he grows more intimate with Clara, who is more passionate physically. But even she cannot hold him and he returns to his mother. When his mother dies soon after, he is alone. Lawrence summarised the plot in a letter to Edward Garnett on 12 November 1912: It follows this idea: a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers - first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother - urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives, and holds them. It's rather like Goethe and his mother and Frau von Stein and Christiana - As soon as the young men come into contact with women, there's a split. William gives his sex to a fribble, and his mother holds his soul. But the split kills him, because he doesn't know where he is. The next son gets a woman who fights for his soul - fights his mother. The son loves his mother - all the sons hate and are jealous of the father. The battle goes on between the mother and the girl, with the son as object. The mother gradually proves stronger, because of the ties of blood. The son decides to leave his soul in his mother's hands, and, like his elder brother go for passion. He gets passion. Then the split begins to tell again. But, almost unconsciously, the mother realises what is the matter, and begins to die. The son casts off his mistress, attends to his mother dying. He is left in the end naked of everything, with the drift towards death.

Anne of the Island is the third book in the Anne of Green Gables series, written by Lucy Maud Montgomery about Anne Shirley. Anne of the Island was published in 1915, seven years after the bestselling Anne of Green Gables. In the continuing story of Anne Shirley, Anne attends Redmond College in Kingsport, where she is studying for her BA. Anne leaves Green Gables and her work as a teacher in Avonlea to pursue her original dream (which she gave up in Anne of Green Gables) of taking further education at Redmond College in Nova Scotia. Gilbert Blythe and Charlie Sloane enroll as well, as does Anne's friend from Queen's Academy, Priscilla Grant. During her first week of school, Anne befriends Philippa Gordon, a beautiful girl whose frivolous ways charm her. Philippa (Phil for short) also happens to be from Anne's birthplace in Bolingbroke, Nova Scotia. The girls spend their first year in boardinghouses and decide to set up house thereafter in a lovely cottage called Patty's Place, near campus. The girls enter their second year at Redmond happily ensconced at Patty's Place, along with Queen's classmate Stella Maynard and her "Aunt Jimsie" (their chaperone), while life continues in Avonlea. Diana Barry becomes engaged to Fred Wright and Davy and Dora continue to keep Marilla busy. Midway through their college years, Gilbert Blythe, who has always loved Anne, proposes to her but Anne rejects him; although she and Gilbert are very close, she holds sentimental fantasies about true love (all featuring a tall, dark, handsome, inscrutable hero) and does not recognize her true feelings for Gilbert. Gilbert leaves, his heart broken, and the two drift apart. Anne's childhood friend Ruby Gillis dies of consumption very soon after finding her own true love. Anne later welcomes the courtship of Roy Gardner, a darkly handsome Redmond student who showers her with attention and poetic gestures. However, when he proposes after two years, Anne abruptly realizes that Roy does not really belong in her life, and that she had only been in love with the idea of him as the embodiment of her childhood ideal.

The Age of Innocence is Edith Wharton's twelfth novel, initially serialized in four parts in the Pictorial Review magazine in 1920, and later released by D. Appleton and Company as a book in New York and in London. It won the 1921 Pulitzer Prize for Fiction, making Wharton the first woman to win the prize. Though the committee initially agreed to award the prize to Sinclair Lewis, the judges rejected his Main Street on political grounds and "established Wharton as the American 'First Lady of Letters'", the irony being that the committee had awarded The Age of Innocence the prize on grounds that negated Wharton's own blatant and subtle ironies, which constitute and make the book so worthy of attention. The story is set in upper-class New York City in the 1870s, during the Gilded Age. Wharton wrote the book in her 50s, after she had established herself as a strong author with publishers clamoring for her work. The Age of Innocence centers on an upper-class couple's impending marriage, and the introduction of the bride's cousin, plagued by scandal, whose presence threatens their happiness. Though the novel questions the assumptions and morals of 1870s New York society, it never develops into an outright condemnation of the institution.The novel is noted for Wharton's attention to detail and its accurate portrayal of how the 19th-century East Coast American upper class lived, and the social tragedy of its plot. Wharton was 58 years old at publication; she had lived in that world and had seen it change dramatically by the end of World War I. The title is an ironic comment on the polished outward manners of New York society when compared to its inward machinations. It is believed to have been drawn from the popular 1785 painting A Little Girl by Sir Joshua Reynolds that later became known as The Age of Innocence and was widely reproduced as the commercial face of childhood in the later half of the 18th century. The title, while ironic, was not as caustic as the title of story featured in the The House of Mirth, published in 1905.