Bøger af Sebastian Farr

"First published in 1941 but out-of-print since, this is by a lost writer of the genre, Sebastian Farr (a pseudonym for Eric Walter Blom), a prolific Swiss-born and British-naturalised music lexicographer, music critic and writer. The headline from The Maningpool Telegraph read: TRAGIC DEATH OF SIR NOEL GRAMPIAN - shot during performance - Symphony Concert Calamity As a rousing Strauss piece is reaching its crescendo in Maningpool Civic Hall, the talented yet obnoxious conductor Sir Noel Grampian is shot dead in full view of the Municipal Orchestra and the audience. It was no secret that he had many enemies - musicians and music critics among them - but to be killed in mid flow suggests an act of the coldest calculation. Told through the letters and documents sent by D.I. Alan Hope to his wife as he puzzles through the dauntingly vast pool of suspects and scant physical evidence in the case, this is an innovative and playful mystery underscored by the author's extensive experience of the highly-strung world of music professionals.--

This book uniquely provides a comprehensive and up-to-date overview of congenital and acquired deformities of the pediatric shoulder girdle, a field barely covered in existing books. It not only addresses bone deformities, but also examines the most important soft tissue alterations, e.g. muscular torticollis, thoracic outlet syndrome, shoulder dyskinesia, as well as brachial plexus birth injury and syndrome-related shoulder disorders. Following a consistent and treatment-oriented structure for each topic, leading international experts present epidemiology, key points in clinical, radiological diagnosis and treatment options, technical tips and tricks, and pertinent literature outcomes. Filling an existing gap, this book offers a timely and up-to-date resource for pediatric orthopedic fellows and attending surgeons, as well as for general orthopedists, primary care doctors and physiotherapists with an interest in the pediatric upper limb. 

First published in 1941, the reader was promised an 'orchestral fantasy of detection' by the original subtitle - now the readers of today will have a new opportunity to enjoy this unusual and skilfully told classic.