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  • af Scott Ryan
    258,95 kr.

    This provocative tome, sure to foment heated discussions among cinephiles of all generations, argues that the 1990s was the last decade in which films were made for grownups, with complex, adult-based plots, nuanced characters, and meaningful themes.“I feel like Scott Ryan could have written this directly to me and others in our generation who have basically ‘given up’ on movies. It is at once tribute and eulogy, so bittersweet.” – Screenwriter Helen Childress (Reality Bites)   “The nineties are lucky to have Scott Ryan.” – Actress Natasha Gregson Wagner (Two Girls and a Guy, Lost Highway)   Ah, the nineties. Movies were something in those days. We’re talking about a decade that began with GoodFellas and ended with Magnolia, with such films asMalcolm X, Before Sunrise, and Cluelessarriving somewhere in between. Stories, characters, and writing were king; IP, franchise movies, and supersaturated superhero flicks were still years away. Or so says Scott Ryan, the iconoclastic author of The Last Days of Lettermanand Moonlighting: An Oral History, who here turns his attention to The Last Decade of Cinema—the prolific 1990s. Ryan, who watched just about every film released during the decade when he was a video store clerk in a small town in Ohio, identifies twenty-five unique and varied films from the decade, including Pretty Woman, Pulp Fiction, Menace II Society, The Prince of Tides, and The Shawshank Redemption, focusing with his trademark humor and insight on what made them classics and why they could never be produced in today’s film culture. The book also includes interviews with writers, directors, and actors from the era. Go back to the time of VCR’s, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell “Hasta la vista, baby” to today’s meaningless entertainment. Revel in the risk-taking brilliance of  Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan’s magnum opus, The Last Decade of Cinema.

  • af Scott Ryan
    233,95 kr.

  • - An Oral History
    af Scott Ryan
    308,95 kr.

    "Once upon a time ABC-TV's Moonlighting was among the most buzzed-about shows in the country, thanks largely to the bravado of creator Glenn Gordon Caron, who never met a television convention he didn't want to break, and the sizzling on-screen chemistry between glamorous erstwhile film star Cybill Shepherd and a New Jersey bartender nobody had ever heard of before named Bruce Willis. This combustible blend of creative brilliance produced some of the most acclaimed, audacious, and innovative programming of the eighties. The real story of this pioneering television series and the extraordinary behind-the-scenes challenges, battles, and rewards has never been told-- until now. Author Scott Ryan conducted over twenty interviews with the actors, writers, directors, and producers who made Moonlighting such a dynamic, unforgettable show, delving deep into their thoughts and feelings as they relive this magical moment in pop culture history in this full color oral history."--Provided by publisher.

  • - An Oral History
    af Scott Ryan
    383,95 - 388,95 kr.

  • - A Collection of Essays
    af Scott Ryan
    158,95 kr.

    David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Yet others see in Lynch's work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. "He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste," wrote W's Lynn Hirschberg. "And at the heart of this tense, intriguing friction, you will always find Lynch's women." The Women of Lynch is a deep, provocative dive into this paradox, featuring ten essays, thought pieces and impressionistic interpretations of Lynch's depiction of women on screen, by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way. The book also contains an interview with actress Mädchen Amick (Shelly Johnson in Twin Peaks) where she gives first hand knowledge on what it is like to be a woman of Lynch. Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch.This is the first essay book about the work of David Lynch by all female writers. Readers will enjoy The Women of Lynch: A Collection of Essays.This book contains essays by: x. An Introduction by Philippa Snow1. The Uncanny Electricity of David Lynch's Women by Leigh Kellmann Kolb2. Women's Films: Melodrama and Women's Trauma in the Films of David Lynch by Lindsay Hallam3. A Colorless Sky: On the Whiteness of Twin Peaks by Melanie McFarland4. Warding off the Darkness with Coffee and Pie by Mallory O'Meara5. "This is where we talk, Shelly." An Interview with Mädchen Amick by Lindsey Bowden6. Welcome to the Bipolar Silencio Club! by Hannah Klein7. The Triple Goddess by Lauren Fox8. Isabella Rossellini: The Shocking "Real" in Blue Velvet by Kathleen Fleming9. Tea And Sympathy: Mrs. Kendal and The Elephant Man by Rebecca Paller10. Jade: Ornamental Gem or Protective Talisman? A Character Study by Marisa C. Hayes11. "Mary X Marks The Spot." An Interview with Charlotte Stewart by Lisa Hession12. Impressions of Lynch: Journaling a Requiem by Mya McBriarEdited by David BushmanConcept by Scott RyanFront Cover by Blake MorrowArt by Wayne Barnes & Hannah Fortune

  • af Scott Ryan
    258,95 kr.

    On May 20, 2015, Dave said, "Thank you and goodnight." The Foo Fighters sang "Everlong," and Late Show with David Letterman ended its run. The final six weeks of the series had guests like Julia Roberts, George Clooney, Oprah Winfrey, and the Obamas. All names you have heard many times. But it was the people behind the scenes who pulled off these twenty-eight unforgettable episodes of late-night television.Author Scott Ryan conducted over twenty interviews with the staffers of David Letterman. Most of the participants had never given interviews before. The writers, directors, producers, and stage managers offer a behind-the-scenes look at what it was like to work on these shows. Find out what it takes to write a Top Ten list, book a president for a guest spot, and what it was like working at the Ed Sullivan Theater.Long time Letterman writer Bill Scheft penned the foreword for the book. Included are over 100 color photos from staffers' personal collections, as well as publicity photos from the show. Get the first truly inside look at creating an episode of Late Show.Interviews with: Barbara Gaines - Executive Producer; Sheila Rogers - Supervising Producer/ Talent Executive; Randi Grossack - Associate Director; Kathy Mavrikakis, Supervising Producer; Rick Sheckman, Associate Producer; Brian Teta - Supervising Producer/Segment Producer; Sheryl Zelikson - Music Producer; Jay Johnson - Creative Director, Digital Media; Jerry Foley - Director; Michael Barrie - Writer; Lee Ellenberg - Writer; Jim Mulholland - Writer; Joe Grossman - Writer; Jeremy Weiner - Writer; Steve Young - Writer; Vincent Favale - Executive of Late Night Programing; Eddie Valk - Stage Manager; Bill Scheft - Writer; Janice Penino - Vice President, Human Resources; Jill Goodwin - Writer; and Mike Buczkiewicz - Senior Producer/Segment Producer; Rupert Jee - Hello Deli Owner.

  • - A Critique of Ayn Rand's Epistemology
    af Scott Ryan
    248,95 kr.