Bøger af Sarah Milroy

From black cats to iconic snowscapes, Maud Lewis paints our waking dreams.One of Canada's most beloved folk artists, Maud Lewis was famous in her lifetime for her brightly coloured and endearing paintings of rural Nova Scotia. Working from her tiny, road-side house in Marshalltown, she produced hundreds of small works that captured aspects of rapidly changing country life. Until now, the story of her difficult life has dominated the discussion of her art: her triumph over her physical disabilities and poverty, the harsh treatment she received at the hands of her family, and her alliance by chance with her husband Everett Lewis, who enabled her successful painting career over many decades.This book, accompanied by an exhibition at the McMichael Canadian Art Collection, will examine the aesthetic achievements of Maud Lewis's paintings -- her serial repetition of images and motifs and the dizzying variety that she brought to the problems of picture making. From her black cats and kittens, to her cart horses and oxen hauling logs, to her quayside scenes of ships in port and the Maritime landscape in all seasons, Maud Lewis made paintings that still delight in their optimism and buoyant vitality.Featuring a comprehensive selection of paintings drawn from leading Maud Lewis collectors in Nova Scotia, Maud Lewis: Paintings for Sale offers a unique opportunity to experience the range and depth of her work.

A landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection. Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island. Splendidly illustrated, Early Days not only tells the story of a leading collection but traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history. Featured contributors: Barry Ace, Pierre Aupilardjuk, Leland Bell, Dempsey Bob, Violet Chum, Hannah Claus, Dana Claxton, Taa.uu 'Tuuwans Nika Collison, Alan Ojiig Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Sarah Florence Davidson, Robert Davidson, Blake Debassige, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn Hill, Richard William Hill, Maria Hupfield, Heather Igoliorte, Luis Jacob, Gayle Uyagaqi Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Kaitlin McCormick, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Wanda Nanibush, Jeneen Frei Njootli, Ruth B. Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Michelle Sylliboy, Snxakila Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble, Jesse Tungilik, Camille Georgeson-Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

Into the Light: The Art of Lionel LeMoine FitzGerald, is a comprehensive and diverse examination of the impact and lasting influence of Lionel LeMoine FitzGerald, the last member of the Group of Seven, joining in 1932, and the only member to live in western Canada. Co-curated by Sarah Milroy, Chief Curator and Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, the exhibition will present more than 200 paintings, drawings and prints, in partnership with the Winnipeg Art Gallery. This scholarly publication will examine the artists' practice and inspirations through a selection of the exhibition works and essay contributions by the curators, Winnipeg Art Gallery Chief Curator Andrew Kear, artists Pierre Dorion, Robert Houle and Wanda Koop, writer Robert Enright and prominent Canadian art historians Michael Parke-Taylor and Dr. Oliver A.I. Botar.

Luminescent paintings form the visual focus of Mary Pratt, a career retrospective that examines every aspect of Pratt's unique creative journey. Her paintings -- Eggs in an Egg Crate, Salmon on Saran, Eviscerated Chickens, Cod Fillets on Tin Foil -- have achieved iconic status. Capturing what she descirbes as "the stuff of life," Pratt elevates the mundane to the monumental.