Bøger af Sarah Kay

This is a new edition--with facing-page translation, introduction, and index of proper names--of the Old French Raoul de Cambral, one of the most violent and passionate epic poems of the turn of the thirteenth century. Portraying a nightmare world of social disintegration and ethical uncertainty, the poem has never before been translated into English.

Focusing on songs by the troubadours and trouveres from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "e;words plus music"e; but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality-as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils-Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book-to better understand the sung dimension of medieval song.

Studying the medieval tradition of quoting verbatim from troubadour songs, Sarah Kay explores works produced along the arc of the northern Mediterranean in the thirteenth and fourteenth centuries, illuminating how this tradition influenced medieval literary history and the development of European subjectivity.

"This book is quite simply the most important, intellectually ambitious, and far-reaching endeavor in recent years."-Stephen G. Nichols, Johns Hopkins University

Where does courtly literature come from? What is the meaning of courtly love? What is the relation between religious and secular culture in the Middle Ages, and why does it matter? This book addresses these questions by way of contradiction, which is central both to medieval logic and to most modern protocols of reading.