Bøger af Sarah Bay-Cheng

This timely collaboration by three prominent scholars of media-based performance presents a new model for understanding and analysing theatre and performance created and experienced where time-based, live events, and mediated technologies converge - particularly those works conceived and performed explicitly within the context of contemporary digital culture.

Examines Gertrude Stein's drama within the history of the theatric and cinematic avant-gardes. This book explores her development of a playwriting aesthetic based in avant-garde drama, cinema, and queer identity.