Bøger af Salomon Jadassohn

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This is a rather special and full-bodied theme and set of ten variations in a serious style from the German composer Jadassohn. The rich and plummy theme suffuses through the entirety of the work providing a robustly satisfying fragrance which many works of a similar vintage may only aspire to. Long and integrated, with lingering flavours and an intoxicating finish this is a work destined to leave a lasting impression.---Es handelt sich hier um ein besonderes und gehaltvolles Thema und eine Sammlung von zehn dazugehörigen Variationen des deutschen Komponisten Jadassohn. Der reiche und fruchtige Hauptgedanke zieht sich durch die Gesamtheit des Werks und verbreitet einen betörenden Duft, eine Eigenschaft, auf die viele Werke ähnlichen Jahrgangs nur hoffen dürfen. Ausführlich und umfassend, mit anhaltendem Aroma und berauschendem Abgang ist dies ein Werk das dazu bestimmt ist, bleibenden Eindruck zu hinterlassen..

Reminiscent of the earliest examples of the chaconne form, this work by Jadassohn is replete with the kind of inventiveness and treatment of harmonic forces that came to characterise the works of the later 19" Century as found in Liszt and Wagner. A pioneer of harmonic theory himself, Jadassohn applied the most subtle and delicate twist to the traditional harmonic form in this piece. The rediscovery of this work is sure to delight audiences with a work of depth and virtuosity from one of the forgotten masters of the Romantic period.---An frühe Beispiele der Chaconne erinnernd, verfügt Jadassohns Arbeit über einen ähnlichen Erfindungsreichtum und eine vergleichbare Behandlung harmonischer Kräfte, die später die Werke des späteren 19. Jahrhunderts von unter anderem Franz Liszt und Richard Wagner auszeichnen würden. Selbst ein Pionier der Harmonielehre gibt Jadassohn der traditionellen harmonischen Form hier eine subtile und feine Wendung. Seine Wiederentdeckung wird dem Publikum viel Freude bereiten, handelt es sich doch um eine Arbeit voller Tiefe und Virtuosität von einem der vergessenen Meister der Romantik.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Treatise On Single, Double, Triple And Quadruple Counterpoint is a comprehensive guide to the art of counterpoint, written by Salomon Jadassohn and first published in 1887. The book covers the principles and techniques of composing music in multiple voices, focusing on the four types of counterpoint: single, double, triple, and quadruple.Jadassohn begins by defining counterpoint and its various forms, and then delves into the rules and guidelines for each type. He explains the importance of voice leading, chord progressions, and harmonic structure, and provides numerous examples and exercises to help readers master the techniques.Throughout the book, Jadassohn emphasizes the importance of creativity and individual expression within the framework of counterpoint, encouraging readers to experiment with their own compositions and interpretations. He also includes a section on the history of counterpoint, tracing its development from medieval times to the present day.Treatise On Single, Double, Triple And Quadruple Counterpoint is a valuable resource for composers, music students, and anyone interested in the art of music composition. Its clear and concise explanations, numerous examples, and practical exercises make it an essential guide to the principles and techniques of counterpoint.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Manual of Musical Form is a comprehensive guide to the principles and techniques of musical composition, written by Salomon Jadassohn and first published in 1892. The book is organized into two main sections: Part I covers the basic elements of musical form, including melody, harmony, rhythm, and structure, while Part II focuses on the various forms and genres of classical music, such as sonata form, fugue, and opera. Throughout the book, Jadassohn provides detailed explanations and examples of each concept, as well as practical exercises and musical examples for students to practice and apply their skills. This classic text remains a valuable resource for music students, composers, and music lovers alike, offering a clear and concise introduction to the art of musical composition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.