Bøger af Rosabelle Boswell

Some claim that love is an emotion that is wholly human. It is an emotion that is shared between human beings. In this anthology I propose some variations, the idea of love between humans and nature, the nature of that love and the complexities that arise from such love, since we, as thinking humans, presume to know how love might unfold and how it should be expressed. The poems suggest that, in nature and for the ocean in particular, there are other forms of loving. The anthology offers imaginings of love between humans and the sea, as well as imaginings of love between the sea and elements such as the sand, the shore and stars. I suggest novel reciprocities and imaginary responses from nature that exceed our human expectations of love.

This book showcases images of Ocean Beings in Africa, specifically southern and East Africa. It reflects Africa's coastal intangible cultural heritage, that is, the ritual practices, beliefs and symbolism of humans engaged with the ocean - as well as Africa's coastal tangible cultural heritage (artifacts, monuments and varied forms of material culture). In sum, the ocean is our collective heritage. It has much to contribute to our understanding of balanced ecosystems, values and practices. And, as this project unfolds, it is likely to reveal new intellectual and cultural paradigms for a sustainable and equitable ocean domain.

This handbook is unique in its consideration of social and cultural contributions to sustainable oceans management. It is also unique in its deconstruction of the hegemonic value attached to the oceans and in its analysis of discourses regarding what national governments in the Global South should prioritise in their oceans management strategy. Offering a historical perspective from the start, the handbook reflects on the confluence of (western) scientific discourse and colonialism, and the impact of this on indigenous conceptions of the oceans and on social identity. With regard to the latter, the authors are mindful of the nationalisation of island territories worldwide and the impact of this process on regional collaboration, cultural exchange and the valuation of the oceans. Focusing on global examples, the handbook offers a nuanced, region relevant, contemporary conceptualisation of blue heritage, discussing what will be required to achieve an inclusive oceans economy by 2063, the end goal date of the African Union¿s Agenda 2063. The analysis will be useful to established academics in the field of ocean studies, policymakers and practitioners engaged in research on the ocean economy, as well as graduate scholars in the ocean sciences.

Because of the climate crisis and declining ocean health, humans are increasingly in a liminal space between this world and imaginary, alien worlds to come.

Since the World Health Organization (WHO) declared Covid-19 a worldwide pandemic, humanity has been compelled to focus on its quantifiable aspects, that is, how many people were being infected each day, how many were confined to intensive care units and how many had died. These deadly statistics created an impression that all human beings are equal and that in charting the numbers, national governments are managing the crisis. However, and as social media conversation and the work of professionals beyond government has revealed, Covid-19 has significant social and psychological impacts. It has revealed social and class divides, the vulnerability of indigenous communities and the deleterious effects of extreme, narcissistic individualism.This anthology seeks tend to the range of human emotions experienced in the early phase of the pandemic. It uncovers an inner world that rarely featured in official narratives of the day. In the early days, the narratives and feelings of those under lockdown barely made it into headline news. The anthology therefore gives voice to feelings and seeks to render audible those currently silenced. The poems suggest that all communities speak. The marginalized speak against and through oppression. They are often audible but those in power often choose not to hear them. To emphasize this divide, the poet juxtaposes the emotions of the marginalized with strident, self-focused responses to the crisis, revealing a wide spectrum of human emotions and their impacts. A quiet offering of the book is that emotions matter and can provide deep insight into individual and national psyche.

In South Africa issues of identity remain a pressing concern and preoccupation. For some, the experience of feeling that one does not belong in South Africa, especially among Africans and African descendants, appears to be intensifying. In this first collection of poems, Rosabelle Boswell speaks of the many places in which ordinary Africans born outside of South Africa try to achieve belonging. They do so in the family context, the backyard, language, the meeting, familiar landscapes and dreams. The poems also foreground the tumult of emotions that rise from the experience of exclusion and the results of pressure when one must conform. There is panic and dislocation, desperation, fear and sense of marginality when one’s work and achievements are reduced to whether one is born in South Africa or not. According to the poet, in such a context, one can only achieve true freedom from the tyranny of belonging by psychologically walking away from the expectations of those in power and putting oneself in a ‘clearing’ where flexibility, openness and newness reside. The forest of expectations remains, but we can achieve temporary respite from it by walking away now and again. The collection spans two years of writing identity in a different form, poetry.

Africa is richly blessed with cultural and natural heritage, key resources for nation building and development. Unfortunately, heritage is not being systematically researched or recognised, denying Africans the chance to learn about and benefit from heritage initiatives. This book offers a preliminary discussion of factors challenging the management of intangible cultural heritage in the African communities of Zanzibar, Mauritius and Seychelles. These islands are part of an overlapping cultural and economic zone influenced by a long history of slavery and colonial rule, a situation that has produced inequalities and underdevelopment. In all of them, heritage management is seriously underfinanced and under-resourced. African descendant heritage is given little attention and this continues to erode identity and sense of belonging to the nation. In Zanzibar tensions between majority and minority political parties affect heritage initiatives on the island. In Mauritius, the need to diversify the economy and tourism sector is encouraging the commercialisation of heritage and the homogenisation of Creole identity. In Seychelles, the legacy of socialist rule affects the conceptualisation and management of heritage, discouraging managers from exploring the island's widerange of intangible heritages. The author concludes that more funding and attention needs to be given to heritage management in Africa and its diaspora. Rosabelle Boswell is a senior lecturer in the Anthropology Department at Rhodes University, South Africa and a specialist of the southwest Indian Ocean islands. Her research interests include ethnicity, heritage, gender and development. Boswell's PhD was on poverty and identity among Creoles in Mauritius and her most recent work is onthe role of scent and fragrances in the heritage of the Swahili islands of the Indian Ocean region.

Provides critical insight into the dynamics of contemporary Mauritian society. In this researched study of ethnic, gender and racial discrimination in Mauritius, the author, a native anthropologist, addresses debates carried out in many developing societies on subaltern identities, ethnicity, poverty and social injustice.