Bøger af Roni Horn

Working across sculpture, photography, drawing and artist's books, Roni Horn addresses identity, mutability and unease. The title of this book, which accompanies the artist's exhibition of the same name at the Museum Ludwig, Cologne, is borrowed from Patrick Henry, a prominent representative of the American independence movement in the eighteenth century who ended a speech with the famous words: "Give me liberty, or give me death!" By replacing liberty with paradox, Horn nods to her interest in the reconciliation of two contradictory answers, an important aspect in her work, which also relates to her use of doubling or pairs. A seminal example of this is This is Me, This is You (1997-2000), photographs of the artist's niece taken over a two-year period during her adolescence and presented on two opposite walls, or a.k.a. (2008-09), which captures the artist at different moments throughout her life. The catalogue presents the more than 100 works in the exhibition, including drawings from the late 1970s that have never been shown before, as well as a selection of pigment drawings made between 1983 and 2018.Co-published with Museum Ludwig, CologneExhibition: Museum Ludwig, Cologne, 23 March to 11 August 2024Sprachen: Deutsch, Englisch

Published on the occasion of an exhibition of the same name at the Louisiana Museum of Art, Humlebæk, Denmark, The Detour of Identity reads the work of Roni Horn through the prism of cinema, revealing an intense psychosexuality that is often submerged under its empirical and conceptual character. Images of Horn's photography, sculpture and drawing are presented alongside stills and excerpts from films by Robert Altman, Carl von Dreyer, Rainer Werner Fassbinder, Alfred Hitchcock and Nicolas Roeg, among others. A foreword by Poul Erik Tøjner, director of the Louisiana Museum, introduction by Jerry Gorovoy, exhibition curator, and essays by cultural critic Elisabeth Bronfen, art historian Briony Fer and novelist Gary Indiana clarify the central importance of film to both the making and understanding of Horn's practice. Words, literature and language are often grasped as keys to Horn's art, but by juxtaposing her work with film this book shows that the body, desire, fantasy and sexuality are equally crucial to her exploration of the instability and mutability of identity.

A recent selection from an acclaimed American artist whose wide-ranging work defies classificationThis artist's book compiles a selection of work by Roni Horn (born 1955), whose diverse practice spans photography, sculpture, drawing and conceptually oriented book projects. The book includes a text by American writer Carmen Maria Machado and an interview with the artist.

In 1990 Félix González-Torres encountered an artwork by Roni Horn called Gold Field (1980/82), a simple sheet of gold foil placed on the floor of the Los Angeles Museum of Contemporary Art. González-Torres was deeply moved and wrote to Horn, beginning an exchange between the artists that would last until González-Torres' passing in 1996. Félix González-Torres Roni Horn was created as a photographic essay with the intention of sharing the experiential qualities of the artists' work and the profound relationships underlying it. It explores four iconic works (among others)-"Untitled" (For Stockholm) (1992) and "Untitled" (Blood) (1992) by González-Torres, and Well and Truly (2009-10) and a.k.a. (2008-09) by Horn-and emphasizes notions of doubling, duality, repetition, and identity. Images of these pieces, taken on the occasion of a 2022 exhibition at the Bourse de Commerce-Pinault Collection in Paris, reveal both artists' radical visual vocabularies, as well their shared passion for language, writing and poetry. Their intention emerges as two-fold: to create a tension between artist, viewer and object; and to grasp the inexpressible, the immeasurable.

LOG (March 22, 2019-May 17, 2020), produced daily over a period of fourteen months, is a collection of drawings, quotations, collages, photographs, casual commentaries, notes on news and weather events, and original texts by Roni Horn. Known for conceptually oriented work in diverse media, Horn continues her exploration of identity and difference in LOG. The collection, with its 406 drawings, ranges from the humorous and strange to the sublime and disturbed. Lodged in this context is the complexity of daily, lived experience. The dates LOG records encompass the mundane scroll of life, the global pandemic's early days, a political system in breakdown, local bird and animal life, and radical changes in weather. It also includes more formal texts and drawings, some becoming leitmotifs threaded throughout the work. LOG transforms personal experience into an emotionally profound and unusual visual engagement. First exhibited in New York City in early 2021, this is a beguiling and immersive body of work that invites repeated viewing.

LOG (March 22, 2019 - May 17, 2020) transforms personal experience into an emotionally profound, visual manifestation. This is a beguiling and immersive body of work that invites repeated viewing.

Focuses on a playful and complex body of work developed between 2013 and 2015, using cliches or proverbs and watercolor. For each work, the artist made two watercolors of a different proverb, cut them apart and then combined them into one. This book book concentrates on artists work style.

This work is about the phenomena of appearance and disappearance. The book shows 36 head-shots of a clown. If mutability of appearance is integral to the phenomenon of the cloud - since dissolution or erasure is inevitable - the converse is proposed for the clown.

Stefan V Jonsson's paintings of Her ubrei, Icelands much-loved mountain, have found their way into the homes of Icelanders around the country making it the cultural and geologic leitmotiv and mascot of the island. This title focuses on Her ubrei and Stefan, who painted the mountain throughout his life.