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Bøger af Roger Sabin

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  • - Maverick Victorian Cartoonist
    af Roger Sabin, Simon Grennan & Julian Waite
    408,95 - 1.325,95 kr.

    Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century, focusing on new types of cultural work by women and establishing Duval as a unique but exemplary figure in a transformational period of the nineteenth century. -- .

  • - History of an American Myth
    af Martin Barker & Roger Sabin
    463,95 kr.

  • af Roger Sabin
    523,95 - 2.322,95 kr.

  • af Roger Sabin, Simon Grennan & Julian Waite
    258,95 kr.

    MARIE DUVAL (1847-1890) was a groundbreaking Victorian female cartoonist whose wide range of work, depicting an urban, often working class milieu, has been largely forgotten. This is a book for pleasure: the first to celebrate her life and work.

  • - A Critical History of Police Dramas on Television
    af Roger Sabin
    350,95 kr.

    From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them--according to the ratings, we love them--they serve a function. They've entertained, informed and sometimes infuriated audiences for more than 60 years. This book examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawaii Five-O, Kojak, Starsky & Hutch, Hill Street Blues, Cagney & Lacey, Miami Vice, Law & Order, Homicide: Life on the Street, NYPD Blue, CSI, The Shield, The Wire, and Justified. It's time to take another look at the "perps," the "vics" and the boys and girls in blue, and ask how their representation intersects with questions of class, gender, sexuality, and "race." What is their socio-cultural agenda? What is their relation to genre and televisuality? And why is it that when a TV cop gives a witness his card and says, "call me," that witness always ends up on a slab?