Bøger af Rodney Marshall

After the critical success of Bright Horizons and Mrs. Peel, We're Needed, The Avengers on Film book series is back with the third volume...The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm.The arrival of Tara King and Mother saw The Avengers shaken and stirred, as writers and directors playfully engaged with a variety of film and television genres. Steed and Tara face increasingly odd adventures and dangers: killer clowns, a giant nose, love drugs, deadly board games, duplicate Steeds, Victorian fog, an underground 'paradise', and vengeful Home Counties cowboys. Anticlockwise draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the surreal, unpredictable, psychedelic world of Tara King."The Avengers challenged audiences to enjoy art beyond the ordinary." (Matthew Lee)"The Avengers is a wonderful example of avoiding the tyranny of common sense." (Robert Fuest)Includes contributions from: Australian Avengers webmaster Piers Johnson; French Avengers webmaster Bernard Ginez; academics Sunday Swift and Lauren Humphries-Brooks; psychologist Margaret J Gordon; television historian Matthew Lee; actor Richard Cogzell.

Television drama rarely receives the analytical attention paid to a landmark painting, sculpture, play, poem or film, frequently marginalised as a piece of fleeting popular culture rather than 'a more lasting art form'. The disappearance of many 1950s and 1960s TV dramas - the videotape wiped and re-used - seems merely to confirm its temporary status. The emergence of television studies has helped to question this mind-set. Innovative television drama can rival any field of the arts in terms of material worthy of critical exploration. This series of books focuses on 'outstanding' examples of British television dramas, centring on a single episode in an attempt to explain what makes both the episode in particular, and the series in general, remarkable. The social context, script, characters sets/locations, music, and direction are all focal points. Classic British Television Drama (CBTD) opens with an exploration of The Avengers story The Hour That Never Was. It takes artistic risks while visually exploring the subject of 'two against the underworld'.

Drawing inspiration from the private detective and Western genres, as well as the cult 1960s series The Fugitive, Roger Marshall's mid-1980s drama Travelling Man was both critically acclaimed and commercially popular, drawing audiences of up to 13.2 million viewers.Ex-Drugs Squad detective and prisoner Alan Lomax is a fascinatingly flawed protagonist, but it is the setting of the canals and inland waterways of Britain which provide the unique charm of Travelling Man, offering the perfect backdrop for Lomax's nomadic quests. The canals also dictate the show's leisured pace.Avengers expert Rodney Marshall offers a critical guide to all thirteen episodes, exploring the scripts, direction, characterisation, acting and music.Amazon cover; same content.

Lew Grade's pioneering ITC company created a production line of quirky new drama series for British Independent Television in the 1960s, fulfilling a vision of providing entertaining, colour film series for a global market.In the first of a proposed series of critical guides, Avengers expert Rodney Marshall and television historian Matthew Lee explore ITC's Man in a Suitcase. Their book offers new, inventive readings of all thirty episodes.Man in a Suitcase is a product of its mid-1960s context, exploring themes such as Cold War espionage and Swinging Sixties playgirls, yet most of the stories also have a timeless feel to them: political corruption, blackmail, murder, missing persons or money, art theft. Despite the private detective/bounty hunter formula, there are welcome elements of playfulness, quirkiness, surrealism and a healthy abundance of social and political critique. Man in a Suitcase cannot be simplistically labelled as 'light entertainment' given the dark subject matter and its treatment.

Most children enjoy creative writing. It allows them a freedom to express their personalities and can be a therapeutic process. Unfortunately, it tends to be the one area which many teachers struggle with.Professional writers research thoroughly before picking up a pen. Students need to do the same. This book guides teachers through the process, exploring a range of topics, from story starters, through genre writing, to how historical events and topical debates can be used as launching pads for story writing. The guide also contains vocabulary banks and examples of pupils' writing. Following it will result in personal narratives which children of any ability can enjoy sharing in the classroom.

At the vanguard of a 1960s cultural revolution, The Avengers was both critically acclaimed and commercially popular. As Britain's imperial power crumbled away, the television series began to colonise the globe.Critic Rodney Marshall is the son of Avengers script writer Roger Marshall. He has written and/or edited nine books on the series. Avengerland: A Critical Guide brings the main chapters from these previous volumes under one cover. In addition to a number of general essays, the guide explores fifty of the filmed episodes in depth, analysing the show from monochrome film through 'Glorious Technicolor' to its reincarnation as The New Avengers.Avengerland is an indispensable guide for fans of this iconic show.

Political satire, comic strip action adventure, science fiction, space opera, Orwellian dystopia, costume drama, Western...Drawing on a range of genres, Terry Nation's Blake's 7 resists categorisation or labelling; a ground-breaking piece of television drama. Presenting itself as easy-viewing, early evening entertainment for a (largely) teenage audience - which, on one level, it was - it tackles state-surveillance, propaganda, corruption, genocide, revolution, and terrorism. Avengers expert Rodney Marshall turns his attention to Blake's 7, offering unauthorised, entertaining, thought-provoking critical guides to all fifty-two episodes in Series 1-4. Horizon (the official Blake's 7 fan club) moderator Alex Pinfold has added a Foreword to this third edition, while television historian Matthew Lee has penned an essay on Terry Nation and Blake's 7. Combining dark humour, surrealism, shiny surfaces and dramatic depth, Blake's 7 blurs the boundary between hero/villain.

The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm.At the crossroads between the Cathy Gale-era stricture of video tape and the glossy, surreal, comic-strip world of 'glorious Technicolor', the monochrome filmed Emma Peel season represents the artistic pinnacle of a show which was exported around the world and remains the only British television drama to be networked at 'primetime' in the USA.Bright Horizons draws on the knowledge of a broad range of experts and fans of The Avengers - including scriptwriter Roger Marshall - offering critical explorations of all twenty-six 'mini-films' which made up Season 4, the collective peak of an extraordinary television series. Now includes 50 page quotation glossary.

Television drama is frequently marginalised as a piece of fleeting popular culture rather than 'a more lasting art form'. The emergence of television studies has helped to question this mind-set. Innovative television drama can rival any field of the arts in terms of material worthy of critical exploration. This series of books focuses on 'outstanding' examples of British television dramas, centring on a single episode in an attempt to explain what makes both the episode in particular, and the series in general, remarkable. The social context, script, characters sets/locations, music, and direction are all focal points. This Classic British Television Drama (CBTD) series of books continues with an exploration of Man in a Suitcase's episode Day of Execution. Elements of Cold War espionage, American gumshoe, British thriller and 'Swinging' London combine in a series which is hard to define and was, arguably, ahead of its time.

Rodney Marshall examines Northampton Town's 2017-18 season, in addition to aspects of football which reach beyond NTFC: football as business; fan ownership; the ever-evolving power of social media; the mental health and safeguarding of players; racism, football franchises and B teams; the demise of the FA Cup; glass ceilings and transfer windows; referees, laws and the use of technology; ground safety and redevelopment; the changing nature of towns and football clubs in the 21st century.

Drawing inspiration from the private detective and Western genres, as well as the cult 1960s series The Fugitive, Roger Marshall's mid-1980s drama Travelling Man was both critically acclaimed and commercially popular, drawing audiences of up to 13.2 million viewers. Ex-Drugs Squad detective and jailbird Alan Lomax is a fascinatingly flawed protagonist, but it is the setting of the canals and inland waterways of Britain which provide the unique charm of Travelling Man, offering the perfect backdrop for Lomax's nomadic quests. The canals also dictate the show's leisured pace. Avengers expert Rodney Marshall offers a critical guide to all thirteen episodes, exploring the scripts, direction, characterisation, acting and music. "One thing about quiet waterways, you can hear footsteps."

Political satire, comic strip action adventure, science fiction, space opera, Orwellian dystopia, costume drama, Western...Drawing on a range of genres, Terry Nation's Blake's 7 resists categorisation or labelling; a ground-breaking piece of television drama. Presenting itself as easy-viewing, early evening entertainment for a (largely) teenage audience - which, on one level, it was - it tackles state-surveillance, propaganda, corruption, genocide, revolution, and terrorism. Avengers expert Rodney Marshall turns his attention to Blake's 7, offering unauthorised, entertaining, thought-provoking critical guides to all fifty-two episodes in Series 1-4. Horizon (the official Blake's 7 fan club) moderator Alex Pinfold has added a Foreword to this third edition, while television historian Matthew Lee has penned an essay on Terry Nation and Blake's 7. Combining dark humour, surrealism, shiny surfaces and dramatic depth, Blake's 7 blurs the boundary between hero/villain. http://www.blakes7online.com/news.php

It was a sunny Saturday lunchtime in June 1944. Most of the inhabitants of a sleepy village situated in the 'Free Zone' of war-ravaged France were sitting down to a leisurely meal. Without warning, an attachment of Das Reich soldiers (the elite force of the Nazi's Waffen-SS division) arrived. Hours later, 642 defenceless people had been massacred; their homes were smouldering ruins. From these embers emerged life-affirming stories of survival as individuals defied machine-guns, snipers, explosives and burning buildings to escape the clutches of the deadly Wolf's Hook (the Das Reich emblem). Wolf's Hook is a factionalised account of the Das Reich attack on a hillside village. It recaptures the essence of what happened that day, using four first-person narrative strands: a waiter, a young boy, an SS soldier and a grandmother. Through their eyes we see the terrifying day unravel. Not suitable for readers under 12.