Bøger af Robert Walser

Røveren er måske den schweiziske forfatter Robert Walsers (1878-1956) dristigste og vildeste roman. På en og samme tid en undersøgelse af romanformen og af hovedpersonen, den forfulgte og udstødte "røver", som i stadig stigende grad smelter sammen med romanens fortæller. Hvis man kunne lide de kortere mikrogrammer i En verden for sig (Basilisk 2004) vil man elske denne hvirvlende, vanvittige og vanvittigt skarpe roman.Omtale:Den østrigske forfatter, WG Sebald, skriver i sit essay om Robert Walser, Le promeneur solitaire, blandt andet: "Hvis der nogensinde er en bog, der er skrevet på den yderste rand, så er det Røver-romanen." Walser "...registrerer med seismografisk præcision selv de mindste vibrationer i udkanten af sin bevidsthed..." "...røver-romanen er Walsers mest intelligente og vovede værk, et selvportræt og en selvundersøgelse af yderste ubestikkelighed, i hvilken såvel forfatteren til sygehistorien som dennes subjekt tager autorens sted."Uddrag fra bogen:"Selv hvis denne beskedne bog eventuelt skulle få et heldigt udfald for mig, hvad ville det så skade digterfyrsten Dübi i Dübendorf, som trækker fulde huse og har kæmpe succes med sine teaterstykker? Hvad er vi andet end kollegaer på vores fælles stræbens vinbjerg, og vi stræber jo heldigvis efter noget."

Robert Walser (1878-1956), schweizisk forfatter. I dette udvalg af Walsers såkaldte mikrogrammer – tekster skrevet med mikroskopisk skrift på bagsiden af kuverter, teaterbilletter, breve, telegrammer o.a. – kan man stifte bekendtskab med en usædvanlig blanding af naivitet og raffinement, underdanighed og provokation. Mikrogrammerne er stærkt flossede og hvirvlende tekster. Erik Granly Jensen skriver bl.a. i sit efterord: ”Der er her tale om en prosa, hvis perspektiv og strategi veksler fra sætning til sætning, en på en gang stærkt associativ og fragmenteret prosa, hvor blot placeringen af et biord kan afstedkomme, at alt hvad teksten indtil dette tidspunkt har talt om, fortrænges, og sender fortællingen i en ny og fuldstændig uforudsigelig retning.”Pressen skrev:Et geni er ankommet. Der er god, ja tvingende grund til at støde så hårdt i trompeten, for det er uhyre sjældent, at et næsten ukendt fuldblods geni kommer til Danmark (den bedagede og suspekte ´geni’-term er her på sin plads), og så oven i købet i det, der efter alt at dømme er en fremragende oversættelse.- Mikkel Bruun Zangenberg, Politiken

The first complete publication of Robert Walser's poems translated into English. Admired by the likes of Kafka, Musil, and Walter Benjamin and acclaimed "unforgettable, heart-rending" by J. M. Coetzee, Swiss writer Robert Walser (1878-1956) remains one of the most influential authors of modern literature. Walser left school at fourteen and led a wandering and precarious existence while producing poems, stories, essays, and novels. In 1933, he abandoned writing and entered a sanatorium, where he remained for the rest of his life. "I am not here to write," Walser said, "but to be mad." This first collection of Walser's poems in English translation allows English-speaking readers to experience the author as he saw himself at the beginning and the end of his literary career--as a poet. The book also includes notes on dates of composition, draft versions of the printed poems, and brief biographical information on characters and locations that appear in the poems and may not be known to readers. Few writers have ever experienced such a steady rise in their reputation and public profile as Walser has seen in recent years, and this collection of his poems will help readers discover a unique writer whose off-kilter sensibility and innovations in form are perfectly suited to our fragmented, distracted, bewildering era.

A beautiful and elegant collection, with gorgeous full-color art reproductions, Looking at Pictures presents a little-known side of the eccentric Swiss genius: his great writings on art. His essays consider Van Gogh, Cezanne, Rembrandt, Cranach, Watteau, Fragonard, Brueghel and his own brother Karl and also discuss general topics such as the character of the artist and of the dilettante as well as the differences between painters and poets. Every piece is marked by Walser's unique eye, his delicate sensitivity, and his very particular sensibilities-and all are touched by his magic screwball wit.

Robert Walsers 'Der Gehülfe' ist ein emotionales Buch über die Einsamkeit und den Wahnsinn des modernen Lebens. Der Protagonist Joseph Marti arbeitet als Büroangestellter in einer Bank und verliert langsam den Verstand. Walsers schillernde Sprache und der bildhafte Stil machen dieses Buch zu einem Klassiker der Moderne.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

One day, in the middle of high summer, a military expedition was advancing slowly down the dusty country road that led towards a district of Luzern. The bright, actually more than bright, sun dazzled down over swaying armour serving to cover human bodies, over prancing horses, over helmets and parts of faces, over equine heads and tails, over ornaments and plumes and stirrups as big as snowshoes. To the right and to the left of the shining military expedition spread out meadows with thousands of fruit trees in them up as far as hills that, looming up out of the blue-smelling, half-hazy distance, beckoned and had the same effect as light and carefully painted window dressing.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Poetenleben Robert Walser Huber, 1918

Featuring more than seventy thought-provoking selections drawn from contemporary journalism, reviews, program notes, memoirs, interviews, and other sources, Keeping Time: Readings in Jazz History, Second Edition, brings to life the controversies and critical issues that have accompanied more than 100 years of jazz history. This unique volume gives voice to a wide range of perspectives which stress different reactions to and uses of jazz, both within and across communities, enabling readers to see that jazz is not just about names, dates, and chords, but rather about issues and ideas, cultural activities, and experiences that have affected people deeply in a great variety of ways. Selections include contributions from well-known figures such as Jelly Roll Morton, Billie Holiday, Charles Mingus, Louis Armstrong, Dizzy Gillespie, and Miles Davis; from renowned writers including Langston Hughes, Norman Mailer, and Ralph Ellison; and from critics and historians ranging from Gunther Schuller and Christopher Small to Sherrie Tucker and George Lipsitz. Filled with insightful writing, Keeping Time aims to increase historical awareness, to provoke critical thinking, and to encourage lively classroom discussion as students relive the intriguing story of jazz.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Aufsatze Robert Walser K. Wolff, 1913

Translated from the German by Daniele Pantano. Introduction by Carolyn Forché. OPPRESSIVE LIGHT represents the first collection of Robert Walser's poetry in English translation and an opportunity to experience Walser as he saw himself at the beginning and at the end of his literary career-as a poet. The collection also includes notes on dates of composition, draft versions the printed poems represent, which volume of the Werkausgabe the poems were first published in, and brief biographical information on characters and locations that appear in the poems and may not be known to readers.

Jakob von Gunten: Ein Tagebuch, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Geschwister Tanner, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Prosastücke, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Aufsätze, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Der Spaziergang, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Kleine Dichtungen, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Der Gehülfe, wurde als ein Hauptwerk in der gesamten Menschheitsgeschichte anerkannt, und wir haben Vorkehrungen getroffen, um seine Bewahrung zu gewährleisten, indem wir dieses Buch in moderner Weise für gegenwärtige und zukünftige Generationen neu herausgeben. Dieses Buch wurde komplett neu abgetippt, überarbeitet und neu formatiert. Der Text ist lesbar und klar, da diese Bücher nicht aus gescannten Kopien erstellt werden.

Robert Walser (1878-1956), schweizisk forfatter, hørte til blandt Franz Kafkas yndlingsforfattere. 'Jakob von Gunten' er hans mest berømte roman og regnes for en moderne klassiker i europæisk litteratur.

Robert Walser's great masterpiece, reissued with a foreword by J. M. Coetzee.

From 1899 until he was misdiagnosed as a schizophrenic and hospitalized in 1933, Walser produced nine novels and more than 1,000 short stories and prose pieces. This collection offers a representative selection of Walser's work, from his first published fiction to the stately prose of the last years before he vanished forever behind the asylum walls.

"e;A solid, scholarly analysis of the power, meaning, musical structure, and sociopolitical contexts of the most popular examples of heavy metal."e; -Library JournalDismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author.Ebook Edition Note: all photographs (sixteen) have been redacted."e;Walser belongs to a small but influential group of academics trying to reconcile 'high theory' with a streetwise sense of culture . . . an excellent book."e; -Rolling Stone"e;Takes musicology where it has never gone before; I once saw the chapter on metal guitarists and the classical tradition performed live in a lecture hall, but even on paper it smokes."e; -SF Weekly"e;Walser is truly gifted at doing what few critics before him have done: analyzing the music . . . In virtuoso readings of metal music that forge persuasive links between metal and particular classical music traditions, Walser reveals the ways that musical structures themselves are social texts."e; -The Nation"e;Making surprising connections to classical forms and debunking stereotypes of metal's musical crudity, Walser delves enthusiastically into guitar conventions and rituals."e; -The Washington Post