Bøger af Robert Gottlieb

The product of a lifetime immersed in the literary, performing arts, and entertainment worlds, Lives and Letters spotlights the work, careers, intimate lives, and lasting achievements of a vast array of celebrated writers and performers in film, theater, and dance, and some of the more curious iconic public figures of our times.From the world of literature, Charles Dickens, James Thurber, Judith Krantz, John Steinbeck, and Rudyard Kipling; the controversies surrounding Bruno Bettelheim and Elia Kazan; and Marjorie Kinnan Rawlings and her editor, Maxwell Perkins.From dance and theater, Isadora Duncan and Margot Fonteyn, Serge Diaghilev and George Balanchine, Sarah Bernhardt and Eleonora Duse.In Hollywood, Bing Crosby and Judy Garland, Douglas Fairbanks and Lillian Gish, Tallulah Bankhead and Katharine Hepburn, Mae West and Anna May Wong.In New York, Diana Vreeland, the Trumps, and Gottlieb's own take on the contretemps that followed his replacing William Shawn at The New Yorker.And so much more . . .

Attorney Sam Weisman is having a bad day. His wife wants a divorce and his law practice is threatened by a hostile takeover. Pulled one way by two hilarious con artists who plan to steal his dream, and another by his family and the real estate professional who has worked her way into his heart, Sam uncovers the wisdom he has so often criticized in his father's madness as he struggles to hold onto his sanity, his self-esteem, and the woman he loves. Grasping the end of his rope in one hand and the end of his rainbow in the other, he teeters between the abyss … and the pot of gold!

"Care-Centered Politics provides a framework for the vision and the linkages needed to help create a more care-centered society and planet"--

A New York Times Book Review Editors' Choice | One of Literary Hub's most anticipated books of 2021Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshipped her"Wherever you look in the period between 1925 and 1941," Robert Gottlieb writes in Garbo, "Greta Garbo is in people's minds, hearts, and dreams." Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world's subconscious, and the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world-and that indescribable, transcendent presence she possessed-was rivaled only by Marilyn Monroe's. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood at age nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world's most famous actress.In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world-her desperate, futile striving to be "left alone." He takes us through the films themselves, from M-G-M's early presentation of her as a "vamp"-her overwhelming beauty drawing men to their doom, a formula she loathed-to the artistic heights of Camille and Ninotchka ("Garbo Laughs!"), by way of Anna Christie ("Garbo Talks!"), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York-"a hermit about town"-and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee-were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know-and still wants to know.In addition to offering his rich account of her life, Gottlieb, in what he calls "A Garbo Reader," brings together a remarkable assembly of glimpses of Garbo-from other people's memoirs and interviews (ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes); from literature (she turns up everywhere-in Hemingway's For Whom the Bell Tolls, in Evelyn Waugh and Graham Greene); from the letters of Marianne Moore and Alice B. Toklas; from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures-more than 250 ravishing movie stills, formal portraits, and revealing snapshots-all reproduced here in superb duotone. Garbo had no personal vanity, no interest in clothes and makeup, yet her story is essentially the story of a face-and the camera.

Explores the extraordinary life of Sarah Bernhardt - the daughter of a courtesan who became a world famous actress.

"Gottlieb captures both the divine and human, offering an elegant, sharp, and sophisticated take on the choreographer's life." --Publishers Weekly (starred review)Written by the gifted author, editor, and dance critic Robert Gottlieb, George Balanchine describes the life and art of the celebrated, revolutionary ballet choreographer and founder of The New York City Ballet.The foremost contemporary choreographer in the history of ballet, George Balanchine extended the art form into radical new paths that came to seem inevitable under his direction. He transformed movement and dance in classical and modern ballet, on the Broadway stage, and in the cinema.George Balanchine chronicles the life and achievements of this visionary artist from his early, almost accidental career in Russia, where his lifelong collaboration with Igor Stravinsky was forged, to his extraordinary accomplishments in America. Gottlieb, one of the most knowledgeable dance critics in America, offers a superb and loving portrait of a genius who, though married many times to many ballerinas, remained truest to his greatest love, Terpischore, the Greek Muse of dance.Here is a necessary and singular look at the life of one of the great figures of the 20th Century who was an inspiration to countless fans over the course of his long and storied career.

A New York Times Book Review Editors'' Choice | One of Esquire''s 125 best books about HollywoodAward-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her.“Wherever you look in the period between 1925 and 1941,” Robert Gottlieb writes in Garbo, “Greta Garbo is in people’s minds, hearts, and dreams.” Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world’s subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world—and that indescribable, transcendent presence she possessed—was rivaled only by Marilyn Monroe’s. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, naïve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world’s most famous actress.In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world—her desperate, futile striving to be “left alone.” He takes us through the films themselves, from M-G-M’s early presentation of her as a “vamp”—her overwhelming beauty drawing men to their doom, a formula she loathed—to the artistic heights of Camille and Ninotchka (“Garbo Laughs!”), by way of Anna Christie (“Garbo Talks!”), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York—“a hermit about town”—and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee—were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know—and still wants to know.In addition to offering his rich account of her life, Gottlieb, in what he calls “A Garbo Reader,” brings together a remarkable assembly of glimpses of Garbo from other people’s memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere—in Hemingway’s For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures—250 or so ravishing movie stills, formal portraits, and revealing snapshots—all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went.Includes Black-and-White Photographs

Originally published in 1993, this book links the environmental movement that emerged in the 1960s to earlier movements that had not previously been defined as environmental. It was the first to consider the importance of race, ethnicity, class, and gender issues in the history and evolution of environmentalism.

Winner of the Anne M. Sperber PrizeA spirited and revealing memoir by the most celebrated editor of his timeAfter editing The Columbia Review, staging plays at Cambridge, and a stint in the greeting-card department of Macy''s, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carré, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker, and the challenges and satisfactions of running America''s preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It''s about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.

Talks about the reformers and radicals who have struggled for alternative visions of social and economic justice. This book reflects on the momentum of LA's progressive movement, including the 2005 landslide victory of Antonio Villaraigosa as mayor.