Bøger af Richard Jefferies

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Works, Volume 3; Works; Richard Jefferies Richard Jefferies

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Gamekeeper at Home By Richard Jefferies

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Persons; Volume 2 Of World's End: A Story In Three Books; Richard Jefferies Richard Jefferies Tinsley brothers, 1877

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Field And Hedgerow: Being The Last Essays Of Richard Jefferies Richard Jefferies, Mrs. J. Baden Jefferies New York and Bombay, Longmans, Green, and co., 1897 England; Natural history

John Richard Jefferies (6 November 1848 - 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883).

John Richard Jefferies (6 November 1848 - 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not."John Richard Jefferies (he used the first name only during his childhood) was born at Coate, in the parish of Chiseldon, near Swindon, Wiltshire, the son of a farmer, James Luckett Jefferies (1816-1896). His birthplace and home is now a museum open to the public. James Jefferies had the farm from his father, John Jefferies, who had been a London printer before returning to Swindon to run the family mill and bakery. Richard's mother, Elizabeth Gyde (1817-1895), always called Betsy, was the daughter of John Jefferies's binder and manager. These relationships are mirrored in the characters of Jefferies's late novel Amaryllis at the Fair (1887); and the portraits of the family in the novel tally with external accounts of the Jefferies.James Jefferies, like Iden in Amaryllis, was devoted to his garden, while struggling to make a financial success of the farm. The garden, lovingly recalled in Wood Magic and Amaryllis, also makes a strong impression on the memories of those who knew the Jefferies at the time.Betsy, like Iden's wife, seems to have been dissatisfied with life on the farm: "a town-bred woman with a beautiful face and a pleasure-loving soul, kind and generous to a fault, but unsuited to a country life." The farm was very small, with 39 acres (160,000 m2) of pasture; and a mortgage of £1500 would later begin a slide into debt for James Jefferies, who lost the farm in 1877 and became a jobbing gardener. But these difficulties were less evident in Richard's childhood. The situation was much as in After London (1885), where the farming and gardening Baron is again based on James Jefferies: "The whole place was thus falling to decay, while at the same time it seemed to be flowing with milk and honey". One part of the Jefferies family is strikingly missing from the books. In Wood Magic, Bevis and Amaryllis, the hero (or heroine) has no siblings; only After London gives the main character brothers and depicts the imperfect sympathy between them. James and Elizabeth's first child, Ellen, had died young; but Richard had two younger brothers and a younger sister....

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Excerpt: ... hedge behind our house. One of 'em leaned over the roof, and one of the limbs was like to fall; but they wouldn't cut him, just to spite us, and the rain dripping spoilt the thatch. So I just had another chimney built at that end for an oven, and kept up the smoke till all the tree that side died. I've had more than one pheasant through them oaks, as draws 'em: I had one in a gin as I put in the ditch by my garden. 'They started a tale as 'twas I as stole the lambs a year or two ago, and they had me up for it; but they couldn't prove nothing agen me. Then they had me for unhinging the gates and drowning 'em in the water, but when they was going to try the case they two young farmers as you know of come and said as they did it when they was tight, and so I got off. They said as 'twas I that put the poison for the hounds when three on 'em took it and died while the hunt was on. It were the dalledest lie! I wouldn't hurt a dog not for nothing. The keeper hisself put that poison, I knows, 'cause he couldn't bear the pack coming to upset the pheasants. Yes, they been down upon I a main bit, but I means to bide. All the farmers knows as I never touched no lamb, nor even pulled a turmot, and they never couldn't get no witnesses. 'After a bit I catched the keeper hisself and the policeman at it; and there be another as knows it, and who do you think that be? It be the man in town as got the licence to sell game as haves most of my hares; the keeper selled he a lot as the money never got to my lard's pocket and the steward never knowed of. Look at that now! So now he shuts his eye and axes me to drink, and give me the ferreting job in Longlands Mound; but, Lord bless 'ee, I bean't so soft as he thinks for. 'They used to try and get me to fight the keeper when they did catch me with a wire, but I knowed as hitting is transporting, and just put my hands in my pockets and let 'em do as they liked. They knows I bean't afraid of 'em in the road; I've threshed...

After some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life. Beginning with a loving description of nature reclaiming England -- fields becoming overrun by forest, domesticated animals running wild, roads and towns becoming overgrown, the hated London reverting to lake and poisonous swampland -- the rest of the story is an adventure set many years later in the wild landscape...We are happy to announce this classic book. Many of the books in our collection have not been published for decades and are therefore not broadly available to the readers. Our goal is to access the very large literary repository of general public books. The main contents of our entire classical books are the original works. To ensure high quality products, all the titles are chosen carefully by our staff. We hope you enjoy this classic.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

John Richard Jefferies (6 November 1848 - 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not."John Richard Jefferies (he used the first name only during his childhood) was born at Coate, in the parish of Chiseldon, near Swindon, Wiltshire, the son of a farmer, James Luckett Jefferies (1816-1896). His birthplace and home is now a museum open to the public. James Jefferies had the farm from his father, John Jefferies, who had been a London printer before returning to Swindon to run the family mill and bakery. Richard's mother, Elizabeth Gyde (1817-1895), always called Betsy, was the daughter of John Jefferies's binder and manager. These relationships are mirrored in the characters of Jefferies's late novel Amaryllis at the Fair (1887); and the portraits of the family in the novel tally with external accounts of the Jefferies.James Jefferies, like Iden in Amaryllis, was devoted to his garden, while struggling to make a financial success of the farm. The garden, lovingly recalled in Wood Magic and Amaryllis, also makes a strong impression on the memories of those who knew the Jefferies at the time.Betsy, like Iden's wife, seems to have been dissatisfied with life on the farm: "a town-bred woman with a beautiful face and a pleasure-loving soul, kind and generous to a fault, but unsuited to a country life." The farm was very small, with 39 acres (160,000 m2) of pasture; and a mortgage of £1500 would later begin a slide into debt for James Jefferies, who lost the farm in 1877 and became a jobbing gardener. But these difficulties were less evident in Richard's childhood. The situation was much as in After London (1885), where the farming and gardening Baron is again based on James Jefferies: "The whole place was thus falling to decay, while at the same time it seemed to be flowing with milk and honey". One part of the Jefferies family is strikingly missing from the books. In Wood Magic, Bevis and Amaryllis, the hero (or heroine) has no siblings; only After London gives the main character brothers and depicts the imperfect sympathy between them. James and Elizabeth's first child, Ellen, had died young; but Richard had two younger brothers and a younger sister....

The lost leaves measure our years; they are gone as the days are gone, and the bare branches silently speak of a new year, slowly advancing to its buds, its foliage, and fruit. Deciduous trees associate with human life as this yew never can. Clothed in its yellowish-green needles, its tarnished green, it knows no hope or sorrow; it is indifferent to winter, and does not look forward to summer. With their annual loss of leaves, and renewal, oak and elm and ash and beech seem to stand by us and to share our thoughts. .............. John Richard Jefferies (6 November 1848 - 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not."John Richard Jefferies (he used the first name only during his childhood) was born at Coate, in the parish of Chiseldon, near Swindon, Wiltshire, the son of a farmer, James Luckett Jefferies (1816-1896). His birthplace and home is now a museum open to the public. James Jefferies had the farm from his father, John Jefferies, who had been a London printer before returning to Swindon to run the family mill and bakery. Richard's mother, Elizabeth Gyde (1817-1895), always called Betsy, was the daughter of John Jefferies's binder and manager. These relationships are mirrored in the characters of Jefferies's late novel Amaryllis at the Fair (1887); and the portraits of the family in the novel tally with external accounts of the Jefferies.James Jefferies, like Iden in Amaryllis, was devoted to his garden, while struggling to make a financial success of the farm. The garden, lovingly recalled in Wood Magic and Amaryllis, also makes a strong impression on the memories of those who knew the Jefferies at the time.Betsy, like Iden's wife, seems to have been dissatisfied with life on the farm: "a town-bred woman with a beautiful face and a pleasure-loving soul, kind and generous to a fault, but unsuited to a country life." The farm was very small, with 39 acres (160,000 m2) of pasture; and a mortgage of £1500 would later begin a slide into debt for James Jefferies, who lost the farm in 1877 and became a jobbing gardener. But these difficulties were less evident in Richard's childhood. The situation was much as in After London (1885), where the farming and gardening Baron is again based on James Jefferies: "The whole place was thus falling to decay, while at the same time it seemed to be flowing with milk and honey". One part of the Jefferies family is strikingly missing from the books. In Wood Magic, Bevis and Amaryllis, the hero (or heroine) has no siblings; only After London gives the main character brothers and depicts the imperfect sympathy between them............

The lost leaves measure our years; they are gone as the days are gone, and the bare branches silently speak of a new year, slowly advancing to its buds, its foliage, and fruit. Deciduous trees associate with human life as this yew never can. Clothed in its yellowish-green needles, its tarnished green, it knows no hope or sorrow; it is indifferent to winter, and does not look forward to summer. With their annual loss of leaves, and renewal, oak and elm and ash and beech seem to stand by us and to share our thoughts................. John Richard Jefferies (6 November 1848 - 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction. Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time. But it is his success in conveying his awareness of nature and people within it, both in his fiction and in essay collections such as The Amateur Poacher (1879) and Round About a Great Estate (1880), that has drawn most admirers. Walter Besant wrote of his reaction on first reading Jefferies: "Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not."

Restless Human Hearts V3: A Novel is a literary work by Richard Jefferies that explores the complexities of human emotions and relationships. This book is the third volume in a series and follows the story of a young woman named Lucy who is torn between her love for two men. As she navigates the challenges of her heart, Lucy also grapples with societal expectations and the pressures of her family.The novel is set in the English countryside and vividly depicts the beauty and tranquility of nature. However, the peaceful surroundings are juxtaposed with the turmoil of the characters' inner lives, making for a compelling and emotionally charged read.Jefferies' writing is poetic and descriptive, painting a vivid picture of the characters and their surroundings. Through Lucy's story, the author explores themes of love, loyalty, duty, and the struggle to find one's place in the world.Restless Human Hearts V3: A Novel is a thought-provoking and engaging read that will appeal to fans of literary fiction and those interested in exploring the complexities of human relationships.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Sir Bevis: A Tale Of The Fields is a novel written by Richard Jefferies and published in 1899. The story is set in rural England and follows the life of a young farmer named Bevis who dreams of becoming a knight. Bevis is a hardworking and determined young man who is willing to do whatever it takes to achieve his goal, even if it means facing danger and overcoming great obstacles.Throughout the novel, Bevis faces many challenges, including battles with robbers and wild animals, as well as struggles with his own self-doubt and fears. Despite these challenges, Bevis perseveres and eventually becomes a knight, fulfilling his lifelong dream.The novel is filled with vivid descriptions of the English countryside, as well as insights into the lives and customs of rural people during the medieval period. It is a story of courage, determination, and the power of dreams, and is sure to captivate readers of all ages.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Toilers of the Field By Richard Jefferies

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Hodge And His Masters V1 is a book written by Richard Jefferies. It is a novel that tells the story of Hodge, a farm labourer in the English countryside during the 19th century. The book explores the relationship between Hodge and his masters, the landowners who employ him. It delves into the social and economic conditions of the time, as well as the struggles and hardships faced by Hodge and his fellow labourers. The novel also touches on themes of class, power, and inequality, as well as the impact of industrialization on rural life. Overall, Hodge And His Masters V1 is a thought-provoking and insightful read that offers a glimpse into a bygone era and the lives of those who lived it.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

(John) Richard Jefferies (1848-1887) is best known for his prolific and sensitive writing on natural history, rural life and agriculture in late Victorian England. However, a closer examination of his career reveals a many-sided author who was something of an enigma. To some people he is more familiar as the author of the children's classic Bevis or the strange futuristic fantasy After London, while he also has some reputation as a mystic worthy of serious study. Since his death his books have enjoyed intermittent spells of popularity, but today he is unknown to the greater part of the reading public. Jefferies, however, has been an inspiration to a number of more prominent writers and W.H. Hudson, Edward Thomas, Henry Williamson and John Fowles are among those who have acknowledged their debt to him. In my view his greatest achievement lies in his expression, aesthetically and spiritually, of the human encounter with the natural world - something that became almost an obsession for him in his last years. He was born at Coate in the north Wiltshire countryside - now on the outskirts of Swindon - where his family farmed a smallholding of about forty acres. His father was a thoughtful man with a passionate love of nature but was unsuccessful as a farmer, with the result that the later years of Jefferies' childhood were spent in a household increasingly threatened by poverty. There were also, it seems, other tensions in the family. Richard's mother, who had been brought up in London, never settled into a life in the country and the portrait of her as Mrs Iden - usually regarded as an accurate one - in his last novel, Amaryllis at the Fair, is anything but flattering. Remarks made in some of Jefferies' childhood letters to his aunt also strongly suggest an absence of mutual affection and understanding between mother and son. A combination of an unsettled home life and an early romantic desire for adventure led him at the age of sixteen to leave home with the intention of traversing Europe as far as Moscow. In this escapade he was accompanied by a cousin, but the journey was abandoned soon after they reached France. On their return to England they attempted to board a ship for the United States but this plan also came to nothing when they found themselves without sufficient money to pay for food. A self-absorbed and independent youth, Jefferies spent much of his time walking through the countryside around Coate and along the wide chalk expanses of the Marlborough Downs. He regularly visited Burderop woods and Liddington Hill near his home and on longer trips explored Savernake Forest and the stretch of the downs to the east, where the famous white horse is engraved in the hillside above Uffington. His favourite haunt was Liddington Hill, a height crowned with an ancient fort commanding superb views of the north Wiltshire plain and the downs. It was on the summit of Liddington at the age of about eighteen, as he relates in The Story of My Heart, that his unusual sensitivity to nature began to induce in him a powerful inner awakening - a desire for a larger existence or reality which he termed 'soul life'. Wherever he went in the countryside he found himself in awe of the beauty and tranquillity of the natural world; not only the trees, flowers and animals, but also the sun, the stars and the entire cosmos seemed to him to be filled with an inexpressible sense of magic and meaning.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Works: Red Deer; Volume 2 Of Works; Richard Jefferies Richard Jefferies

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Scarlet Shawl, A Novel by Richard Jefferies. This book is a reproduction of the original book published in 1874 and may have some imperfections such as marks or hand-written notes.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.