Bøger af Richard Hayman

A beautifully illustrated introduction to the seventeenth-to-nineteenth-century mania for all things Chinese, from blue-and-white china tea sets to entire suites of Chinese-inspired rooms, including parts of the sumptuous Brighton Pavilion.Chinoiserie is the taste for Chinese-inspired designs that were fashionable in Europe from the seventeenth to nineteenth centuries. British and other European designers adapted the visual culture of the Far East, reinterpreting what they perceived to be a mysterious, faraway place with little attempt at authenticity, creating a fantasy world of exotic birds, dragons, men in Chinese dress, and buildings with roofs with upturned eaves inspired by Chinese temples. Chinoiserie was produced in various forms -- in interior design (especially the fashionable ''Chinese rooms'' with their wallpaper and lacquered furniture), in tea sets when tea drinking was in vogue, and in the pagodas and pavilions of eighteenth-century gardens.Chinoiserie provides a beautifully illustrated introduction to this fascinating style of decorative art and explains how it evolved from direct contact between Western Europe and the Far East.

A brief history of the design and construction of bridges in the UK from medieval times to the modern day, including famous and notable examples such as Tower Bridge and the Forth Bridge. From the famous bascules of Tower Bridge and the august span at Westminster, through the engineering masterpieces at Ironbridge and the Forth, bridges are some of the most iconic landmarks of Britain. From the smallest arch to the largest overpass, they have a rich architectural, economic, social, and sometimes even religious history. This beautifully illustrated introduction by Richard Hayman explains how piety built and maintained bridges in the Middle Ages; how economic forces inspired a new generation of road bridges in the eighteenth century, including Iron Bridge in Shropshire and the Menai Bridge in North Wales; and how technological prowess gave us the soaring railway viaducts of the nineteenth century and road bridges of the twentieth.

Who built Avebury and Stonehenge? Why and when were more than 600 stone circles, and thousands of barrows and cairns, erected in prehistoric Britain? What were they used for and what do they tell us about the beliefs and culture of their builders? This is a history of the variety of answers that have been given to these questions.

An illustrated history of Britain's coal mines and the lives of the miners who worked in them.Coal heated the homes, fuelled the furnaces and powered the engines of the Industrial Revolution. In the nineteenth and twentieth centuries the coalfields - distinct landscapes of colliery winding frames, slag heaps and mining villages - made up Britain's industrial heartlands. Coal was known as 'black gold' but it was only brought to the surface with skill and at considerable risk, with flooding, rock falls and gas explosions a constant danger. Coal miners became a recognised force in British political life, forming a vociferous and often militant lobby for better working conditions and a decent standard of living.This beautifully illustrated guide to Britain's industrial heritage covers not just the mines, but the lives of the workers away from the pits, with a focus on the cultural and religious life of mining communities.

Illuminated manuscripts are among the most beautiful, precious and mysterious works of Western art. Before the printing press was invented, books were produced by hand, and their illustration using brightly colored pigments and gold embellishments was a labor of love and an act of piety in itself. The results are stunning. The works emanating from the scriptoria of monasteries were mainly religious texts, including illuminated bibles, psalters, and works for private devotion known as books of hours. Illuminated Manuscripts describes the origin and history of illumination in the Middle Ages, covering the artists and their techniques, and the patrons who commissioned them. It explains the subject matter found in medieval works, such as saints and Bible stories and the use of ornamental flourishes, and is illustrated with many fine examples of the genre including the Lindisfarne Gospels and the Book of Kells.

Explores the legends of King Arthur and Joseph of Arimathea at Glastonbury and how their influence has been felt from medieval to modern times.

The Reformation transformed England forever. From peasants in the lanes and fields to the court of Henry VIII, no life was left untouched as the Roman Catholic Church was replaced as the centre of the nation's religious life. Illustrates emergence of European ecclesiastical and political controversy and Tudor dynastic ambition.

Using archaeological and historical evidence, the authors chart the rise and fall of the iron, clay and coal industries of Ironbridge and bring to life the communities that worked in them.

Wrought iron has been used as a decorative element in architecture from the eleventh century to the twentieth. At first a device to strengthen and embellish doors, wrought iron was soon adopted for free-standing screens and railings, examples of which can still be seen in churches and cathedrals.

Green men are figures or heads that were carved in churches, abbeys and cathedrals from the twelfth to the sixteenth centuries. This book discusses the origins and definitions of these figures and traces their many declines and revivals throughout history. It is suitable for any church history enthusiast.

Trees are special, being bigger than us both physically and metaphorically. This book offers an account of our relationship with them. It states that throughout history, our views of trees have been affected by the changing use of woodland and the effects of deforestation and urbanisation.

1500 years of Christian heritage

From the heady days at Coalbrookdale on the banks of the Severn to the decline of a once-mighty industry, Richard Hayman tells the story of iron and its effects on Britain and the world.