Bøger af Ricardo Pau-Llosa

CONTENIDO: Aurelio de la Vega y la Imaginación cubana / Ricardo Pau-Llosa José Martí y la naturaleza; estrato fundamental de su pensamiento / Manuel Gómez Reinoso Análisis de cuatro íconos de la ensayística de Martí que perfilan su visión político-social / Elio Alba Buffil Poemas reveladores / Ángel Cuadra Landrove Walt Whitman y José Martí / Amelia Del Castillo Martín Rarezas y extravagancias de Azul. Apuntes sobre Rubén Darío a los 150 años de su nacimiento / Jesse Fernández Voces en conflicto en A Roosevelt de Rubén Darío / Guillermo Arango Aspectos míticos en el teatro de Julio Matas / Esther Sanchez-Grey El texto cervantino: un enfoque (in)formativo tridimensional / Martha García José Ortega y Gasset: Análisis de la estética de la vocacíon de dos pintores de la corte española / Alicia Bralove Marcos Aguinis ante el atroz encanto de ser argentino / Josefina Leyva COMO LOS PÁJAROS de Rubén Balseiro.Una mágica aventura entre el sol y el abismo / Bertha Bilbao Richter Conciencia y virtud en Las Ratas de Miguel Delibes / Pedro Blas González Miguel Castellanos, el olvidado pianista clásico cubano, alabado por José Martí / Andrés Castellanos Del Corral La joven república cubana Tercer conflicto armado / Alberto Yannuzzi José A. Albertini. Siempre en el entonces. Dos noveletas y ocho cuentos / Luis de la Paz Maricel Mayor Marsán. Miami, poemas de la ciudad / Guillermo Arango Elio Alba Buffill: Trascendencia humana, intelectual e histórica / J. A. Albertini.

"Ricardo Pau-Llosa was born in Havana, Cuba, in 1954. In 1960 his family fled the communist takeover and arrived in Chicago. In 1968, by way of Tampa, they moved to Miami. His first collection of poems, Sorting Metaphors, was selected by William Stafford for the Anhinga Prize in 1983. This was followed by Bread of the Imagined from Bilingual Press in 1992, and Cuba, the 100th title in the Carnegie Mellon University Press Poetry Series, in 1993-the first of seven of Pau-Llosa's collections from Carnegie Mellon. Additionally, he is a noted international authority on Latin American art"--

Man is premised on the fact that most individuals in our culture have, over the last two generations especially, drifted beyond rebellion or rejection of spiritual matters into a purely worldly menu of causes to explain what occurs to them. Nonetheless, the spiritual--in a universal sense although here it is referenced by the Judeo-Christian tradition--retains, strangely, its capacity to condition and inform our sense of the man-character's life.

The Landscape Architecture of Paul Sangha brings landscape to the foreground of daily life-as lifestyle, recreation, aesthetic pleasure-challenging notions of what one can gain from their outdoor surroundings. Sensuous, playful, and provocative, designs by Paul Sangha are meditations on the human relationship with landscape.