Bøger af Rebecca Dunham

"The poems of Rebecca Dunham's Strike invoke the terse, noiseless monstrousness of the toxic-domestic, the 'once-us, ' in which 'to fall numb is not to fall/out of pain.' This collection is Plathian in its riven depiction of anger, which both 'presses/down and in, ' where denial 'is beaten to silver foil, to silver leaf, ' and in which '[o]ver the butcher/paper's sheets' her 'red story sprawls.' In poems whose edges are honed on a whetstone of impeccable craft, and which delve into history, archetype, and ekphrasis, Dunham exposes the face that 'ripples beneath her mask' and builds a ravishing myth of the unveiled lyric interior." --Diane Seuss "In Rebecca Dunham's gorgeous new book there are secrets, shames, and a fury that bites like frost. Strike reminds me that 'fidelity / demands not only virtue's deep mortal stab, / but the love of it'; that anger burns clean; that forgiveness can burden the one who was hurt, asking them to console the one who made them suffer. Dunham brings to light a rage that has felt unutterable to me for so long, as well as the lineage of women who know betrayal's slow burning. When you read this stunning book, you can't fail to feel these poems strike you as well, how even after you set it down, you can still feel the scorch of it." --Traci Brimhall "D.T. Suzuki describes the start of a bad poem as one that 'does not fly straight to the target, nor does the target stand where it is...' Rebecca Dunham's Strike is a campaign of targets all hit, dead-center, by furiously composed poems--arrows that cannot miss. Whether real life fortifies her aim, or pure imagination, or the progeny of both, the reader need not know. What matters is that this writer is on fire--and for sharing her archery, her heartache, and her hunger for catharsis, we thank her, as this is poetry that confirms the weirdly compatible damnation and grace of language used to expunge and expose and exalt. 'Heap of tortured hairpins/at my feet..., ' Strike hurts, and thereby saves." --Larissa Szporluk

A searing, urgent collection of poems centered around the Deepwater Horizon oil spill

Poetry. Using the metaphor of a "flight cage," where birds are held captive, as physical manifestation of the space from which her speakers address us, Dunham reinvigorates the persona poem. Instead of "performing" historical figures such as Wollstonecraft, Dorothy Wordsworth, Anna Akhmatova, and Charlotte Perkins Gilman, she invites them to inhabit her, flickering in and out of sight, refusing an easy artifice. "In her second collection of poetry, Rebecca Dunham, with stunning formal innovation, parses the blessings and afflictions of womanhood, of motherhood. These poems, brilliant on their surfaces, dark and grave in their depths, will startle the reader with their radiance, and haunt--ghost-ridden as they are--with their otherworldly gravity"--Eric Pankey.

The eighteenth-century glass armonica, a musical instrument whose sound emits from rotating water-filled vessels, has long held the power to mesmerize with its hauntingly sorrowful tones. Just as its songwhich was once thought to induce insanitywraps itself in and around the mind, Rebecca Dunham probes the depths of human psyche, inhabiting the voices of historical female hysterics and inciting in readers a tranquil unease. These are poems spoken through and for the melancholic, the hysteric, the body dysmorphicfrom Mary Glover to Lavinia Dickinson to Freuds famed patient Dora. And like expert hands placed gently on the armonicas rotating disks, Dunham offers unsettling depictions of uninvited human contactof hands laid upon the female body, of touch at times unwanted, and ultimately unspeakable from behind the hysterics locked jaws. Winner of the 2013 Lindquist & Vennum Prize for Poetry, Dunhams stunning third collection is lush yet septic (G.C. Waldrep), at once beautiful and unnerving.