Bøger af Rachel DeWoskin

From the author of Blind, a heart-wrenching coming-of-age story set during World War II in Shanghai, one of the only places Jews without visas could find refuge. Warsaw, Poland. The year is 1940 and Lillia is fifteen when her mother, Alenka, disappears and her father flees with Lillia and her younger sister, Naomi, to Shanghai, one of the few places that will accept Jews without visas. There they struggle to make a life; they have no money, there is little work, no decent place to live, a culture that doesn't understand them. And always the worry about Alenka. How will she find them? Is she still alive? Meanwhile Lillia is growing up, trying to care for Naomi, whose development is frighteningly slow, in part from malnourishment. Lillia finds an outlet for her artistic talent by making puppets, remembering the happy days in Warsaw when her family was circus performers. She attends school sporadically, makes friends with Wei, a Chinese boy, and finds work as a performer at a "gentlemen's club" without her father's knowledge. But meanwhile the conflict grows more intense as the Americans declare war and the Japanese force the Americans in Shanghai into camps. More bombing, more death. Can they survive, caught in the crossfire?

""There's a language for other / languages," writes Rachel DeWoskin in "Two Menus" in a poem titled "Foreigners." But what if the "foreigner" referred to exists within us? Indeed, how do we reconcile our multiple selves, the ones we're born into with those that we develop far from childhood histories and familiar geographies? How do we reconcile the language of our parents with the ones we ourselves adopt as adults? "Two Menus" shows us what it's like to live between languages (English and Chinese) and cultures (the US and China), between histories (youth and adulthood), and how thinking in different languages and locales, over time, shifts our perspectives and our forms of expression. In traditional lyrics and experimental forms, in language that reflects the awkwardness of human communication itself, DeWoskin crosses back and forth between the divided worlds of the self, exploring the elusiveness of understanding in the midst of contradictory social norms. The result is a unique book of poems, partaking in equal parts of humor and bitterness, confusion and delight"--

"For a real insider's look at life in modern China, readers should turn to Rachel DeWoskin."-Sophie Beach, The Economist