Bøger af Primo Levi

Primo Levis vidnesbyrd og refleksioner om Auschwitz for første gang samlet på dansk. Tre af det tyvende århundredes allervigtigste litterære værker i én bog. Den 13. december 1943 blev den italiensk-jødiske kemiker Primo Levi arresteret i Alperne og ført til dødslejren Auschwitz. Det er begyndelsen på en grum fortælling om, hvordan man overlever kz-lejrenes ubegribelige brutalitet og meningsløshed, om vejen tilbage til de levendes verden og ikke mindst om behovet for at aflægge vidnesbyrd. Til sammen er de tre værker Hvis dette er et menneske (1956), Tøbrud (1963) og De druknede og de frelste (1986) en dyster udforskning af det, vi forstår som menneskelighed, fyldt med visdom og sort humor på trods. Denne udgave samler for første gang Primo Levis tre bøger om Auschwitz på dansk. Pressen skriver: »En af det 20. århundredes absolut mest nødvendige bøger« – Philip Roth »...fremstår, til trods for at der er gået mere end 60 år, sprogligt med en uhyggelig klarhed og mangel på patos til trods for det ubærlige emne [...] Man kan lære meget af at læse Primo Levi . Han er en meget stor forfatter, og det er en beskæmmende nydelse at læse om hans ubærlige oplevelser fra Auschwitz og hans efterfølgende refleksioner over, hvordan man skal forstå den vilde civilisatoriske udskejelse, som Holocaust er. Gid at Levi med denne fornemme udgivelse vil få mange nye læsere.« – Peter Nielsen, Information »Hans vidnesbyrd hører trods deres modbydelige indhold – eller måske snarere netop i kraft af behandlingen af dette indhold: deres præcision, mangel på sentimentalitet, stramme sproglige økonomi, nuancerede betragtninger, humor og menneskelighed – til blandt litteraturens smukkeste, mest berigende værker og er for mig at se enestående.« – Jacob Lund, Standart »Levis bøger – i sær Hvis dette er et menneske – er selv små mirakler« – Hans Hertel, Politiken »Levis egen overlevelse prægedes af dyb skam, og han håndterer den i fuldt dagslys på bogens hvide sider, så ingen undslipper. « – Elisabeth Åsbrink, Weekendavisen

With the moral stamina and intellectual pose of a twentieth-century Titan, this slightly built, duitful, unassuming chemist set out systematically to remember the German hell on earth, steadfastly to think it through, and then to render it comprehensible in lucid, unpretentious prose. He was profoundly in touch with the minutest workings of the most endearing human events and with the most contempible. What has survived in Levi's writing isn't just his memory of the unbearable, but also, in THE PERIODIC TABLE and THE WRENCH, his delight in what made the world exquisite to him. He was himself a "e;magically endearing man, the most delicately forceful enchanter I've ever known"e; - PHILIP ROTH

Reveals the extraordinary lives of the Russian, Polish and Jewish partisans trapped behind enemy lines during the Second World War. Wracked by fear, hunger and fierce rivalries, they link up, fall apart, struggle to stay alive and to sabotage the efforts of the all-powerful German army.

A chemist by training, the author became one of the witnesses to twentieth-century atrocity. In these haunting reflections inspired by the elements of the periodic table, he ranges from young love to political savagery; from the inert gas argon - and 'inert' relatives like the uncle who stayed in bed for twenty-two years - to life-giving carbon.

An extraordinary kind of autobiography in which each of the 21 chapters takes its title and its starting-point from one of the elements in the periodic table.

I 1986 vendte Primo Levi tilbage til Auschwitz. Der er denne gang tale om en essayistisk tekst forankret i analyser af forholdene i lejren og af de moralske spørgsmål om ondskab, ansvar, skyld, skam og fordømmelse. De erindrede episoder i bogen fungerer som eksemplificeringer i de analyser, Levi foretager. Bogen bliver Levis sidste og er præget af en mørkere tone end tidligere i forfatterskabet.En af de ting, Levi i denne bog bærer vidnesbyrd om, er den overlevendes moralske byrde som overlevende. Et element af denne overvejelse er ofrenes mulige medansvar for det frygtelige, der skete. I lejren var der ikke blot ofre og forfølgere men en stor gråzone, hvor medfanger også medvirkede i de forbrydelser, som blev begået. Levi diskuterer ligeledes de bagvedliggende mekanismer, som bl.a. resulterede i, at nazisterne satte jøder til at administrere gaskamre og krematorier.Et andet element er de smertefulde åg, der er forbundet med at have overlevet. De indsatte i udryddelseslejren blev frarøvet deres skæbne og blev reduceret til dyr, men efterfølgende bliver bevidstheden om at have overlevet på en andens bekostning en del af deres fortsatte eksistens. Levi analyserer bl.a. den overlevendes behov for at retfærdiggøre sin eksistens og skammen over at være den, der overlevede, mens de fleste døde.

Primo Levis bog "La tregua" fra 1963 ("Tøbruddet", 1991) er beretningen om hans lange hjemrejse fra Auschwitz i det sydlige Polen til hjembyen Torino. Auschwitz blev befriet i vinteren 1944, mens krigen stadig hærgede i det meste af Europa, grænserne var lukkede og fronterne  bølgede frem og tilbage. Hjemrejsen gik derfor gennem Polen, Ukraine, Hviderusland, Rumænien, Ungarn, Østrig, Tyskland og Schweiz for til sidst at ende i Italien. Bogen skildrer den lange rejse gennem et smadret og krigshærget Europa, hvor millioner af soldater og flygtninge krydser kontinentet i et forsøg på at vende hjem.Levi starter i denne bog, hvor han slap i "Hvis dette er et menneske", men tonen bliver i løbet af beretningen lettere, end den var i den første erindringsbog. Med stor fortællerglæde skildrer Levi rejsens undtagelsestilstand, hvor der fortælles historier og tuskhandles blandt de hjemrejsende. Det er dog en fortælling, som også indeholder en særlig nostalgi efter en tid før Auschwitz, som aldrig vil komme tilbage. Også i denne bog viser Levi sig som en fantastisk portrættør af de skæbner, han møder undervejs, og hans vej tilbage til livet synes da også at være forbundet med disse møder og kommunikationen med hans medmennesker. Som i resten af forfatterskabet er Primo Levis humanistiske udgangspunkt også her tydeligt.

Primo Levi udgav i 1947 erindringsværket ”Se questo è un uomo” (”Hvis dette er et menneske”, 1989) om sin tid i Auschwitz. Der er tale om en kronologisk fremstilling, der skildrer oplevelserne fra godstransporten og ankomsten til lejren, indordningen under de nye absurde regler, kampen mod sult, kulde, sygdom og fornedrelse til det tidspunkt, hvor nazisterne sender de fleste fanger ud på en dødsmarch og selv flygter, mens de syge bliver tilbage og venter på Den Røde Hærs befrielse.Sprogligt skildrer Levi oplevelserne i udryddelseslejren og kampen for at overleve med uhyggelig klarhed og mangel på patos på trods af det ubærlige emne. Samtidig er teksten fuld af refleksioner over den menneskelige natur, og hvad det gør ved et menneske at blive reduceret til det, der knapt kan kaldes et menneske længere. En væsentlig tematik er netop fremstillingen af den omfattende dehumanisering, som hele kz-lejrens struktur synes at være bygget op omkring.Levi skildrer tyskernes projekt i lejren som en tilintetgørelse af mennesket som menneske ved at fratage det enhver individuel identitet og ved at praktisere en fornedrelse af mennesket til dyr, hvor enhver civilisation blev sat ud af kraft. Dertil kommer den fratagelse af ethvert håb og fremtid for menneskene i lejren, hvor kun de få undtagelsesvis overlevede den tidsubegrænsede indespærring.En anden vigtig pointe i bogen er bestræbelsen på at give ofrene ansigt og dermed gøre dem til de individer, kz-lejren ellers udviskede. På trods af både fangernes og vogternes lighed med dyr i deres måde at overleve og agere på, formår Levi at fremstille dem som særegne mennesker, og bogens mange personskildringer er dermed et vigtigt greb i teksten.Endelig har Levi flere gange fremhævet, at den essentielle bevæggrund for hans erindringsbog var at bære vidnesbyrd om det ufattelige massemord. Ifølge Levi er kz-lejrene udtryk for de grusomheder, mennesket rent faktisk er i stand til at begå, og derfor må vi aldrig glemme dem. Ellers risikerer vi at gentage dem.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Non Conosci Il Bel Suol, Palermo, Settembre-novembre MDCCCLXXXV. Primo Levi Stab. tip. del Tempo, 1886

In a book John Leonard calls "remarkable" and Michael Ignatieff describes as "invaluable," The Voice of Memory collects thirty-six interviews with bestselling author Primo Levi--many of them completely new to English-speaking readers. This book reveals a varied and complex picture of the acclaimed writer, encompassing Levi the Holocaust witness, the writer, the chemist, the mountain climber, the intellectual, the political polemicist, the atheist, and the Jew.Hailed by David Denby as "one of the outstandingly beautiful and moving writers of our time," Levi emerges here in a rich, contradictory, and essentially human light. His status as perhaps the most important of the survivor-writers of the Holocaust is enhanced still further by his many voices speaking in this remarkable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A chemist-turned-writer and a construction rigger in a remote factory pass the time swapping tales of their lives and voyages. Primo Levi’s most light-hearted novel, The Monkey’s Wrench is a tribute to storytelling, human ingenuity, and the importance of finding meaningful work in life.“A lot of stories have happened to me,” says Faussone, the mysterious construction rigger at the center of this comic novel by Primo Levi. Far from home on a work assignment, Libertino Faussone befriends the book’s narrator, a chemist based loosely off of Levi himself. Although he can’t quite explain it, the chemist is immediately entranced by the wandering laborer who has traveled to every corner of the world. The two embark on an unlikely friendship, trading tales filled with curses and spies, scandal and heartbreak. With its easy-going and even whimsical tone, The Monkey’s Wrench is a change from Primo Levi’s other works. Yet its message is just as vital. The novel reminds us about the importance of connection between strangers, our endless capacity to solve even the most challenging of problems, and finding fulfillment in work. Along with Elie Wiesel and Hannah Arendt, Primo Levi is remembered as one of the most powerful and perceptive writers on the Holocaust and the Jewish experience during World War II. This is an essential book both for students and literary readers. Reading Primo Levi is a lesson in the resiliency of the human spirit.

Originally published in Italy in 1986 as I Sommersi e i salvati.

"He is our Dante . . . writing a modern masterpiece about his journey into Hell . . . [that is] unique in the literature of the Holocaust." -USA TodayA Penguin ClassicPrimo Levi was one of the most astonishing voices to emerge from the twentieth century: a man who survived one of the ugliest times in history, yet who was able to describe his own Auschwitz experience with an unaffected tenderness. Levi was a master storyteller but he did not write fairytales. These stories are an elegy to the human figures who stood out against the tragic background of Auschwitz, "the ones in whom I had recognized the will and capacity to react, and hence a rudiment of virtue." Each centers on an individual who-whether it be through a juggling trick, a slice of apple or a letter-discovers one of the "bizarre, marginal moments of reprieve."For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"A remarkable narrative of a worklife as told to Primo Levi, who is as great a listener as he is a creative artist." -Studs Terkel A Penguin Classic In this exuberant and wildly funny novel, Primo Levi celebrates the joys of work and the art of storytelling. The magic is worked through the mesmerizing tales told by Libertini Faussone, a construction worker, and by the narrator, a writer-chemist, who share stories of their adventures. Faussone is a life-loving, self-educated philosopher who has built bridges and towers in India, Africa, Alaska, and Russia. His passion for work and travel shines through his stories-of a monkey who wanted to be a man, of a magnificent machine that caught stardust, and of a first love, a girl who drove a bulldozer. The writer-chemist, himself a rigger of words and molecules, listens, patient and amused, and responds with his own fascinating stories and reflections on the similar joys of labor, both physical and intellectual. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.