Bøger af Peter Mills

The Taxi Cabaret follows six people in their twenties during their first year in New York City. Scott, an aspiring novelist, discovers that you do not have to suffer to write. Mark and Sara test their relationship when they move in together. Zach lives an E-ZPass lifestyle, staying safely in the closet, while the eternally unlucky but relentlessly optimistic Karen falls for him, only to haveher heart broken. C.C. is an actress/temp who longs for something in her life that will last more than sixteen bars.

Fix the working environment, not the person. Even with the best intentions, working relationships can and do fail. Conflict at work often occurs when people are unable to perform their work or expectations are not met. If the causal factors are not changed, then conflict will remain unresolved. This book provides an approach that considers the whole working environment, not an assumption that something is wrong with the individual. It provides a model for constructive working relationships based on specific understandings of people at work.

In 1991 Van Morrison said, 'Music is spiritual, the music business isn't'. This book investigates the oppositions and harmonies within the work of Van Morrison, proceeding from this identified starting point. It looks at Morrison as a singer. It also looks at how he uses his voice as an interpretive instrument.

Investigates the oppositions and harmonies within the work of Van Morrison. This book looks at Morrison as a writer, specifically as an Irish writer who has recorded musical settings of Yeats poems, and collaborated with Seamus Heaney, Paul Durcan and Gerald Dawe.

The first serious exploration of one of the most successful and enduring acts of the 60s-and the band that created the blueprint for popular culture in the twenty-first century.

This book analyses the relationships between music and contemporary media, both via the mediation of music, and music as mediator. It does so through a series of original interviews with key practitioners: musicians, writers, magazine editors, radio presenters and major and independent label bosses. Through these interviews, theory and practice are measured against each other and the book considers their experiences and observations in order to explore the ways popular music is produced, marketed and mediated. Examining visual, print, radio and new media, Media and Popular Music draws together disparate elements of music and media which formerly have not been considered together, and provides a fresh and innovative contribution to the swiftly growing field of popular music studies. *Key Features *Presents key topics via chapter-long case studies and more broadly applied theoretical analyses *Uses media theory and cultural theory to shed fresh light on theory and practice *Discusses music in relation to visual and print media.