Bøger af Peter Davies

A newly updated history and photographic A-Z guide to 280 classic makes around the world.

Penny Crook's research interests include 19th-century material culture, assemblage analysis, consumer studies, urban archaeology and digital data management. She pioneered the examination of quality in historical archaeological assemblage analysis as part of her doctoral research (completed in 2008) and conducted price and linguistic analysis of data from 19th-century store catalogues. In 2014 she commenced a DECRA fellowship to extend the quality research framework and re-examine the role of consumption in colonial Sydney using archaeological assemblages.Peter Davies is a research assistant in the Department of Archaeology, Environment and Community Planning at La Trobe University. He is the author of Henry's Mill: The Historical Archaeology of a Forest Community (2006) and coauthor (with Susan Lawrence) of An Archaeology of Australia Since 1788 (2011). He also co-edits the journal Australasian Historical Archaeology.Tim Murray joined the Program in 1986 as Lecturer and was appointed to the Chair of Archaeology in 1995. He has also taught at the University of New South Wales, the University of Sydney, Cambridge University, the University of Leiden (The Netherlands), the Université de Paris 1 (Panthéon-Sorbonne), and the Ecole des hautes etudes en sciences sociales (Paris), Peking University, Goteborg University, the Institute of Archaeology, University College London and the Nordic Graduate School in Archaeology. He was elected a Fellow of the Society of Antiquaries of London in 2003 and Fellow of the Academy of the Humanities in Australia in the same year. He is editor-in-chief of The Bulletin of the History of Archaeology. From 2009-2014 he was Executive Dean of the Faculty of Humanities and Social Sciences, and in 2010 was made Charles La Trobe Professor of Archaeology. In 2015 he became Director of the Centre for the Archaeology of the Modern World (CAMW) based at La Trobe University.

Ray Atkins (b 1937) is one of the least well known major painters of his generation. He studied at Bromley College of Art in Kent before gaining a postgraduate place at the Slade despite having failed the National Diploma in Design in 1961. Teaching posts at Reading University and then Falmouth Art School followed, and the latter led to a 34-year stay in Cornwall. He painted the extraordinary landscape of the china clay country around St Austell with its colossal pits and mounds of micae, and the desolation left over by the demise of the tin mining industry. Intimate subjects of children, gardens, family life and inevitably the sea were also part of the ouevre. The nineties also saw a long series of works on the theme of dance. Peter Davies‿ text follows Atkins‿ journey from the dark but creative London period to the high spots in the eighties with a retrospective at the Royal West of England Academy and with work selected for the John Moores in Liverpool, a room at a Serpentine summer Show, and representation in shows at the Hayward gallery. David Stoker gives a personal and touching account of his discovery of Atkins in France, leading to a growing friendship and a deep understanding and respect for the work. Harvey‿s painting output was prodigious, and this book includes approximately 100 illustrations of his favoured subjects: the Cornish at work, children at play, and intimate interior scenes and conversation pieces. Many of his contemporaries in Newlyn were visiting ‿observers‿, but for Harold Harvey, who rarely went outside the county even though a regular exhibitor at the Royal Academy, painting the Cornish world ‿because it was there‿ was his whole life.

"Some actions have consequences that echo throughout eternity." David Cross is a homeless man in New York City searching for meaning in his mundane and maligned form of living. One day a mysterious man approaches him on the subway and sparks a journey that will change his life for good. It is all summarized in one simple yet profound question: What if everything that has ever happened in the world was just part of A Horrible Lie? What begins as a journey to find himself turns into an epic battle between good and evil. As the war against mankind enters its culminating stages; David Cross is left with a dilemma. Will he support those who gave his life purpose, or will he join the fight against them?

This book seeks to move twentieth-century German literary history away from its stubbornly persistent reliance on the political turning-points of 1933 and 1945. In the first part of the book, the authors analyze a synchronic corpus of literary journals, identifying a restorative aesthetic mood in the years 1930-1960 which persists across political date boundaries. In the second part, the careers of five writers are considered diachronically against this prevailing restorative climate: Gottfried Benn, Johannes R. Becher, Bertolt Brecht, Gunter Eich, and Peter Huchel. Combining these two approaches, the authors show that a fresh perspective that challenges established literary-historical periodisations can shed light on the common cultural and aesthetic ground shared by writers, editors and critics across the ideological divides of the era.

This study explores the prevalence in German culture of myths about ancient matriarchal societies, discussing their presence in left and right wing politics, feminist and antifeminist writing, sociology, psychoanalysis and literary production. By tracing the influence of the works of the Swiss jurist and theorist of matriarchy, Johann Jakob Bachofen (1815-1887), and the controversies about the reception and interpretation of his work, this study shows how debate about the matriarchal origins of culture was inextricably linked with anxieties about modernity and gender identities at the turn of the twentieth century. By moving beyond the discussion of canonical authors and taking seriously the scope of the discussion, it becomes clear that it is not possible to reduce matriarchal theories to any particular political ideology; instead, they function as a mythic counterdiscourse to a modernity conceived as oppressive, rational and masculine. Writers considered include Ludwig Klages, Hofmannsthal, Kafka, Hauptmann, Lou Andreas-Salome, Sir Galahad, Clara Viebig, Mathilde Vaerting, Thomas Mann, Elisabeth Langgasser, Ilse Langner, Otto Gross, Franz Werfel, and many others.

Studies in Contemporary and Historical Archaeology 2Studies in Contemporary and Historical Archaeology is a new series of edited and single-authored volumes intended to make available current work on the archaeology of the recent and contemporary past. The series brings together contributions from academic historical archaeologists, professional archaeologists and practitioners from cognate disciplines who are engaged with archaeological material and practices. In this, the second volume in the series, the author presents a nuanced account of 19th and 20th century forest sawmill communities in southern Victoria, Australia. Weaving together archaeological and historical data, issues of community development, isolation, integration, and consumption practices are sensitively explored. Not only does the volume make a valuable contribution to the historical archaeology of rural Australia, but it provides an extended case study for others studying the history and archaeology of temporary work communities elsewhere in the emerging modern world.

Provides a fascinating enquiry into the particular type of nationalism France embraces. It explores the value system of the movement and explains the way in which Front National ideology has been formulated and articulated in the 1980s and 1990s.

Shows how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated.A growing body of scholarship is making visible the contribution of translators to the creation, preservation, and transmission of knowledge about the Holocaust. The discussion has tended to be theoretical or to concentrate on exposing the "e;distorted"e; translations of texts by important witnesses such as Anne Frank or Elie Wiesel. There is therefore a need for a positive, concrete, and contextually aware approach to the translation of Holocaust testimoniesthat acknowledges the achievements of translators while being sensitive to the consequences of particular translation strategies. Peter Davies's study proceeds from the assumption that translators are active co-creators whose workdoes not simply mediate a pre-existing text, but creates a representation of that text for a new readership in a specific context. Translators of Holocaust testimonies, then, provide a form of textual commentary that works through ideas about witnessing, historical truth, and the meaning of the Holocaust. In this way they are important co-creators of knowledge about the Holocaust and its legacy. The study focuses on translations between English and German, and from other languages (principally French, Russian, and Polish) into English and German. It works through a number of case studies, showing how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated. Peter Davies is Professor of German at the University of Edinburgh.

New essays exploring the resurgence of the theme of romantic relationships and love in German literature since around the turn of the millennium.While sociologists have long agreed that the problems of modern and contemporary subjectivity crystallize in the issue of romantic relationships and love (e.g., Luhmann, Illouz, Beck, etc.), the theme of love, so crucial to the foundational text of modern German literature, Goethe's Werther, all but disappeared from German prose literature in the second half of the twentieth century. Yet over the past fifteen years German-language literature has witnessed an explosion of novels with "e;Liebe"e; in their titles as well as novels that centrally focus on intersubjective erotic and emotional relationships. A number of major contemporary writers (Treichel, Walser, Kermani, Ortheil, Maron, Zaimoglu, Genazino) have written Liebesromane or novels in which significant sociohistorical questions are refracted through the love relationships of their protagonists. German film likewise has increasingly thematized love relationships under postromantic conditions, e.g. in the films of the Berlin school. Simultaneously, the development of both feminist and LGBTQ politics over the past decades has exploded the heteronormative discourses ofdesire in a way that has both expanded and enriched the lovers' discourse, while recent developments of urban (hetero)sexuality have expanded the previously available models of expressing erotic relationships in ways that are reminiscent of the utopian ending of Goethe's first version of Stella. The present collection offers a wide-ranging set of essays on these developments. Contributors: Esther K. Bauer, Sven Glawion, Silke Horstkotte,Sarra Kassem, Maria Roca Lizarazu, Helmut Schmitz, Angelika Vybiral. Helmut Schmitz is Reader in German at the University of Warwick. Peter Davies is Professor and Head of German at the University of Edinburgh.

New perspectives on the relationship - or the perceived relationship - between the German language and the causes, nature, and legacy of National Socialism and the Shoah.There is seemingly no escaping the association of the language of Goethe with the language of Hitler: the two leaden cliches seem to be inseparable, suggesting a Sonderweg between enlightened sophistication and subtle beauty on the one hand and linguistic barbarism on the other. Victor Klemperer suggested that the Lingua Tertii Imperii was a perversion of German that needed to be purged from the language, but does the notion of "e;Nazi language"e; as an identifiably separate entity really hold water, or does it only reflect a desire to construct a clear demarcation line between "e;Germans"e; and "e;Nazis"e;? What new linguistic, literary, or historical perspectives are availableon the functioning of language during and after the Third Reich? Must German always be the "e;language of the perpetrators,"e; entailing a constant state of heightened self-awareness or vigilance against contamination, or is neutral,objective speech about National Socialism possible in German? This collection provides new perspectives on the relationship - or the perceived relationship - between the German language in all its manifestations and the causes, nature, and legacy of National Socialism and the Shoah. Contributors: Ian Biddle and Beate Muller, Mary Cosgrove, Peter Davies, Sylvia Degen, Andrea Hammel, Geraldine Horan, Teresa Ludden, Dora Osborne, Marko Pajevic, James Parsons, Simone Schroth, Arvi Sepp, Simon Ward, Jenny Watson. Peter Davies is Professor of Modern German Studies at the University of Edinburgh. Andrea Hammel is Senior Lecturer in German at Aberystwyth University.

The pressure on contact time with students and the results required from it are constantly increasing - which means tutors have to be more creative in how they approach their work. This book offers some solutions, exploring how tutors can encourage constructive discussion amongst students.

Cricket and Community in England: 1800 to the Present Day is a path-breaking enquiry into the social history of the summer game. -- .

General Practice has never been an easy occupation. The market has changed, the range of options is wider, and the way through the labyrinth is far from clear. This book helps to clarify uncertainties, formulate strategies and guide you towards the right path. Experienced GPs too, will find the guide invaluable as a current, general overview.

This practical guide offers everything you need to know ΓÇô what needs to be done, by whom, and by when. With a straight-forward approach it proves that getting through revalidation is a simple task, as long as you understand the key requirements and avoid potential pitfalls along the way. It explains the process and encourages you to explore possibilities for your own personal and professional development.

This overview of Australian post-contact history uses material objects such as artefacts, buildings, and landscapes. The book offers broad geographic and temporal coverage, and social themes such as gender, status, ethnicity and identity inform every chapter.

This book reports on the largest empirical study of male homosexual behaviour in the UK for thirty years. Important new theories about sexuality are developed, which expose unhelpful stereotypes and challenge outdated assumptions about AIDS.

Suitable for courses on World War II or 20th century Europe, "Dangerous Liaisons" assesses how and why collaboration occurred and why it remains relevant today. It investigates four different "types" of collaboration: political, financial, social and the Holocaust.

An engaging and accessible guide to the origins of fascism, the main facets of the ideology, and the reality of fascist government around the world.

Since 1789, the far right has been an important factor in French political life and in different eras has taken on a range of guises including traditionalism, ultra-royalism, radical nationalism, anti-Semitism and fascism. This work surveys the history of this political and intellectual tradition.

Berkshire Byways

A concise introduction to a crucial and controversial period of French history. It provides a fresh insight into the events of this era of conflict exploring themes of collaboration, resistance, liberation and the wars legacy.