Bøger af Patrizia Dander

This volume documents a solo exhibition at the Haus der Kunst in Munich in 2008 by Luc Tuymans (born 1958). While the retrospective assembled 90 representative works from the last 30 years of the artist's career, the strength of the exhibition lay not only in the art displayed, but also in the location: the Haus der Kunst, built on Hitler's orders in 1933, was used to exhibit German art "by and for the people" and quickly became a center of cultural propaganda for the Nazi regime. In this space, Tuymans' works, often concerned with power relations and twentieth-century history, were grouped into "islands of meaning" to create a narrative that would resonate with the museum, and Tuymans further conceived of a site-specific mural. In this volume, Tuymans himself guides the reader through the exhibition and offers new perspective on his works' relations both to each other and to the installation space. The book includes an ex-libris bookplate signed by Tuymans. Limited quantity available.

Future Bodies from a Recent Past brings to life a hitherto little-noticed phenomenon in art and sculpture in particular: the reciprocal interpenetration of bodies and technology. With 120 works by 59 artists-primarily from Europe, the USA and Japan-the exhibition is dedicated to the major technological changes since the post-war period and examines their influence on our notions of bodies. With contributions on topics such as the influence of changing production technologies, materialities, and concepts of the body, but also interdisciplinary considerations of body-technology relations, a multi-perspective history of contemporary sculpture will be outlined. English Edition! Exhibition Museum Brandhorst Munich2 June 2022 until 15 January 2023

Future Bodies from a Recent Past rückt ein bisher wenig beachtetes Phänomen in der Kunst und insbesondere der Skulptur in den Fokus: die wechselseitige Durchdringung von Körpern und Technologie. Mit 120 Werken von 59 Künstler/-innen - vornehmlich aus Europa, den USA und Japan - widmet sich die Ausstellung den großen technologischen Veränderungen seit der Nachkriegszeit und nimmt deren Einfluss auf unsere Vorstellungen von Körpern in den Blick. Mit Beiträgen zu Themen wie dem Einfluss sich wandelnder Reproduktionstechnologien, der Bedeutung von Materialität und Körperbegriffen in der Skulptur, aber auch mit interdisziplinären Betrachtungen von Körper-Technologie-Relationen wird eine multiperspektivische Skulpturgeschichte der Gegenwart erzählt. Deutsche Ausgabe! Ausstellung Museum Brandhorst, München2. Juni 2022 bis 15. Januar 2023