Bøger af Patricia Highsmith

Before Alfred Hitchcock adapted her debut novel, Strangers on a Train, for the big screen; before her suave and sociopathic Thomas Ripley snaked his way into the canon of psychological suspense; and before The Price of Salt became a cult classic of romantic obsession, who was Patricia Highsmith?Focused on her formative years in Manhattan, this condensed edition of Highsmith's monumental Diaries and Notebooks reveals "Pat" at her most passionate and florescent. Beginning in 1941 at Barnard College and encompassing the Texas native's adventurous twenties,?The New York Years intertwines scenes from her dizzying social life-rife with sleepless nights barhopping in the queer underground Greenwich Village scene, always juggling too many lovers-with an intimate self-portrait of a young artist who by day dispassionately wrote comics for a paycheck. Amid all the hangovers and the breakups, she read voraciously and honed her craft with verve. Laid bare in this perennial reader's edition are the bold, hilarious, romantic, tragic, and maddeningly contradictory observations of one of "our greatest modernist writers" (Gore Vidal).

"Ramâon, quick-tempered and devoutly Catholic, fixes furniture in Mexico City, not far from where he was born into poverty. Theodore, a rich German expatriate and painter, lives a calm life in his mansion and believes in nothing at all. You'd think the two had nothing in common. Except, of course, that both had slept with Lelia. The two men form an unlikely friendship--until Lelia is found brutally murdered in her apartment. Both become suspects, and each suspects the other. Caught in an excruciating limbo, Ramâon and Theodore seize on the possibility of a third man, a thief seen at Lelia's apartment. Their hunt for the possible murderer takes the pair on a frantic chase from Mexico City to sun-drenched Acapulco, and to a small colonial mountain town where Theodore gets the uneasy feeling that his every move is being watched"--Provided by publisher.

Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime-forgery, extortion, serial murder-Ripley still finds his appetite unquenched and longs to get back in the game.In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime-and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced-particularly memorable for its dark, absurd humor-and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance.

Slowly, Slowly in the Wind brilliantly assembles many of Patricia Highsmith's most nuanced and psychologically suspenseful works. Rarely has an author articulated so well the hypocrisies of the Catholic Church while conveying the delusions of a writer's life and undermining the fantasy of suburban bliss. Each of these twelve pieces, like all great short fiction, is a crystal-clear snapshot of lives both static and full of chaos. In "The Pond" Highsmith explores the unforeseen calamities that can unalterably shatter a single woman's life, while "The Network" finds sinister loneliness and joy in the mundane yet engrossing friendships of a small community of urban dwellers. In this enduring and disturbing collection, Highsmith evokes the gravity and horror of her characters' surroundings with evenhanded prose and a detailed imagination.

The great revival of interest in Patricia Highsmith continues with the publication of this novel that will give dog owners nightmares for years to come. With an eerie simplicity of style, Highsmith turns our next-door neighbors into sadistic psychopaths, lying in wait among white picket fences and manicured lawns. In A Dog's Ransom, Highsmith blends a savage humor with brilliant social satire in this dark tale of a highminded criminal who hits a wealthy Manhattan couple where it hurts the most when he kidnaps their beloved poodle. This work attesets to Highsmith's reputation as "the poet of apprehension" (Graham Greene).

For two years, Walter Stackhouse has been a faithful and supportive husband to his wife, Clara. She is distant and neurotic, and Walter finds himself harboring gruesome fantasies about her demise. When Clara's dead body turns up at the bottom of a cliff in a manner uncannily resembling the recent death of a woman named Helen Kimmel who was murdered by her husband, Walter finds himself under intense scrutiny. He commits several blunders that claim his career and his reputation, cost him his friends, and eventually threaten his life. The Blunderer examines the dark obsessions that lie beneath the surface of seemingly ordinary people. With unerring psychological insight, Patricia Highsmith portrays characters who cross the precarious line separating fantasy from reality.

Mit 'The Talented Mr. Ripley' (1955) hat Patricia Highsmith dem Kriminalroman neue Dimensionen erschlossen: Im Mittelpunkt steht nicht der Detektiv, sondern der zweifache Mörder, aus dessen Sicht die Geschichte erzählt wird. Der Roman, der bei Millionen von Krimifans längst Klassiker- bzw. Kultstatus erreicht hat, wurde 1959 von René Clément (mit Alain Delon) und 1999 von Anthony Minghella (mit Matt Damon) verfilmt.Ungekürzte und unbearbeitete Textausgabe in der Originalsprache, mit Übersetzungen schwieriger Wörter am Fuß jeder Seite, Nachwort und Literaturhinweisen.

With the acclaim for The Talented Mr. Ripley, more film projects in production, and two biographies forthcoming, expatriate legend Patricia Highsmith would be shocked to see that she has finally arrived in her homeland. Throughout her career, Highsmith brought a keen literary eye and a genius for plumbing the psychopathic mind to more than thirty works of fiction, unparalleled in their placid deviousness and sardonic humor. With deadpan accuracy, she delighted in creating true sociopaths in the guise of the everyday man or woman. Now, one of her finest works is again in print: A Suspension of Mercy, a masterpiece of noir fantasy. With this novel, Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday contemporary life. "For eliciting the menace that lurks in familiar surroundings, there's no one like Patricia Highsmith."-Time "Highsmith's novels are peerlessly disturbing ....bad dreams that keep us thrashing for the rest of the night."-The New Yorker

Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).

Five gripping full-cast adaptations of Patricia Highsmith's bestselling 'Ripley' series - plus bonus materialCharming, cultured and clever, Tom Ripley has a taste for the finer things in life. And he is determined to get them, by any means necessary... These five plays - The Talented Mr Ripley, Ripley Under Ground, Ripley's Game, The Boy Who Followed Ripley and Ripley Under Water - chart Tom's journey from impoverished conman to wealthy bon viveur and serial killer. His homicidal adventures begin when he befriends shipping heir Dickie Greenleaf: he wants money, success, and he's willing to kill for it. But when he attains the luxurious lifestyle he craves, he is always on the edge of being discovered. Will his shadowy past finally catch up with him?BAFTA-winning actor Ian Hart stars as Ripley in these tense, thrilling dramas. Also included are two bonus documentaries: Looking for Ripley, in which crime writer Mark Billingham unravels the mystery behind our lasting fascination with Tom Ripley, and A Passionate Affair, presented by Marcel Berlins, who asks whether Patricia Highsmith fell in love with her suave, amoral anti-hero. Text © 1993 by Diogenes Verlag AG Zurich, all rights reserved. © 2022 BBC Studios Distribution Ltd (p) 2022 BBC Studios Distribution Ltd

A suspenseful full-cast BBC radio adaptation of Patricia Highsmith's classic psychological thrillerWhen Guy Haines meets Charles Bruno in the dining car of a Texas-bound train, they share their secrets in the way that only strangers can. Charles confides his hatred for his controlling father, Guy confesses that he is divorcing his unfaithful wife. As the drink flows and the conversation turns darker, Charles proposes the perfect solution to both their problems - a murder swap - and Guy laughingly agrees. Back home, he quickly forgets their drunken pact: but Charles does not. Soon Guy is facing a nightmarish choice - fulfil his part of the bargain, or be framed for a murder he didn't commit... Dramatised for radio by award-winning playwright Craig Warner, this disturbing tale of obsession, blackmail, guilt and fear stars Michael Sheen (Good Omens, Staged) as Guy Haines and Anton Lesser (Game of Thrones, Endeavour) as Charles Bruno. CreditsWritten by Craig Warner, based on the novel by Patricia HighsmithOriginal music by Craig WarnerDirected by Andy JordanCastCharles Bruno........................Anton LesserGuy Haines........................Michael SheenAnne........................Saskia ReevesGerard........................Bill NighyElsie Bruno........................Jane WhittenshawAlex........................Denys HawthorneMyers........................Roger MayTreacher........................Stephen CritchlowCop........................John HartleyFrear........................Andrew BranchFirst broadcast on BBC Radio 4, 25 January 1996Strangers on a Train © 1993 by Diogenes Verlag AG Zurich, all rights reserved. © 2022 BBC Studios Distribution Ltd(p) 2022 BBC Studios Distribution Ltd

'Offers the most complete picture ever published of how Highsmith saw herself' New York Times'One of the finest writers in the English language' Richard Osman'I love Highsmith so much. What a revelation her writing was' Gillian Flynn 'My secrets - the secrets that everyone has - are here, in black and white.'Published for the very first time for the centenary of her birth, Patricia Highsmith's diaries and notebooks offer an unforgettable insight into the life and mind of one of the twentieth century's most fascinating writers.Though the famously secretive Highsmith refused to authorise a biography during her lifetime, she left behind 8,000 pages of notebooks and diaries, along with tantalising instructions on how they should be read. This one-volume assemblage reveals, at last, the inscrutable figure behind the pen. The diaries show Highsmith's unwavering literary ambitions - coming often at huge personal sacrifice. We see Highsmith drafting Strangers on a Train while attending the Yaddo artists' colony in 1948, alongside Flannery O'Connor and at Truman Capote's recommendation. We feel her euphoria writing The Price of Salt (later adapted into the film Carol), one of the first mainstream novels to depict two women in love. And we watch Highsmith in Positano, subsisting on little more than cigarettes and gleefully conjuring Mr Ripley, the sociopathic anti-hero that would cement her reputation.In these pages Highsmith reflects on good and evil, loneliness and intimacy, sexuality and sacrifice, love and murder. She describes her tumultuous romantic relationships, alongside her sometimes dizzying social life involving Jane Bowles, Peggy Guggenheim, Carson McCullers, Arthur Koestler and W. H. Auden. And in her skewering of McCarthy-era America, her prickly disparagement of contemporary art and ever-percolating prejudices, we see Highsmith revealing the roots of her psychological angst and acuity.At once lovable, detestable and mesmerising, Highsmith put her turbulent life to paper for five decades. Offering all the pleasures of Highsmith's novels, the result is one of the most compulsively readable literary diaries to publish in generations

Penguin Readers is an ELT graded reader series. Please note that the eBook edition does NOT include access to the audio edition and digital book. Written for learners of English as a foreign language, each title includes carefully adapted text, new illustrations and language learning exercises.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.The Talented Mr Ripley, a Level 6 Reader, is B1+ in the CEFR framework. The longer text is made up of sentences with up to four clauses, introducing future continuous, reported questions, third conditional, was going to and ellipsis. A small number of illustrations support the text.In the 1950s, Tom Ripley travels from the United States of America to Italy, to find Dickie Greenleaf and bring him home to his father. But when Tom sees Dickie's money and relaxed way of life, he becomes jealous and begins to make other plans.Visit the Penguin Readers websiteRegister to access online resources including tests, worksheets and answer keys. Exclusively with the print edition, readers can unlock a digital book and audio edition (not available with the eBook).

For the first time Patricia Highsmith's acclaimed short stories have been collected in one volume

Robert Forester didn't look like the kind of man to be a prowler. His ex-wife had told the police he was erratic, liable to violence, had even fired a gun at her. Maybe he was psychopathic murderer...

Patricia Highsmith, author of Strangers On a Train, The Talented Mr.Ripley, Found In The Street, and many other books, is known as one of the finest suspense novelists. In this book, she analyzes the key elements of suspense fiction, drawing upon her own experience in four decades as a working writer. She talks about, among other topics; how to develop a complete story from an idea; what makes a plot gripping; the use (and abuse) of coincidence; characterization and the "likeable criminal"; going from first draft to final draft; and writing the suspense short story.Throughout the book, Highsmith illustrates her points with plentiful examples from her own work, and by discussing her own inspirations, false starts, dead ends, successes, and failures, she presents a lively and highly readable picture of the novelist at work.Anyone who wishes to write crime and suspense fiction, or who enjoys reading it, will find this book an insightful guide to the craft and art of a modern master.

"A document of persecuted love-perfect." -The Independent

Contemporary / American English Guy Haines is travelling through Texas on a train when a stranger invites him to share a meal. But the stranger has a terrible plan. 'You murder my father, and I'll murder your wife,' he suggests. So begins Guy's journey into a world of madness, lies and death.

Just in time for the centennial celebration of groundbreaking noir fiction writer Patricia Highsmith comes a reissue of her propulsive, engrossing debut, Strangers on a Train, with a new introduction by best-selling author Paula Hawkins. Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he'll murder Haines's wife if Haines will murder Bruno's father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith's perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock's classic 1951 film, Strangers on a Train launched Highsmith's prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

Following the national bestseller Selected Stories, this fall brings the republication of a gripping Highsmith classic.

The remarkable renaissance of Patricia Highsmith ("Strangers on a Train, The Talented Mr. Ripley") continues with the publication of "The Highsmith Reader," featuring two groundbreaking novels as well as a trove of penetrating short stories.

'I love Highsmith so much . . . What a revelation her writing is' Gillian Flynn'Ram n had done it. Obviously! He thought about Ram n, his Catholic soul trapped in his passion for Lelia. He'd find Ram n and see that he paid with his life for what he had done.'In A Game for the Living threads of sexual jealousy and guilt are shot through with all Patricia Highsmith's uncanny talent for the unexpected.Mild-mannered Theo is a wealthy German expatriate; hot-tempered Ram n was born into poverty in Mexico City. The two men are unlikely friends - especially as they are in love with the same woman. When Lelia is found brutally murdered, both lovers are suspects - and each suspects the other. But then they discover that a thief was seen at Lelia's apartment, and their hunt leads them on a frantic chase to sun-drenched Acapulco. Theo begins to get the uneasy feeling that his every move is being watched.

A gripping novel that explores the shifting sands of moral values - is murder still murder when committed in a lawless place?'Highsmith is the poet of apprehension rather than fear . . . Highsmith's finest novel to my mind is The Tremor of Forgery, and if I were asked what it is about I would reply, "e;apprehension"e;' Graham GreeneHoward Ingham finds it strange that no one has written to him since he arrived in Tunisia - neither the film director that he is supposed to be meeting in Tunis, nor his lover in New York who is, he hopes, missing him. While he waits around at a beach resort, unable to progress on the film script he is there to write, he starts work on a new novel, about a man living an amoral double life. Howard also befriends a fellow American who has a taste for Scotch and a suspicious interest in the Soviet Union, and a Dane who appears to distrust Arabs intensely. When bad news finally arrives from home, Howard thinks he may as well stay and continue writing, despite the tremors in the air of violence, tensions and ambiguous morals.