Bøger af Olive Schreiner

Two cousins grow up in the 1860s on a lonely farm in the thirsty mountain veld. Em is fat, sweet and contented, a born housewife; Lyndall, clever, restless, beautiful . . . and doomed. Their childhood is disrupted by a bombastic Irishman, Bonaparte Blenkins, who gains uncanny influence over the girls' gross, stupid stepmother . . . This novel is one of the most astonishing, least-expected fiction masterpieces of its time and one that has had an enduring influence.

Gain a fresh perspective on one of the most tumultuous periods in South African history with this powerful book by Olive Schreiner. From her own experiences living in South Africa to her observations on the broader political landscape, Schreiner provides an incisive and thought-provoking analysis of a complex and challenging era. With eloquent and passionate prose, this book is a must-read for anyone interested in South African history or the struggle against colonialism.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Olive Schreiner (24 March 1855 - 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians - to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Losse Gedachten Over Zuid-Afrika Olive Schreiner H.D.T. Willink & zoon, 1900 History; Africa; South; Republic of South Africa; History / Africa / South / Republic of South Africa; South Africa; Travel / Africa / General

"The Story of an African Farm" by Olive Schreiner is a literary masterpiece that beckons readers into the vast and untamed landscapes of 19th-century South Africa. This groundbreaking novel, published in 1883, stands as a beacon of literary innovation, weaving together a tapestry of rich storytelling, profound philosophical exploration, and a fearless challenge to societal norms.Set against the backdrop of the harsh and rugged South African frontier, the novel invites readers to embark on a journey into a world where the earth itself seems to pulse with life. Schreiner's vivid descriptions transport the reader to the heart of the African farm, a place where the land's beauty and brutality mirror the complexities of the characters' lives.At the heart of the narrative is the enigmatic character of Lyndall, a woman ahead of her time, whose quest for independence, intellectual curiosity, and defiance of traditional gender roles form the pulsating core of the story. Through Lyndall's eyes, readers witness a profound exploration of identity, autonomy, and the struggle for self-discovery in a society bound by rigid expectations.The narrative unfolds with a captivating non-linear structure, revealing the characters' lives in fragments that piece together like a mosaic. Schreiner's narrative style, infused with elements of naturalism and realism, captures the raw essence of the African landscape and the harsh realities faced by the novel's inhabitants. Each page is a brushstroke on the canvas of a world where existential questions about life, love, and the nature of existence reverberate."The Story of an African Farm" is not merely a novel; it is an immersive experience that transcends time and space. The characters, from the introspective Waldo to the resilient Em, come alive with a vibrancy that resonates with readers. The novel's exploration of spirituality, morality, and the impact of colonialism elevates it to the realm of philosophical literature, prompting readers to reflect on the deeper layers of the human experience.Schreiner's groundbreaking work extends beyond its narrative brilliance; it serves as a pioneering voice in the feminist canon. Lyndall's unwavering spirit and resistance to societal constraints position her as an emblem of female empowerment, challenging the norms of a society steeped in patriarchal traditions.As readers turn the pages of "The Story of an African Farm," they are transported not only to a distant time and place but also into the recesses of their own consciousness. Olive Schreiner's prose is a symphony of words that captivates, challenges, and lingers in the minds of those who embark on this literary odyssey. It is a testament to the power of storytelling, the resilience of the human spirit, and the enduring relevance of a work that continues to shape the literary landscape and ignite the flames of introspection in the hearts of readers across generations.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Angora Goat ...: And, A Paper On The Ostrich ... Olive Schreiner Longmans, 1898 Technology & Engineering; Agriculture; Animal Husbandry; Angora goat; Nature / Birds & Birdwatching; Ostriches; Technology & Engineering / Agriculture / Animal Husbandry

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

Excerpt from Dream Life and Real Life: A Little African Story Little Jannita sat alone beside a milk-bush. Before her and behind her stretched the plain, covered with red sand and thorny "karroo" bushes; and here and there a milk-bush, looking like a bundle of pale green rods tied together. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

In that clamour which has arisen in the modern world, where now this, and then that, is demanded for and by large bodies of modern women, he who listens carefully may detect as a keynote, beneath all the clamour, a demand which may be embodied in such a cry as this: Give us labour and the training which fits for labour! We demand this, not for ourselves alone, but for the race. ....... Olive Schreiner (24 March 1855 - 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians - to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements. Karel Schoeman, the South African historian and leading authority on Schreiner's life in South Africa, has written that she was an outstanding figure in a South African context, albeit perhaps not quite the same abroad. Schoeman acknowledges that while The Story of an African Farm is by no means perfect, it is still unique and gripping even to the modern reader. He also outlines the basic pattern of her life which may serve as a useful guide to both this article and the pursuit of further interest in the subject: From a chronological viewpoint, Olive Schreiner's life shows an interesting pattern. After she spent the first twenty-five thereof in South Africa ... she was in England for more than seven years, and also lived during this time in Europe. After this she lived in South Africa for twenty-four years, the time of her friendship with Rhodes, the Anglo-Boer war and her growing involvement in issues like racism and the lot of women, after which another exile followed in England for seven years; it was only shortly before her death in 1920 that she returned to South Africa. (Olive Schreiner: A Life in South Africa 1855-1881, Human & Rousseau, Cape Town, 1989) Schreiner should also be remembered for the novel of her mature years, FROM MAN TO MAN OR PERHAPS ONLY, which she did not complete revising before her death. It was published posthumously in 1926, in an edition produced by her husband, Samuel Cronwright-Schreiner, and has recently been re-edited and published by University of Cape Town Press (edited and introduced by Dorothy Driver). This edition corrects the editorial and proofreading errors that marred previous editions. It also provides another ending to the novel, in Schreiner's own words, besides the one her husband summarised. FROM MAN TO MAN OR PERHAPS ONLY was Schreiner's favourite among her novels. From exploring white women's confinement to domesticity in late 19th century South Africa and England, the novel expands its gaze to include black women and girls whose presence gradually informs the central character's struggle to re-create herself and educate her children against the racism and sexism of the time.............

This is the second book by Schreiner, South African author and feminist, who is best remembered for her novel, The Story of an African Farm. It contains eleven short stories based on Schreiner's dreams and life on a farm in South Africa......... Olive Schreiner (24 March 1855 - 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians - to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements. Karel Schoeman, the South African historian and leading authority on Schreiner's life in South Africa, has written that she was an outstanding figure in a South African context, albeit perhaps not quite the same abroad. Schoeman acknowledges that while The Story of an African Farm is by no means perfect, it is still unique and gripping even to the modern reader. He also outlines the basic pattern of her life which may serve as a useful guide to both this article and the pursuit of further interest in the subject: From a chronological viewpoint, Olive Schreiner's life shows an interesting pattern. After she spent the first twenty-five thereof in South Africa ... she was in England for more than seven years, and also lived during this time in Europe. After this she lived in South Africa for twenty-four years, the time of her friendship with Rhodes, the Anglo-Boer war and her growing involvement in issues like racism and the lot of women, after which another exile followed in England for seven years; it was only shortly before her death in 1920 that she returned to South Africa. (Olive Schreiner: A Life in South Africa 1855-1881, Human & Rousseau, Cape Town, 1989) Schreiner should also be remembered for the novel of her mature years, FROM MAN TO MAN OR PERHAPS ONLY, which she did not complete revising before her death. It was published posthumously in 1926, in an edition produced by her husband, Samuel Cronwright-Schreiner, and has recently been re-edited and published by University of Cape Town Press (edited and introduced by Dorothy Driver). This edition corrects the editorial and proofreading errors that marred previous editions. It also provides another ending to the novel, in Schreiner's own words, besides the one her husband summarised. FROM MAN TO MAN OR PERHAPS ONLY was Schreiner's favourite among her novels. From exploring white women's confinement to domesticity in late 19th century South Africa and England, the novel expands its gaze to include black women and girls whose presence gradually informs the central character's struggle to re-create herself and educate her children against the racism and sexism of the time.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Dream Life And Real Life: A Little African Story is a captivating novella that was first published in 1893. The book was written by Olive Schreiner, a renowned South African author, and feminist. The story is set in the backdrop of the African landscape and follows the life of a young girl named Lyndall. Lyndall is a bright and curious child who is deeply fascinated by the world around her. She is constantly exploring new ideas and concepts, and is always eager to learn more about the world. However, Lyndall's life is not without its challenges. She lives in a world that is deeply patriarchal and oppressive, and she is constantly struggling to find her place in it. As Lyndall grows older, she begins to explore her own identity and her place in the world. She grapples with questions of love, sexuality, and the meaning of life. Along the way, she encounters a cast of colorful characters, including her cousin Waldo, her friend Em, and her tutor Gregory. Dream Life And Real Life: A Little African Story is a powerful and thought-provoking novel that explores themes of identity, gender, and the human condition. It is a must-read for anyone who is interested in African literature, feminist literature, or the human experience in general.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a new release of the original 1927 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is the second book by Schreiner, South African author and feminist, who is best remembered for her novel, The Story of an African Farm. It contains eleven short stories based on Schreiner's dreams and life on a farm in South Africa......... Olive Schreiner (24 March 1855 - 11 December 1920) was a South African author, anti-war campaigner and intellectual. She is best remembered today for her novel The Story of an African Farm which has been highly acclaimed since its first publication in 1883 for the bold manner in which it deals with some of the burning issues of the day, including agnosticism, existential independence, individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier. In more recent studies she has also been identified as an advocate for those sidelined by the forces of British Imperialism, such as the Afrikaners, and later other South African groups like Blacks, Jews and Indians - to name but a few. Although she showed interest in socialism, pacifism, vegetarianism and feminism amongst other things, her true views escape restrictive categorisations. Her published works and other surviving writings promote implicit values like moderation, friendship and understanding amongst all peoples and avoid the pitfalls of political radicalism which she consciously eschewed. Although she may be called a lifelong freethinker, she continued to adhere to the spirit of the Christian Bible and developed a secular version of the worldview of her missionary parents, with mystical elements. Karel Schoeman, the South African historian and leading authority on Schreiner's life in South Africa, has written that she was an outstanding figure in a South African context, albeit perhaps not quite the same abroad. Schoeman acknowledges that while The Story of an African Farm is by no means perfect, it is still unique and gripping even to the modern reader. He also outlines the basic pattern of her life which may serve as a useful guide to both this article and the pursuit of further interest in the subject: From a chronological viewpoint, Olive Schreiner's life shows an interesting pattern. After she spent the first twenty-five thereof in South Africa ... she was in England for more than seven years, and also lived during this time in Europe. After this she lived in South Africa for twenty-four years, the time of her friendship with Rhodes, the Anglo-Boer war and her growing involvement in issues like racism and the lot of women, after which another exile followed in England for seven years; it was only shortly before her death in 1920 that she returned to South Africa. (Olive Schreiner: A Life in South Africa 1855-1881, Human & Rousseau, Cape Town, 1989) Schreiner should also be remembered for the novel of her mature years, FROM MAN TO MAN OR PERHAPS ONLY, which she did not complete revising before her death. It was published posthumously in 1926, in an edition produced by her husband, Samuel Cronwright-Schreiner, and has recently been re-edited and published by University of Cape Town Press (edited and introduced by Dorothy Driver). This edition corrects the editorial and proofreading errors that marred previous editions. It also provides another ending to the novel, in Schreiner's own words, besides the one her husband summarised. FROM MAN TO MAN OR PERHAPS ONLY was Schreiner's favourite among her novels. From exploring white women's confinement to domesticity in late 19th century South Africa and England, the novel expands its gaze to include black women and girls whose presence gradually informs the central character's struggle to re-create herself and educate her children against the racism and sexism of the time.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Story of an African Farm By Olive Schreiner

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

This Is A New Release Of The Original 1911 Edition.

It is necessary to say a few words to explain this book. The original title of the book was "Musings on Woman and Labour." It is, what its name implies, a collection of musings on some of the points connected with woman's work. In my early youth I began a book on Woman. I continued the work till ten years ago. It necessarily touched on most matters in which sex has a part, however incompletely. It began by tracing the differences of sex function to their earliest appearances in life on the globe; not only as when in the animal world, two amoeboid globules coalesce, and the process of sexual generation almost unconsciously begins; but to its yet more primitive manifestations in plant life. In the first three chapters I traced, as far as I was able, the evolution of sex in different branches of non-human life. Many large facts surprised me in following this line of thought by their bearing on the whole modern sex problem. Such facts as this; that, in the great majority of species on the earth the female form exceeds the male in size and strength and often in predatory instinct; and that sex relationships may assume almost any form on earth as the conditions of life vary; and that, even in their sexual relations towards offspring, those differences which we, conventionally, are apt to suppose are inherent in the paternal or the maternal sex form, are not inherent-as when one studies the lives of certain toads, where the female deposits her eggs in cavities on the back of the male, where the eggs are preserved and hatched; or, of certain sea animals, in which the male carries the young about with him and rears them in a pouch formed of his own substance; and countless other such.

The Political Situation is a non-fiction book written by Olive Schreiner, a South African author and feminist. The book was first published in 1899, during a time of great political upheaval in South Africa. The book is a collection of essays and articles that Schreiner wrote about the political situation in South Africa, as well as her thoughts on the wider political landscape of the time.The book covers a wide range of topics, including the Boer War, the role of women in politics, the relationship between the British Empire and South Africa, and the impact of colonialism on the African continent. Schreiner was known for her progressive views on social and political issues, and her writing in The Political Situation reflects this.Throughout the book, Schreiner argues that the political situation in South Africa is complex and multifaceted, and that solutions to the country's problems must take into account the perspectives and experiences of all people, including women and people of color. She also critiques the actions of the British Empire in South Africa, arguing that their policies have often been exploitative and harmful to the people of the region.Overall, The Political Situation is a thought-provoking and insightful book that sheds light on the political climate of South Africa in the late 19th century, as well as the broader issues facing the world at that time. It remains a valuable resource for scholars and anyone interested in the history of South Africa and the politics of the era.Those superb pioneers of South Africa, its Boers, have continued to move, as they have always moved, northward: our English colonists have been steadily building up their vil- lages, founding their educational institutions, and establishing a liberal and progressive Government. We have not exhausted or even yet opened up many of the mineral resources of our country; they are still here for the use of our own and future generations; but so far as the colonists, Dutch and English, have populated the land, our progress, though slow, has been wholesome; and the land as a whole has been kept free from many of those crushing evils which afflict the older civilisations of Europe, and even affect some of the younger dependencies.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

LARGE PRINT EDITION. A LARGE PRINT EDITION includes text at a size much larger than a typical paperback. The biggest difference in a LARGE PRINT BOOK is the size of the text, which is much larger than a standard print edition. This larger text makes for an easier reading experience, especially for readers with less-than-perfect eyesight. NEW BOOK. NEW READING. NEW JOY.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

¿ Es war eine dunkle Nacht und von Osten her kam ein schneidend kalter Luftzug, der nicht stark genug war, das Feuer auszulöschen, welches sich der Reiter Peter Halket angezündet hatte, aber die Flamme doch ein wenig hin und her wehte. Er saß neben dem Feuer oben auf einem Koppje. Rings um ihn herrschte undurchdringliche Finsternis; nicht ein Stern war an der schwarzen Wölbung über seinem Haupt sichtbar..."