Bøger af Northrop Frye

Presented here is a selection from the professional and personal correspondence of Northrop Frye, one of the preeminent literary critics of the last century. With frank and accessible appraisals, the letters reveal Frye's attitudes toward scores of topics: the value of James Bond thrillers, the gap between faith and reason, surrealism, hippies, Milton's imagery, comparative literature, political hysteria in the U.S., the nature of the educated imagination, anarchism, the teaching of religion in the university, the Proteus myth, the distinction between subjects and themes, the connection between Nietzsche and Yeats, the difference between cliche and aphorism, the fussy rules of copy editors, and scores of other issues.

Originally published by Anansi in 1971, this attractive A List edition features Northrop Frye's timeless essays on literature and painting along with a new introduction by celebrated Canadian author Lisa Moore.

Here is a specialized dictionary of quotations based on the thoughts and writings of a single person. It is evidence that there is a Canadian writer of whom it may be said that we as his readers can grow up inside his work "without ever being aware of a circumference."

In this outstanding collection of sixteen essays, the world-renowned critic and scholar discusses various works in the central tradition of English mythopoeic poetry, paying particular attention to the centrality of Romanticism.

The description for this book, Anatomy of Criticism, will be forthcoming.

This volume brings together Frye's extensive writings on Shakespeare and other Renaissance writers (excluding Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books on Shakespeare.

Offers incidental insights into specific cultural phenomena. This title identifies two predominating ideologies in Western culture which he designates as the 'myth of concern' and the 'myth of freedom'.

Contains essays written with a fine distillation of a lifetime of originative thinking about literature and its context.

Northrop Frye's Uncollected Prose offers valuable insight into Frye's early life, his research methodology, and thought process, and is further proof of the remarkable depth and range of his work.

Critical Approaches Frye: The Road of Excess Knights: King Lear as Metaphor Kushner: The Critical Method of Gaston Bachelard Gershman: Surrealism: Myth and Reality Applications The Writer and His Method Winner: Myth as a Device in the Works of Chekhov Nothnagle: Myth in the Poetic Creation of Agrippa D'Aubigne Campbell: The Transformation of Biblical Myth: MacLeish's Use of the Adam and Job Stories Hiller: The Symbolism of Gestus in Brecht's Drama Sr. Joselyn: Animal Imagery in Katherine Anne Porter's Fiction The Work Examined--Archetypes and Interpretations LaGuardia: Chastity, Regeneration, and World Order in All's Well that Ends Well Jones: Immortality in Two of Milton's Elegies Dougherty: Of Ruskin's Gardens Kern: Myth and Symbol in Criticism of Faulkner's "The Bear" Welliver: The De Vulgari Eloquentia and Dante's Quasi After-Life Vickery: The Golden Bough: Impact and Archetype

This unique collection of twenty-two papers was written by Northrop Frye during his student years. Made public only after Frye's death in 1991, all but one of the essays are published here for the first time.

These miscellaneous writings offer further evidence of Frye's fertile mind, quick wit, expansive imagination, and eloquence.

This volume brings together 95 different pieces on education by Frye and touching on a range of subjects including teaching (from kindergarten to university), literary studies, the nature of the university, student radicalism, and educational policy.

This edition goes beyond the original in its documentation of Frye's dazzlingly encyclopedic range of reference. Profound and searching, Words with Power is perhaps the most daring book of Frye's career and one of the most exciting.

This volume, the twenty-second in the acclaimed Collected Works of Northrop Frye series, presents Frye's most influential work, Anatomy of Criticism (1957).

his new edition in the Collected Works of Northrop Frye series brings The Secular Scripture together with thirty shorter pieces pertaining to literary theory and criticism from the last fifteen years of Frye's life.

This fully annotated volume contains seventeen holograph notebooks, each illuminating some aspect of the grand structure that eventually emerged. Altogether, the notebooks offer an intimate picture of Frye's working process and a renewed appreciation for his magisterial accomplishment.

Frye finds in romantic narratives of Western tradition an imaginative universe stretching from an idyllic world to a demonic one, and a pattern of cyclical descent into and ascent out of the demonic realm. Romance thus forms an integrated vision of the world, a "secular scripture" whose hero is man, paralleling sacred scripture whose hero is God.

This volume, which collects Northrop Frye's writings on the theory of literary criticism from the middle period of his career, includes one of Frye's own favourites, The Critical Path (1971).

This new edition not only re-presents Frye's text in a clear, correct, and fully annotated form, it goes a long way in helping us understand the widespread scholarly and popular reception that met this extraordinary and in some ways revolutionary book and how it can still be richly rewarding for readers.

Frye maintains that Shakespeare's comedy is widely misunderstood and underestimated, and that the four romances--Pericles, Cymbeline, The Winter's Tale, and The Tempest--are the inevitable culmination of the poet's career.

The writings included in this volume show how Frye integrated ideas into the work that would consolidate the fame that Fearful Symmetry (1947) had first established.

This collection of 266 letters, cards, and telegrams that Helen Kemp and Northrop Frye wrote to each other forms a compelling narrative of their early relationship. The letters reveal Frye's early talent as a writer.