Bøger af Nicole Hodges Persley

"Everyone involved in the performing arts, from professors to casting directors to actors to students, especially those just starting out, should read this eye-opening work." Library Journal, Starred ReviewA practical guide that shows BIPOC actors how to break down the audition process rather than being broken down by the entertainment industry and its practices of exclusion and bias. Working in an environment that often stereotypes or attempts to "universalize" experiences, it's more important than ever that actors consider how culture, race, ethnicity, gender, sexuality, and ability are inseparable and important parts of their identity that should not be minimized and can instead enhance their work. In Breaking It Down: Audition Techniques for Actors of the Global Majority, Nicole Hodges Persley and Monica White Ndounoushare real-world audition strategies that centers the experiences of actors of color. They combine practical advice, cultural studies, Black feminist perspectives, and lived experiences to offer intersectional approaches to auditioning.The ten steps outlined in this book aid actors across racial lines seeking to develop the necessary skills to break down a character and script while affirming their full selves into the audition to book the role. Building on the momentum of the #BlackLivesMatter, #MeToo, and Time's Up movements, Breaking It Down emboldens actors of the global majority to embrace every aspect of their identities rather than leaving themselves behind in an effort to gain entry and access to the entertainment industry

Hip-Hop culture's explosive arrival on the art scene of New York in the boroughs of Queens and the Bronx in the 1970s began to influence all aspects of musical theater from singing to scenic design. Hip-Hop in Musical Theatre takes an intersectional standpoint to explore Hip-Hop's influence on musical theater practice and aesthetics by giving the reader a comprehensive map of musical theater productions that have been impacted by Hip-Hop music and culture. Offering insightful briefs on musical theater productions that contain aesthetic, musical and embodied references to the global phenomenon of Hip-hop culture, this volume takes the reader through a virtual tour of Hip-Hop's influence on American musical theater. From early traces of hip-hop's rap scene in the 1970s that appeared in musicals such as Micki Grant's Tony Award nominated Don't Bother Me I Can't Cope (1971) and Broadway smash hits such as The Wiz (1974) to international juggernauts such as Lin-Manuel Miranda's Hamilton (2015), this introductory book decodes the sights and sounds of Hip-Hop culture within the socio-cultural context in which the musicals are produced.Published in the Topics in Musical Theatre series this volume presents fact-filled and insightful summaries of musicals that give the reader a snapshot of the musical and narrative content while highlighting which aspect of the music and culture of Hip-Hop informs acting, dancing, singing, design, and music in the selected musical while offering insightful analysis on the ways that hip-hop styles and politics have changed the shape of musical theater practice.