Bøger af Myriam Ben Salah

On the collaborative art of Neïl Beloufa, whose films and installations challenge common perceptions of social relationsThis is the first monograph on the internationally acclaimed French Algerian artist Neïl Beloufa (born 1985). Love, hatred, war, technology, social unrest, bodies and words in crisis: this is the material of which Beloufa's work is made. His films, sculptures and multimedia installations audaciously explore how art can address today's issues, challenging contemporary representations of social relationships, power games, and political and economic structures.An artist favoring collaborations over authorship, and responsive work strategies over predetermined intentions, Beloufa has invented his own work methods, and a particular approach to the studio as a workplace.The catalog presents the artist's projects over the past 12 years, including recent experiments with online platforms and NFTs.

Now in its fifth iteration, Made in L.A. brings together established, under-recognised, and emerging artists, each of whom is contributing to L.A.'s vibrant art scene. This book is published in two different covers.

Shit and Die is an editorial project by Maurizio Cattelan, Myriam Ben Salah and Marta Papini, published as part of the homonymous exhibition in Torino (November 6th 2014 - January 11th 2015). The publication is not a mere comment on the exhibition, it could be seen as an extension of it, a missing room

FAQ is an accordion-fold art publication conceived and edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. The first volume is published to coincide with the 10th anniversary edition of Le Dictateur, and will then be published annually. FAQ, or Frequently Asked Questions, references an attempt to create an ideal visual representation of a very subjective "now." Born out of an acute image consumption disorder, FAQ reflects the mental assimilation of a relentless roving within physical and virtual art spaces, from galleries to Tumblr accounts, museums to artists' studios; it can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object. The first issue includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai and Judith Bernstein, among many others.