Bøger af Moyo Okediji

Western Frontiers of African Art navigates the problems and prospects of prometheusis in creative cultural productions. Artists, writers, musicians, and other creative practitioners share icons, ideas, images, and paraphernalia across cultures, mediums, and disciplines in many ways including borrowing, copying, adoption, adaptation, abbreviation, distortion, and even outright pilfering. Their reasons for sharing creative elements range from admiration to subversion, pedagogical innovation, criticism, hegemony, revenge, anger, fear, malice, and even pathology. Once shared these artistic materials become links and crossroads that complicate creativity and culture with prometheusis. But what is prometheusis? How does it work and how is it evaluated? Drawing on the visual arts, this book elaborates on prometheusis as a general theory of cultural exchange, productivity, and analysis. Examples focus on theintersections and frontiers of western modernity and African art. Moyo Okediji is Director of the Center for Art of Africa and its Diasporas at the University of Texas at Austin and the author of several books on African art.

Includes the essays that focus on the problems and conflicts of doing African diaspora research from various disciplinary perspectives as well as situate, describe, and reflect on the practice of diaspora scholarship. This work intends to enlarge understanding of how the diaspora is conceived and explores possibilities for the future of its study.