Bøger af Mona Abaza

With the military seizing overt power in Egypt, Cairo's grand and dramatic urban reshaping during and after 2011 is reflected upon under the lens of a smaller story narrating everyday interactions of a middle-class building in the neighbourhood of Doqi. -- .

Cotton made the fortune of the Fuuda family, Egyptian landed gentry with peasant origins, during the second part of the nineteenth century. This story, narrated and photographed by a family member who has researched and documented various aspects of her own history, goes well beyond the family photo album to become an attempt to convey how cotton, as the main catalyst and creator of wealth, produced by the beginning of the twentieth century two entirely separate worlds: one privileged and free, the other surviving at a level of bare subsistence, and indentured. The construction of lavish mansions in the Nile Delta countryside and the landowners' adoption of European lifestyles are juxtaposed visually with the former laborers' camp of the permanent workers, which became a village ('izba), and then an urbanized settlement. The story is retold from the perspective of both the landowners and the former workers who were tied to the 'izba. The book includes family photo albums, photographs of political campaigns and of banquets in the countryside, documents and accounting books, modern portraits of the peasants, and pictures of daily life in the village today. This is a story that fuses the personal and emotional with the scholar's detached ethnographic reporting-a truly fascinating, informative, and colorful view of life on both sides of a uniquely Egyptian socio-economic institution, and a vanished world: the cotton estate.

This sumptuous full-color volume retraces the highlights of the country's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners. The 200 color reproductions of paintings from Sherwet Shafei's collection represent works from very early pioneers such as Mahmoud Saïd and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida.In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalization on the art industry.This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.

Analyses the process of the production of 'knowledge' in Malaysia and Egypt through the example of the modern 'Islamization of knowledge debate' and local empirical variations.