Bøger af Mike Carey

Alice loves to talk to her dolls, and her dolls and dollhouse love to talk back.

The biggest and best adventures of Marvel''s mighty mutants - these are the X-Men Milestones! In a world where the X-Men never existed and mutantkind has been hunted to extinction, the few remaining Homo superior have banded together to make their last stand. The weary mutants spend each day securing the walls of their stronghold, Fortress X, in a seemingly endless battle to beat back the anti-mutant forces that would see them wiped out. But when a conspiracy is discovered within Fortress X itself, could it be that mutantkind''s last bastion will crumble from the inside out? When the dust settles, no one will be left unscathed - but what is the terrible truth about the Age of X? Collecting: Age of X Alpha (2011) 1, X-Men Legacy (2008) 245-247, New Mutants (2009) 22-24, Age Of X: Universe (2011) 1-2

Cast out of Heaven, thrown down to rule in Hell, Lucifer Morningstar has resigned his post and abandoned his kingdom for the mortal city of Los Angles. If Lucifer agrees to do Heaven's dirty work, he can name his own price - but both the task and reward are more than they seem.

Before he died, Castor's fellow exorcist John Gittings made several calls asking for help and if Castor had answered them, John might still be alive. So when a smooth-talking lawyer comes out of nowhere to claim the remains, Castor owes it to John's unhappy ghost and even more unhappy widow to help out. If only life were that simple. A brutal murder in King's Cross bears all the hallmarks of an American serial killer supposedly forty years dead, and it takes more good sense than Castor possesses not to get involved. He's also fighting a legal battle over the body - if not the soul - of his possessed friend, Rafi, and can't shake the feeling that his three problems are related. With the help of the succubus Juliet, paranoid zombie data-fence Nicky Heath and a little judicious digging, Castor just might have a chance of fitting the pieces together before someone drops him down a lift shaft or rips his throat out. Or not. . .

"'London's exorcists! I have a reward for all of you, a job for one of you. Come to Brierley House, 20th April, 9.00am.' The newspaper ad is a baited hook and it smells like a three-day old corpse. But hey, it's a grand in hand just for turning up so Felix Castor goes in anyway, alongside the curdled cream of his dubious profession. And once he's in it's hard to get out again. Brierley House is the home of Russian oligarch Gavril Ustinov, now missing, his driven daughter Ksenia Ustinova and their staff of taciturn, sinister domestics. It also hosts an invisible force that attacks exorcists and negates their abilities--a force that seems to be centuries old. Ksenia wants Castor to locate her missing father, alive or dead. Castor wants to find out who set a trap for exorcists back in the late Middle Ages and what else they were up to. For a job this big he's got friends he can call on: zombie data-fence Nicky Heath, reformed succubus Juliet Salazar, jaded cop Gary Coldwood and Trudie Pax, the Anathemata's finest warrior. But the ghosts of Brierley are many, and they won't give up their secrets lightly..."--Jacket flap.

"Tom Taylor's life was screwed from the word go. His father created the mega-popular Tommy Taylor boy-wizard fantasy novels. But dad modeled the fictional epic so closely to Tom that fans constantly compare him to his counterpart, turning him into a lame, Z-level celebrity. When a scandal hints that Tom might really be the boy-wizard made flesh, Tom comes into contact with a mysterious, deadly group that's secretly kept tabs on him all his life. Now, to protect his life and discover the truth behind his origins, Tom will travel the world, to all the places in world history where fictions have shaped reality"--

“A fantastical ghost story and a suspenseful military mystery . . . A daringly original fantasy novel” from the acclaimed authors of The Steel Seraglio (Publishers Weekly, starred review).   In 1740, an Austrian infantry company more than two hundred strong arrives at the Prussian border. Their orders: to defend the town of Narutsin when war—inevitably—breaks out. But they don’t get the warm welcome they’re expecting. If anything, the locals seem strangely secretive, and the soldiers who previously garrisoned in the village have disappeared. Fearing the villagers may be consorting with the enemy, the commander orders his prim young lieutenant Klaes to investigate . . .   On the outskirts of town, in a dilapidated manor known as Pokoj, the road-weary soldiers make their home for the winter. Accompanying them is Drozde, a camp follower and entertainer who possesses a very special talent: she can see and communicate with the dead. She’s the only one who knows that the crumbling mansion is far from empty. It’s teeming with ghosts—and they know her.   Each spirit tells Drozde how they became a part of Pokoj’s sprawling history, hinting at its future as well as its past. As she listens to their tales, it becomes apparent that the story of the manor hasn’t yet ended—and that she and Klaes have their own parts to play in the horror that is to come . . .   “All of the characters come alive on the pages—even the ghosts. . . . A compelling, accomplished novel.” —Strange Horizons   “Delightfully odd . . . Subtle horror and extra special creepiness . . . A fine example of what the Careys are capable of.” —Starburst

“A confident One Thousand and One Nights for our present . . . Furious pop entertainment—full of sex, passion, violence, and magic.” —Slant magazine   This is the story of the legendary City of Women, told through the tales of those who founded it, championed it, and made it flourish. When the city of Bessa undergoes a violent coup, its lazy, laissez-faire ruler, Bokhari Al-Bokhari, is replaced by the religious zealot Hakkim Mehdad. With little use for the pleasures of the flesh, Hakkim sends his predecessor’s 365 concubines to a neighboring sultan as a gift.   But when the new sultan discovers the concubines are harboring Al-Bokhari’s youngest son—a child who might grow up to challenge his rule—he repents of his mercy and sends his soldiers to slaughter the seraglio down to the last woman and child. What he doesn’t count on is a concubine trained in the art of murder—or the courage and fortitude of the women who will rise up with her to forge their own city out of the unforgiving desert.   It’s an undertaking beset with challenges: hunger and thirst, Hakkim’s relentless hate, and the struggle to make a place for themselves in a world determined to underestimate and undermine them. Through a mosaic of voices and tales, we learn of the women’s miraculous rise, their time of prosperity—and how they carried with them the seed of their own destruction.   “A thrilling tale.” —Publishers Weekly   “A masterful, engaging and utterly fascinating story by three wonderful writers.” —SFRevu.com   “The Steel Seraglio brings its alternate world of struggle, politics and magic very much to life.” —Locus

Dynamite presents the first 18 issues of the acclaimed Red Sonjaseries in one massive omnibus, featuring the work of Mike Carey, Michael AvonOeming, Mel Rubi, Pablo Marcos, Lee Moder, Stephen Sadowski, Michael Turner, Alex Ross, John Cassaday, Joe Linsner, and many more.

"The Luminary. The Prodigy. The Brute. the Trickster. The Innovator. Five gods from a realm beyond our own, leaders in the 'War of Immortals.' At least, they were--before they were trapped, sent to a planet made into prison, forced into an endless cycle of human death and reincarnation. Christopher is 22. He's got two loving parents and a 12-year-old sister. He works at a paint store. He's in therapy. He's one of the Five. Which means, in order to save everyone he cares about, Christopher will have to reconnect with his past lives and do the unthinkable: become a god again"--Back cover.

Stepping out of the pages of Neil Gaiman's The Sandman, the Fallen One begins his own epic journey in this first of two oversize omnibus collections featuring Mike Carey's acclaimed, Eisner Award-nominated series"His omniscience only works because there are no alternatives. But I have conceived of a revolution that may surprise even Him."Stepping out of the pages of Neil Gaiman's The Sandman, the Fallen One begins his own epic journey in this first of two oversize omnibus collections featuring Mike Carey's acclaimed, Eisner Award-nominated series. Since resigning his throne and abandoning his kingdom, Lucifer Morningstar has filled his days supervising a considerably reduced staff at Lux, Los Angeles' most elite piano bar. The arrival of a once-in-an-eternity job offer, however, is about to put an end to his quiet retirement. The contract comes straight from the Creator Himself, and if Lucifer successfully completes his task, the former lord of Hell can name his own price. But negotiating this particular razor's edge between opportunity and catastrophe will require all of his legendary subtlety and will--and no small amount of sacrifice. For his part, the Lightbringer is prepared to risk everything to win the power of Heaven's reward. The Devil's hands have been idle long enough. Lucifer Omnibus Vol. 1 collects The Sandman Presents: Lucifer #1-3, Lucifer #1-35, and Lucifer: Nirvana #1 with a foreword by Neil Gaiman and an introduction by Mike Carey, along with an extensive gallery of never-before-seen art from the making of the series.

To be born a slave is a fact, not a fatality. And facts can be changed.In the country of Ossaniul, there is a fortress that is as disproportionate as it is inaccessible: the Highest House. Its masters, the noble family of Aldercrest, reign over a veritable army of slaves. At the bottom of the ladder, young Moth performs the most thankless tasks and has little hope of living past childhood. Until the day he meets Obsidian, a mysterious prisoner of the House who whispers to him in his sleep. If Moth does what he asks, Obsidian will give him fortune and glory. And there''s every indication that Obsidian can make good on his promises. Will Moth accept the offer?Through a subtle alternate history, The Highest House takes us to a fictional country reminiscent of the Balkan kingdoms of the 16th century. Mike Carrey and Peter Gross (Lucifer, The Unwritten) draw from this context a captivating fantasy narrative that reflects on the human soul, the corrupting power of slavery, and the inequalities of class, all from the different perspectives of the House''s many inhabitants. Both immediate and timeless, The Highest House is a multifaceted fantasy sure to stay with readers long after the final page has turned.

In an age where the X-men never existed, mutantkind is on the brink of extinction. They band together for protection, but it could be that the enemy lies within.

They say the road to Hell is paved with good intentions, but if you ask Castor he'll tell you there's quite a bit of arrogance and reckless stupidity lining the streets as well. And he should know. There's only so many times you can play both sides against the middle and get away with it. Now, the inevitable moment of crisis has arrived and it's left Castor with blood on his hands. Well, not his hands, you understand; it's always someone else who pays the bill: friends, acquaintances, bystanders.So Castor drowns his guilt in cheap whisky, while an innocent woman lies dead and her daughter comatose, his few remaining friends fear for their lives and there's a demon loose on the streets. But not just any demon - this one rides shotgun on his best friend's soul and can't be expelled without killing him. Looks like Felix Castor's got some tough choices to make, because expel the demon he must or all Hell will break loose. Literally . . .

Old ghosts of different kinds come back to haunt Fix, in the fourth gripping Felix Castor novel. Names and faces he thought he'd left behind in Liverpool resurface in London, bringing Castor far more trouble than he'd anticipated. Childhood memories, family traumas, sins old and new, and a council estate that was meant to be a modern utopia until it turned into something like hell . . . these are just some of the sticks life uses to beat Felix Castor with as things go from bad to worse for London's favourite freelance exorcist. See, Castor's stepped over the line this time, and he knows he'll have to pay; the only question is: how much? Not the best of times, then, for an unwelcome confrontation with his holier-than-thou brother, Matthew. And just when he thinks things can't possibly get any worse, along comes Father Gwillam and the Anathemata. Oh joy . . .

Castor has reluctantly returned to exorcism after the case of the Bonnington Archive ghost convinced him that he really can do some good with his abilities ('good', of course, being a relative term when dealing with the undead). But his friend, Rafi, is still possessed; the succubus, Ajulutsikael (Juliet to her friends), still technically has a contract on him; and he's still - let's not beat around the bush - dirt poor.Doing some consulting for the local constabulary helps pay the bills, but Castor needs a big, private job to really fill the hole in his overdraft. That's what he needs. What he gets, good fortune and Castor not being on speaking terms, is a seemingly insignificant 'missing ghost' case that inexorably drags himself and his loved ones into the middle of a horrific plot to raise one of Hell's fiercest demons.And when Satanists, sacrifice farms, stolen spirits and possessed churches all appear on the same police report, the name of Felix Castor can't be too far behind . . .

Felix Castor is a freelance exorcist, and London is his stamping ground. At a time when the supernatural world is in upheaval and spilling over into the mundane reality of the living, his skills have never been more in demand. A good exorcist can charge what he likes - and enjoy a hell of a life-style - but there's a risk: sooner or later he's going to take on a spirit that's too strong for him. After a year spent in 'retirement' Castor is reluctantly drawn back to the life he rejected and accepts a seemingly simple exorcism case - just to pay the bills, you understand. Trouble is, the more he discovers about the ghost haunting the archive, the more things don't add up. What should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons, were-beings and ghosts all keen to claim the big prize. But that's OK; Castor knows how to deal with the dead. It's the living who piss him off . . .