Bøger af Mieke Bal

"Up into the unknown" is the phrase the architects Colin Fournier and Peter Cook came up with for the futuristic architecture of the Kunsthaus Graz. To this day, this is to be understood as an invitation to explore the limits of the imagination and to test alternative ideas and utopias in a laboratory for art. Since 2003, the Kunsthaus has been an institution without a collection. Today it claims to be a museum. With its architecture of hybrid spaces, site-specific invitations to confrontation and the mission to be a production site for contemporary art, the Kunsthaus Graz is a space and place of potentiality and otherness.Blueprint for a Museum is to be understood as a draft for a museum, a blueprint that simultaneously reflects abstract categories of the institution and resonates with concrete programme concepts. The publication thus follows the idea of experimentation that the Kunsthaus Graz has embodied since its foundation.

Over a number of meetings, the theorist, critic, video artist and occasional curator Mieke Bal (born 1946) engaged in a conversation on the art of teaching with the cultural analyst Jeroen Lutters. Looking for a dialogue that would also touch on the role of visual art, Lutters brought in paintings by Banksy, Rembrandt, Marlene Dumas and George Deem as "teaching objects"--one for each conversation. Lutters asked Bal what these paintings might have to say about teaching.The result is this publication: a personal, meandering and precise account of Bal's pedagogy. She reveals her way of thinking through visual art and literature and her ways of exchanging ideas. How do objects speak, and how can we use them? How do they teach us to find answers to important questions, just by looking, listening and reading within the relationship between student, teacher and teaching object?

Finnish video artist and photographer Eija-Liisa Ahtila (born 1959) tells the stories of ordinary human beings undergoing what seem to be bouts of insanity or supernatural occurrence. This volume records her three-channel installation and film The Annunciation, reproducing its script and 100 stills from the work.

A readable and absorbing volume of annotated essays illustrating the approach of Mieke Bal to story-telling. Essays include reflections and background on methodology, theory of narrative, and examples of how narratology unmasks the meaning behind texts from the world's great story-tellers

In this book five prominent contemporary artists have each compiled a personal selection of Edvard Munch's drawings. Munch drew more or less daily throughout his long life and left behind approximately 7700 drawings. Each of the five selections provide a unique glimpse into this abundant material and is presented together with works by the artists, and an interview in which they reflect on Munch's drawings and their own art. This book is published in conjunction with the digital publication of Munch's complete drawings, which is now accessible to everyone who wishes to explore this central aspect of his oeuvre.

Narratology in Practice draws on various cultural domains to explain the ways in which theory illuminates the presence of narrative.

Providing insights into how readers interpret narrative texts, Narratology: Introduction to the Theory on Narrative, Fourth Edition, is a guide for students and scholars seeking to analyze narratives of any language, period, and region with clear, systematic, and reliable concepts.

Winner of the 1991 AAR Award for Excellence in the Study of Religion.

Sets the "Genesis" tale to the different version told in the Qur'an and the depictions of it by Rembrandt, and explores how Thomas Mann's retelling in "Joseph and His Brothers" reworks these versions.

One of the first female artists to achieve recognition in her own time, Artemisia Gentileschi (1593-1653) became instantly popular in the 1970s when feminist art historians "discovered" her and argued vehemently for a place for her in the canon of Italian baroque painters. Featured alongside her father, Orazio Gentileschi, in a recent exhibition at the Metropolitan Museum of Art, Artemisia has continued to stir interest--though her position in the canon remains precarious, in part because her sensationalized life history has overshadowed her art.In The Artemisia Files, Mieke Bal and a distinguished group of contributors look squarely at this early icon of feminist art history and the question of her status as an artist. Here, Artemisia emerges more fully as a highly original artist whose work is greater than the sum of the events that have traditionally defined her life and reputation, such as her relationship to her father and her role as the victim in a highly publicized rape case during which she was tortured into giving evidence. The six essays in The Artemisia Files offer a new critical assessment of Artemisia's work by devising a variety of approaches that amend past injustices and reconsider the artist and her work from many different angles, including the question of attribution, critical judgment, personal confrontation, Artemisia's historical context, the exhibition of her work, and popular recastings of her story. The fresh, engaging discourse in The Artemisia Files will help to both revive the reputation of this artist on the merit of her work and establish her rightful place in the history of art.

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. This title leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a 'theoretical object' that invites certain kinds of considerations about history and grief.

Bal (theory of literature, U. of Amsterdam) addresses basic questions in semiotics, the theory of signs, in this companion piece to her earlier book, On Story Telling . She explores the continuity between semiotics and narratology, the semioticized subject and its link with visual art, semiotic issu

Sketching the history, breadth and applicability of narrative theory, thus demonstrating its value as an analytical instrument, this collection includes articles from Roland Barthes, Mikhail Bakhtin, Tzvetan Todorov and Jean-Francois Lyotard.

The author challenges the view that literary texts cannot be examined by words alone, arguing that images also play a role in the interpretation process.

Feminist literary theorist, specialist in Rembrandt, and a scholar of the Old Testament stories, Mieke Bal considers the signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view, especially in the context of the museum.

A theoretically grounded interdisciplinary study of "cultural memory" in sites ranging from Chile, Bolivia, and South Africa to Germany and the US.

Bal's focus for this book is the idea that interdisciplinarity in the humanities - necessary, exciting, serious - must seek its heuristic and methodological basis in concepts rather than its methods.