Bøger af Michel Foucault

"Originally published as L'origine de l'hermaeneutique de soi: confaerences prononcaees aa Dartmouth College, 1980. Librairie Philosophique J. Vrin, Paris, 2013."

His death, on June 25th, 1984, tempts us to detect the philosophical testament in these lectures, especially in view of the prominence they give to the themes of life and death.

These thirteen lectures on the 'punitive society,' delivered at the College de France in the first three months of 1973, examine the way in which the relations between justice and truth that govern modern penal law were forged, and question what links them to the emergence of a new punitive regime that still dominates contemporary society.

Reminds us that Michel Foucault's work only ever had one object: truth. In this book, he builds on his earlier work, Discipline and Punish, to explore the relationship between tragedy, conflict, and truth-telling. It also explores the different forms of truth-telling, and their relation to power and the law.

Michel Foucult offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.

Speech Begins after Death is a transcript of critic Claude Bonnefoy's interview with Michel Foucault in which he reflects on his approach to the written word throughout his life, from his school days to his discovery of the pleasure of writing. Never before published in English, this is one of Foucault's most personal statements about his life and writing.

Three years before his death, Michel Foucault delivered a series of lectures at the Catholic University of Louvain. These lectures provide the missing link between Foucault's early work on madness, delinquency, and sexuality and his later explorations of subjectivity in Greek and Roman antiquity. This book presents these lectures.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This book brings together previously unpublishedtranscripts of oral presentations in which Michel Foucault speaks at lengthabout literature and its links to some of his principal themes: madness,language and criticism, and truth and desire.

What does it mean to write "This is not a pipe" across a bluntly literal painting of a pipe? By exploring the nuances and ambiguities of Magritte's visual critique of language, the author finds the painter less removed than previously thought from the pioneers of modern abstraction.

Explores theory, criticism and psychology through the texts of Raymond Roussel, one of the fathers of experimental writing, whose work has been celebrated by the likes of Cocteau, Duchamp, Breton, Robbe Grillet, Gide, and Giacometti. This work includes an introduction, chronology and bibliography to Foucault's work.

Ranging from reflections on the Enlightenment and revolution to a consideration of the Frankfurt School, this collection offers insight into the topics preoccupying Foucault as he worked on what would be his last body of published work, the three-volume History of Sexuality.In 1784, the German newspaper Berlinische Monatsschrift asked its audience to reply to the question "What is Enlightenment?" Immanuel Kant took the opportunity to investigate the purported truths and assumptions of his age. Two hundred years later, Michel Foucault wrote a response to Kant's initial essay, positioning Kant as the initiator of the discourse and critique of modernity. The Politics of Truth takes this initial encounter between Foucault and Kant, as a framework for its selection of unpublished essays and transcripts of lectures Foucault gave in America and France between 1978 and 1984, the year of his death. Ranging from reflections on the Enlightenment and revolution to a consideration of the Frankfurt School, this collection offers insight into the topics preoccupying Foucault as he worked on what would be his last body of published work, the three-volume History of Sexuality. It also offers what is in a sense the most "American" moment of Foucault's thinking, for it was in America that he realized the necessity of tying his own thought to that of the Frankfurt School.

Challenging entrenched views of madness and reason, this work introduces many of the radical themes about the nature of power and social exclusion. It focuses on scientific and medical analyses of madness, as well as on the philosophical and cultural values attached to the mad.

Possibly one off the most significant yet most overlooked works of the twentieth century, it was The Order of Things that established Foucault's reputation as an intellectual giant.

This collection of interviews and writings focuses on the cultural vision that characterized Foucault's later work. He assesses truth, history, the social self from a philosophical and social science perspective and his essays develop into a dialogue with Kant, Marx, Nietzche, Freud and Weber.