Bøger af Michel Comte

Imagery of crowds and mass gatherings has been the focal point of Michel Comte's work for many years now. Particularly powerful are the yearly Easter blessings in the Vatican City; the papal conclaves with aerial views of all the gathered cardinals have not changed since the Middle Ages. From Shibuya's crossings to New York's Times Square; from the Hajj in Mecca, to Woodstock, the World Cup final, and the Italian Grand Prix; from the March on Washington with Martin Luther King, to Hong Kong in 2019-2020-each of these places attracts enormous crowds approaching a point of imminent danger that have led to catastrophic events in the past.In November 2019 the first cases of COVID-19 were reported in the city of Wuhan in Hubei province; in the months since, our world has changed. Social distancing has become the new norm and our entire perspective towards gathering, meeting and closeness have taken on different meanings. Suddenly, images of crowds look unfamiliar. The dots are drifting apart.

This book is a visual biography of the legendary Swiss aviation pioneer Alfred Comte (1895-1965). Combining historical photos and documents with texts by Comte's son (also Alfred) and grandson the photographer Michel Comte, the book is the first to comprehensively explore the aviator's extraordinary life and achievements. Alfred Comte grew up in the village of Delsberg in the Berner Jura, where his brother had a carpentry shop and Alfred became obsessed with building model airplanes. At the time, newspapers lauded the courageous first aviators-and Comte's dream was born. At the age of 17, he took a taxi from Gare du Nord to Villacoublay, where a plane crashed just yards from the still moving vehicle. Unmoved, Comte spent his savings on flying lessons on an early Morane machine; he was a fearless and calculated student and soon made his first solo flights as well as forays into aerobatics. Comte joined the Swiss Air Force at the outbreak of the First World War, during which Oskar Bider selected him to train 63 young pilots. Among them was the avid photographer Walter Mittelholzer, who later became Comte's first partner in the Comte Mittelholzer & Cie, which in time became Swissair.

Few events have become as iconic as Gery Keszler's annual Life Ball-for all not to forget that AIDS is still present. From Bill Clinton to Whoopi Goldberg, from Naomi Campbell to Elton John, the worlds of politics and fashion unite at amfAR's (the American Foundation for AIDS Research) gala in Vienna, designed each year by a different artist and now one of the most coveted events in Europe. The spectacle invariably turns into an all-night party with several thousand donors dressed in the most stunning and outrageous costumes. This book is Michel Comte's portrait of the glamour and grit of the Life Ball. Comte remembers: "My first journey started in New York. We all boarded a large chartered Airbus. Wherever I looked, there was somebody I knew, had read about or was interested in meeting. The experience onboard reminded me of a sixties rock-'n'-roll charter. People were frolicking through the aisles with glasses of champagne. In Vienna my assistants and I started working early afternoon before the legendary event began. Everyone was creating something special; chaos later turned into the most surreal experience. From the dazzling black-tie dinner to the fashion show, the performances and the late-night party, it all seemed like a crazy mid-summer night's dream. Here is our story."

For more than 35 years, photographer Michel Comte (born 1954) has been one of the most in-demand editorial and fashion photographers in the world. Since 2006, he has worked almost exclusively with Milk Studios on photography and film projects. With the advantage of a base of operations at the Milk Studios in New York City and Los Angeles, Comte has found the freedom to work outside of and transcend the limitations of the traditional "fashion photographer" role, working in fashion, portraiture, reportage and now motion pictures. "Whether Michel has a Hollywood celebrity or an orphan from the Third World in front of his lens," said Tina Brown, former editor-in-chief of the New Yorker, "he takes both their pictures with the same sincerity and devotion." Published on the occasion of the 20-year anniversary of Milk Studios, this deluxe clothbound volume was designed by creative director Mike Meiré, whose own 25-year career working at the nexus of culture and design is the stuff of legend. Featuring images from Comte's legendary archive, including previously unpublished behind-the-scenes imagery and film stills, Michel Comte and Milk: A Collaboration 1996-2016 is a celebration of passion, storytelling and the creative process.