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Bøger af Michael Patrick Gillespie

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  • af Michael Patrick Gillespie
    424,95 - 1.482,95 kr.

  • af Michael Patrick Gillespie
    448,95 kr.

    Many intelligent, enthusiastic individuals approach conversations about films as an extension of the pleasures derived while watching them. Love for movies and enthusiasm for discussion makes many people want to attain a better understanding of what they have seen and to develop a greater skill in talking articulately about their experiences.

  • af Michael Patrick Gillespie
    1.556,95 kr.

  • af Michael Patrick Gillespie
    1.008,95 kr.

    James Joyce left Ireland in 1904 in self-imposed exile. Though he never permanently returned to Dublin, he continued to characterize the city in his prose throughout the rest of his life. This volume elucidates the ways Joyce wrote about his homeland with conflicting bitterness and affection-a common ambivalence in expatriate authors, whose time in exile tends to shape their creative approach to the world. Yet this duality has not been explored in Joyce's work until now.The first book to read Joyce's writing through the lens of exile studies, James Joyce and the Exilic Imagination challenges the tendency of scholars to stress the writer's negative view of Ireland. Instead, it showcases the often-overlooked range of emotional attitudes imbuing Joyce's work and produces a fuller understanding of Joyce's canon.

  • af Michael Patrick Gillespie
    242,95 - 558,95 kr.

    This text provides an introduction to students and others interested in William Kennedy's work. It provides an analysis of Kennedy's best-known works, a firm base for interpretation, and a better understanding of the cultural world that shapes the characters and plots.

  • - Approaching Irish-Themed Films
    af Michael Patrick Gillespie
    278,95 - 548,95 kr.

    Challenges the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, this book argues that filmmakers cannot present Irishness as a monolithic entity.