Bøger af Michael Mack

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A love story-- Navy style. One woman, three men, one naval air training unit on a small island in the pacific northwest. Total entanglement as passions explode between a senior officer, his wife, a very un-inhibited junior officer and a former lover who arrives in enlisted uniform with a secret assignment.

This essay is offered particularly as a contribution to the relationship between theological and literary writings on the Holocaust. Franz Baermann Steiner's (1909-1952) detailed sociological work- he taught at the Department of Social Anthropology at Oxford and developed a sociology of danger that strongly influenced Mary Douglas, T. W. Adorno, Iris Murdoch, H.G. Adler and Julia Kristeva- contrasts with Canetti's emphasis on shock. Canetti's response to the Holocaust constitutes, in Dominick LaCapra's terms, an 'acting out' of trauma: a comparison between Canetti's Masse und Macht and the anthropological texts he uses brings to the fore his bleak depicton of humanity. By contrast, Steiner- in comparison to Canetti- lays emphasis on 'working through' the Holocaust, that is to say, on overcoming the paralysis of trauma by reflecting critically on values that might transform a damaged society. However, Canetti's depiction of humanity cannot entirely be seen in LaCapra's notion of 'acting out': for through the shock of 'acting out', Canetti nonetheless wants to bring about a 'working through'. Similarly, despite the 'working through' shock and trauma are dramatized in Steiner's poetry and his aphoristic writings. Morever, Canetti thematizes an ethical impact on his readership in his aphorisms. In response to the Holocaust both writers advance a theory of power: what Steiner calls danger, Canetti attacks as death. Steiner's and Canetti's respective responses to the Holocaust consists in a critique of static ways of thought, affirming 'metamorphosis', and deconceptualized understanding of the world which connects linguistic fluidity to the everchanging contextualities of social and embodied life.

Introduces the figure of contamination as alternative to dialectics Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity

influential treatise, Apologie for Poetrie (c. 1582), Michael Mack also