Bøger af Michael C.J. Putnam

Volume 3 in the American Philological Association Series. The work of the Latin elegiac poet Tibullus (c. 55-19 b.c.) is characterized by an artful, witty "simplicity," and it relies on repetition, ambiguity, irony, and paradox for its effect. His poetry appealed to his countrymen in his own time, as it still does to students today, and this textbook is designed to explain and enhance that appeal.The commentary presented here is limited to the sixteen poems which comprise the first two books of the corpus Tibullianum, that is, to poems authentically by Tibullus. The notes focus on the needs of students approaching Latin elegy for the first time, but they will also prove useful to the more experienced student of Latin or to scholars in other languages. The editor has tried to balance matters of fact with occasional fresh interpretations. One introduction records what is known of the poet's life and discusses the rise of Latin elegy. The meter of the poems is explained, and Tibullus' style is examined.

The lives of Catullus and Horace overlap by a dozen years in the first century BC. Yet, though they are the undisputed masters of the lyric voice in Roman poetry, Horace directly mentions his great predecessor, Catullus, only once, and this reference has often been taken as mocking. In fact, Horace's allusion, far from disparaging Catullus, pays him a discreet compliment by suggesting the challenge that his accomplishment presented to his successors, including Horace himself. In Poetic Interplay, the first book-length study of Catullus's influence on Horace, Michael Putnam shows that the earlier poet was probably the single most important source of inspiration for Horace's Odes, the later author's magnum opus. Except in some half-dozen poems, Catullus is not, technically, writing lyric because his favored meters do not fall into that category. Nonetheless, however disparate their preferred genres and their stylistic usage, Horace found in the poetry of Catullus, whatever its mode of presentation, a constant stimulus for his imagination. And, despite the differences between the two poets, Putnam's close readings reveal that many of Horace's poems echo Catullus verbally, thematically, or both. By illustrating how Horace often found his own voice even as he acknowledged Catullus's genius, Putnam guides us to a deeper appreciation of the earlier poet as well.