Bøger af Matthew Sturgis

Peter Clark's collage's start with a scavenger trip to antiques fairs, flea markets and second hand stores to find the right objects to inspire his works. His most recognized pieces are the series of Dogs, from Spaniels to Bulldogs, and Clothes, from a dress out of old Ordnance Survey maps to a Hell's Angels jacket made of old bible and prayers books. "Paperwork" presents the working methods of this eccentric and unique artist, showing the progression of these pieces from found ephemera and paper to pieces of art. Clark starts each piece with a number of sketches, he then uses a variety of techniques to manipulate the materials and works with a palette of color, texture, weight, pattern and age to create his three-dimensional collages. The materials have to be positioned so that the colors work, the line works and the mood works and slowly the collage is 'painted'. Accompanied by a background story to his work and beautifully illustrated with full-page prints, this book shows an insight into Peter Clark's career, from his early works to his more recent collages. "Paperwork" is the perfect gift for anyone with an interest in collage or found objects and now out in paperback at a lower price point.

'The Book of the Year, perhaps of the decade, has to be Matthew Sturgis's Oscar' TLS, Books of the Year. NOMINATED FOR THE WOLFSON HISTORY PRIZE 2019. A SUNDAY TIMES BOOK OF THE YEAR. 'Simply the best modern biography of Wilde ... A terrific achievement' Evening Standard. 'Page-turning ... Vivid and desperately moving. However much you think you know Wilde, this book will absorb and entertain you' Sunday Times. 'Wonderfully exciting ... Sturgis's great achievement is to take on board his great flurry of contradictions' Craig Brown, Mail on Sunday. '[Sturgis] is a tremendous orchestrator of material, fastidious, unhurried, indefatigable' Observer. 'Oscar Wilde is more fashionable than ever ... Sturgis's account of the hearing at the Old Bailey is as gripping as it is grim' Guardian. 'The Book of the Year, perhaps of the decade, has to be Matthew Sturgis's Oscar which captures the wit, the love-ability, the dramatic genius, the insane self-destructiveness, the originality of Wilde ... [Sturgis] is the greatest chronicler of the 1890s we have ever had' TLS, Books of the Year. Oscar Wilde's life - like his wit - was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. He was an unabashed snob who nevertheless delighted in exposing the faults of society. He affected a dandified disdain but was prone to great acts of kindness. Although happily married, he became a passionate lover of men and - at the very peak of his success - brought disaster upon himself. He disparaged authority, yet went to the law to defend his love for Lord Alfred Douglas. Having delighted in fashionable throngs, Wilde died almost alone: barely a dozen people were at his graveside. Yet despite this ruinous end, Wilde's star continues to shine brightly. His was a life of quite extraordinary drama. Above all, his flamboyant refusal to conform to the social and sexual orthodoxies of his day make him a hero and an inspiration to all who seek to challenge convention. In the first major biography of Oscar Wilde in thirty years, Matthew Sturgis draws on a wealth of new material and fresh research to place the man firmly in the context of his times. He brings alive the distinctive mood and characters of the fin de siecle in the richest and most compelling portrait of Wilde to date.

This edition does not include illustrations.The first major life of the outstanding British painter - and Jack the Ripper suspect - Walter Sickert (1860-1942), by the highly acclaimed biographer of Aubrey Beardsley.Walter Richard Sickert is perhaps the outstanding figure of British art during the last hundred years. Many contemporary painters, from Hodgkin and Bacon to Auerbach and Kossof, acknowledge a debt to his influence. His career spanned six decades of unceasing experiment and achievement. As a young artist, he was welcomed and encouraged by Degas. He was the disciple of Whistler and mentor of Beardsley. He founded the London Impressionists and the Camden Town Group. He was taken up by both the Woolfs and the Sitwells. He gave painting lessons to Winston Churchill.His energy was prodigious and his personality fascinating: he was also an illustrator, cartoonist, writer, polemicist, teacher and wit. He relished controversy: his early paintings of London music halls and his late works, based on 18th-century etchings and contemporary news photographs, provoked outraged criticism from conventional commentators.Sturgis also devotes an appendix to charting in detail Sickert's posthumous life as a player in the 'Jack the Ripper' circus, assessing (and demolishing) the arguments of Patricia Cornwell and others in the light of his own discoveries.

Matthew Sturgis examines the varying extents to which ambitious poets, penurious painters, canny publishers and a controversialist press all conspired to promote the notion of decadence in the 1890s.