Bøger af Mathias Enard

Skrevet på kanten af det arabiske forår, om en ung marokkaners vaklen mellem religiøs vækkelse og vestlig frihed. Mellem radikalisering og en kriminel løbebane. Den unge mand udstødes af sin familie og starter en mindre Odyssé i Nordafrika og Spanien. En fortælling om identitet og drømme i en moderne verden, hvor tradition og fremtidshåb kæmper med og mod hinanden.Han er ung, han er marokkaner, født og opvokset i Tanger, han er muslim til husbehov og tørster efter frihed og oplevelser i et samfund, der stort set ingen muligheder giver. I skolen har han lært et par spanske brokker og fransk nok til at proppe sig med noir-krimier. De sidste teenageår går med at fable om kusinen Meryems bryster. Det ender med, at han går i seng med hende - en enkelt gang, kun én, men de bliver taget på fersk gerning, han bliver gennembanket af sin far og smidt ud. Dér står han alene på gaden uden en øre på lommen, uden at ane, hvor han skal gå hen ...

In 1506, Michelangelo - a young but already renowned sculptor - is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci's design was rejected: 'You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.' Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II - whose commission he leaves unfinished - and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings and Elephants - constructed from real historical fragments - is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another.

Francis Mirkovic, a French Intelligence Services agent for fifteen years, is travelling first class on the train from Milan to Rome. Handcuffed to the luggage rack above him is a briefcase containing a wealth of information about the war criminals, terrorists and arms dealers of the Zone - the Mediterranean region, from Barcelona to Beirut, from Algiers to Trieste, which has become his speciality - to sell to the Vatican. Exhausted by alcohol and amphetamines, he revisits the violent history of the Zone and his own participation in that violence, beginning as a mercenary fighting for a far-right Croatian militia in the 1990s. One of the truly original books of the decade, and written as a single, hypnotic, propulsive, physically irresistible sentence, Mathias Enard's Zone is an Iliad for our time, an extraordinary and panoramic view of violent conflict and its consequences in the twentieth century and beyond.

WINNER OF THE 2024 FRENCH-AMERICAN FOUNDATION TRANSLATION PRIZELONGLISTED FOR THE 2024 NATIONAL TRANSLATION AWARD IN PROSETo research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to understand the essence of the local culture, the intrepid young scholar scurries around restlessly on his moped to interview residents.But what David doesn't yet know is that here, in this seemingly ordinary place, once the stage for wars and revolutions, Death leads a dance: when one thing perishes, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human, or wild animal, sometimes in the past, sometimes in the future. And once a year, Death and the living observe a temporary truce during a gargantuan three-day feast where gravediggers gorge themselves on food, drink, and language.Brimming with Mathias Énard's characteristic wit and encyclopedic brilliance, The Annual Banquet of the Gravediggers' Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess.

Vinder af den franske Prix Goncourt, den italienske Premio Von Rezzori og den tyske Leipzig Prize samt shortlistet til Den internationale Man Booker Pris 2017. Den franske forfatter Mathias Enards gennembrudsroman. Mens natten falder på over Wien, ligger musikologen Franz Ritter søvnløs i sin seng og glider ind og ud af drømme og minder. Han har fået dårlige nyheder fra sin læge og genbesøger nu de vigtigste kapitler i sit liv: den vedvarende fascination af Mellemøsten, de mange rejser til Istanbul, Aleppo, Damaskus og Teheran og mødet med kunstnere, akademikere og orientalister. I centrum står den store kærlighed til Sarah, en rasende intelligent fransk akademiker fanget i de intrikate spændinger mellem Europa og Mellemøsten. Mathias Énard skriver lyrisk, intellektuelt og berusende om mødet mellem øst og vest. ”En fantastisk, flygtig og excentrisk kærlighedserklæring til Mellemøstlig kunst og kultur” - Los Angeles Review of Books

In Tangier, young Lakhdar finds himself homeless after being caught in flagrante with his cousin Meryem. As the political and religious tensions in the Mediterranean flare up with the Arab Spring and the global financial crisis, Lakhdar and his friend Bassam entertain dreams of emigration, fuelled by a desire for freedom and a better life. Part political thriller, part road-movie, part romance, the latest novel by Mathias Enard takes us from the violence of Tangier's streets to Barcelona's louche Raval quarter. Street of Thieves is an intense coming-of-age story that delves deep into the brutal realities of the immigrant experience.'

One of the truly original books of the decadewritten as a single, hypnotic, propulsive, physically irresistible sentenceZone tells the story of a French Intelligence agent on his way to the Vatican to sell a briefcase of secrets. Over the course of his train ride, he thinks back over his life and all the damage he's caused in this violent century.