Bøger af Mary Wollstonecraft Shelley

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s. It is notable in part for its semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

The Fortunes of Perkin Warbeck: A Romance is an 1830 historical novel by Mary Shelley about the life of Perkin Warbeck. The book takes a Yorkist point of view and proceeds from the conceit that Perkin Warbeck died in childhood and the supposed impostor was indeed Richard of Shrewsbury. Henry VII of England is repeatedly described as a "fiend" who hates Elizabeth of York, his wife and Richard's sister, and the future Henry VIII, mentioned only twice in the novel, is a vile youth who abuses dogs. Her preface establishes that records of the Tower of London, as well as the histories of Edward Hall, Raphael Holinshed, and Francis Bacon, the letters of Sir John Ramsay to Henry VII that are printed in the Appendix to John Pinkerton's History of Scotland[1In this novel, Mary Shelley returned to The Last Man's message that an idealistic political system is impossible without an improvement in human nature.This historical novel, influenced by those of Sir Walter Scott, fictionalises the exploits of Perkin Warbeck, a pretender to the throne of King Henry VII who claimed to be Richard, Duke of York, the second son of King Edward IV. Shelley believed that Warbeck really was Richard and had escaped from the Tower of London.She endows his character with elements of Percy Shelley, portraying him sympathetically as "an angelic essence, incapable of wound", who is led by his sensibility onto the political stage She seems to have identified herself with Richard's wife, Lady Katherine Gordon, who survives after her husband's death by compromising with his political enemies. Lady Gordon stands for the values of friendship, domesticity and equality; through her, Mary Shelley offers a female alternative to the masculine power politics that destroy Richard, as well as the typical historical narrative which only relates those events.She also creates a strong female character in the round-faced, half-Moor, half-Fleming, Monina de Faro, Richard's adoptive sister, whom Robin Clifford demands as his wife. Monina is a versatile young lady who acts as decoy, messenger, and military organizer, in addition to her close friendship with both Richard and Katherine. Robin Clifford epitomizes mixed loyalties-an old friend descended from Lancastrians, who is constantly divided against himself. Stephen Frion, secretary to Henry VII and betrayed by him, is an elder foil, whose loyalties shift back and forth dependent on Henry's grace, whereas Clifford's wavering is based on genuine emotion.establish this as fact. Each chapter opens with a quotation. The entire book is prefaced with a quotation in French by Georges Chastellan and Jean Molinet

I am by birth a Genevese, and my family is one of the most distinguished of that republic. My ancestors had been for many years counsellors and syndics, and my father had filled several public situations with honour and reputation. He was respected by all who knew him for his integrity and indefatigable attention to public business. He passed his younger days perpetually occupied by the affairs of his country; a variety of circumstances had prevented his marrying early, nor was it until the decline of life that he became a husband and the father of a family.

The Fortunes of Perkin Warbeck: A Romance is an 1830 historical novel by Mary Shelley about the life of Perkin Warbeck. The book takes a Yorkist point of view and proceeds from the conceit that Perkin Warbeck died in childhood and the supposed impostor was indeed Richard of Shrewsbury. Henry VII of England is repeatedly described as a "fiend" who hates Elizabeth of York, his wife and Richard's sister, and the future Henry VIII, mentioned only twice in the novel, is a vile youth who abuses dogs. Her preface establishes that records of the Tower of London, as well as the histories of Edward Hall, Raphael Holinshed, and Francis Bacon, the letters of Sir John Ramsay to Henry VII that are printed in the Appendix to John Pinkerton's History of Scotland[1] establish this as fact. Each chapter opens with a quotation. The entire book is prefaced with a quotation in French by Georges Chastellan and Jean Molinet.In this novel, Mary Shelley returned to The Last Man's message that an idealistic political system is impossible without an improvement in human nature. This historical novel, influenced by those of Sir Walter Scott, fictionalises the exploits of Perkin Warbeck, a pretender to the throne of King Henry VII who claimed to be Richard, Duke of York, the second son of King Edward IV. Shelley believed that Warbeck really was Richard and had escaped from the Tower of London. She endows his character with elements of Percy Shelley, portraying him sympathetically as "an angelic essence, incapable of wound", who is led by his sensibility onto the political stage.She seems to have identified herself with Richard's wife, Lady Katherine Gordon, who survives after her husband's death by compromising with his political enemies.[6] Lady Gordon stands for the values of friendship, domesticity and equality; through her, Mary Shelley offers a female alternative to the masculine power politics that destroy Richard, as well as the typical historical narrative which only relates those events.[7] She also creates a strong female character in the round-faced, half-Moor, half-Fleming, Monina de Faro, Richard's adoptive sister, whom Robin Clifford demands as his wife. Monina is a versatile young lady who acts as decoy, messenger, and military organizer, in addition to her close friendship with both Richard and Katherine. Robin Clifford epitomizes mixed loyalties-an old friend descended from Lancastrians, who is constantly divided against himself. Stephen Frion, secretary to Henry VII and betrayed by him, is an elder foil, whose loyalties shift back and forth dependent on Henry's grace, whereas Clifford's wavering is based on genuine emotion

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Frankenstein: or, the Modern Prometheus (1818), is a combination of Gothic horror story and science fiction. The book tells the story of Victor Frankenstein, a Swiss student of natural science who creates an artificial man from pieces of corpses and brings his creature to life. Though it initially seeks affection, the monster inspires loathing in everyone who meets it. Lonely and miserable, the monster turns upon its creator, who eventually loses his life.

Shelley Memorials: From Authentic Sources is a book written by Mary Wollstonecraft Shelley, the wife of renowned Romantic poet Percy Bysshe Shelley. The book is a collection of letters, journals, and other documents that provide a detailed insight into the life and works of Percy Shelley. The book covers various aspects of Shelley's life, including his childhood, education, relationships, and literary career. It also includes letters written by Shelley himself, as well as those written by his friends and family. The book is a valuable resource for anyone interested in the life and works of Percy Shelley, as it provides a unique perspective on the man behind some of the most famous poems in English literature.To Which Is Added An Essay On Christianity, By Shelley, Now First Printed.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This Is A New Release Of The Original 1831 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

English writer Mary Shelley is best known for her horror novel Frankenstein, or the Modern Prometheus (c1830). She was married to poet Percy Bysshe Shelley. 'The blood flowed freely in my veins, but a weight of despair and remorse pressed on my heart, which nothing could remove. Sleep fled from my eyes; I wandered like an evil spirit, for I had committed deeds of mischief beyond description horrible, and more, much more (I persuaded myself) was yet behind'. Frankenstein is one of the most amazing horror stories ever written and takes the reader into an unknown world of mystery. The movements of Gothic and Romantic, a disturbed genius, a scientist determined to create life and so, the monster Frankenstein was born.

His fancy only paused, when he would force it to adorn with beauty vice, death, and misery, when disguised by a kingly robe, by the trappings of a victorious army, or the false halo of glory spread over the smoking ruins of a ravaged town. Then his heart sickened, and the banners of triumph or the song of victory could not drive from his recollection the varieties of death, and the groans of torture that occasion such exultation to the privileged murderers of the earth.

Frankenstein or The Modern Prometheus, was completed by Mary Shelley at the age of 19. She infused this original novel with Gothic and Romantic elements. Scientist Victor Frankenstein creates a large and powerful creature in the likeness of man, but is disgusted by his own creation and he abandons the being to fend for itself. Spawning generations of horror stories in the genre, Frankenstein is a gruesome warning against playing God and attempting the engineering of life.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is the story of a scientist, Victor Frankenstein who creates and gives life to a monster. The monster threatens to kill all of Victor's friends and loved ones unless Victor creates a female mate for him. victor complies for awhile. Then, fearing that it may lead to the reproduction and proliferation of a species that could threaten the survival of humanity as a whole, he backs out, destroying the partially finished female monster. In retaliation, the monster kills Victor's bride.

I VISITED Naples in the year 1818. On the 8th of December of that year, my companion and I crossed the Bay, to visit the antiquities which are scattered on the shores of Baiae. The translucent and shining waters of the calm sea covered fragments of old Roman villas, which were interlaced by sea-weed, and received diamond tints from the chequering of the sun-beams; the blue and pellucid element was such as Galatea might have skimmed in her car of mother of pearl; or Cleopatra, more fitly than the Nile, have chosen as the path of her magic ship. Though it was winter, the atmosphere seemed more appropriate to early spring; and its genial warmth contributed to inspire those sensations of placid delight, which are the portion of every traveller, as he lingers, loath to quit the tranquil bays and radiant promontories of Baiae.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Narrating from her deathbed, Mathilda, a young woman barely in her twenties, writes her story as a way of explaining her actions to her friend, Woodville. Her narration follows her lonely upbringing and climaxes at a point when her unnamed father confesses his incestuous love for her. This is then followed by his suicide by drowning and her ultimate death; her relationship with the gifted young poet, Woodville, fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The novella begins with readers becoming aware that this story is being narrated in the first person, by Mathilda, and that this narration is meant for a specific audience in answer to a question asked prior to the novella's beginning: "You have often asked me the cause of my solitary life; my tears; and above all of my impenetrable and unkind silence." Readers quickly learn that Mathilda is on her deathbed and this is the only reason she is exposing what seems to be a dark secret.