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Bøger af Mariam Motamedi Fraser

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  • af Mariam Motamedi Fraser
    1.396,95 kr.

    Everywhere dogs are found, they are stitched into human hearts. But are humans stitched into dogs' hearts? Countless celebrations of 'the dog-human bond' suggest that they are. Yet 'the bond' does not always come easily to dogs. Dog politics seeks to denaturalise, in different ways, dogs' 'species story, ' the scientific story that claims that being with humans somehow constitutes dogs' evolutionary destiny. This book asks what evidence exists for this story, what choices dogs have but to go along with it, and what expectations, demands, and burdens it places on dogs, on a daily basis. In doing so, it offers an unfamiliar and discomforting account of the lives of domesticated dogs' today. Dog politics is an empirical investigation of dogs in science which makes important theoretical contributions to debates of contemporary significance. It addresses how the connections between animal behaviours and species identities are established in theory and practice. It analyses the enduring entanglement of racism and speciesism, and how the interlocking relations between these prejudices are shaped by the different ways that the categories of 'race' and of species are conceived of in science over time. In the light of the reification and exploitation of dogs' perceived relationality with humans, it looks again at the ethics and politics of intersubjectivity, becoming-with, entanglements. It disputes that species can be separated from storying. Above all, Dog Politics shows how species stories erase the singular individual animal as a figure of theoretical, methodological, ethical, and political value, and with what dire consequences.

  • - Beyond Language, Beyond Image
    af Mariam Motamedi Fraser
    656,95 - 1.884,95 kr.

    Words are everywhere. Ubiquitous, pervasive. Yet our relations with words are narrowly defined. How does the sound, feel, touch, taste, place, position, speed, and direction of words come to matter in their uses? Word begins from the premise that, if we consider words only in terms of language and as images, we overlook a range of bodily, sensory, affective and non-conscious relations with words. We overlook, too, their epistemological, methodological, experiential and political implications. This book seeks to redress this neglect by exploring words themselves in histories of language and contemporary theory, in print and typography, and through a series of empirical examples which include religion, embodiment, photography and performance. Word is a reminder that words live richly in the world. It is an invitation to recognise those non-linguistic word-relations that are already existing, and to bring new and generative encounters with words into being.