Bøger af Maria Edgeworth

Harrington is an 1817 novel by British novelist Maria Edgeworth. The novel was written in response to a letter from a Jewish-American reader who complained about Edgeworth's stereotypically anti-semitic portrayals of Jews in Castle Rackrent (1800), Belinda (1801), The Absentee (1812), and her Moral Tales (1801) for children. The novel is an autobiography of a "recovering anti-Semite", whose youthful prejudices are undone by contact with various Jewish characters, particularly a young woman. It also makes parallels between the religious discrimination of the Jews and the Catholics in Ireland. Set between the Jewish Naturalization Act of 1753 and the Gordon Riots of 1780, the timeframe highlights these connections. Synopsis Harrington follows the protagonist of the same name who explores his memories to better understand his views on Jews. The novel begins with Harrington's early image of Jews, formed by stories told by his maid of Simon the Jew. Harrington says that the stories of Simon the Jew were " used upon every occasion to reduce me to passive obedience." His parents further strengthen this image by rewarding Harrington's antisemitism. Only after attending public school and meeting the bully Mowbray are Harrington's views on Jews changed. Mowbray's tormenting of the Jewish peddler Jacob causes this sudden shift in thinking. The story shifts to a romance novel with the introduction of Berenice Montenero, an American Jew who moved to England with her wealthy father. Harrington's family and friends are alarmed at his choice of a Jewish woman, a relationship further impeded by the advances of Harrington's old rival Mowbray. Seeking marriage into a wealthy family, Mowbray's attempts to court Berenice are denied. As revenge, Mowbray brings charges of insanity against Harrington, a situation further compounded by his family threatening to disown him. To marry Berenice, Harrington must overcome these obstacles and prove himself to Mr. Montenero. He is thus tested "by experiences designed to arouse his enthusiasm and fear."Mowbray is exposed as the culprit behind Harrington's supposed insanity and Harrington is deemed worthy of marriage to Berenice. This strange courtship is concluded with the revelation by Mr. Montenero, "I have tried you to the utmost, and am satisfied both of the steadiness of your principles and of the strength of your attachment to my daughter-Berenice is not a Jewess."... Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Early life: Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives) and Anna Maria Edgeworth; Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, until her mother's death when Maria was five. When her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland. Maria was sent to Mrs. Lattafière's school in Derby after Honora fell ill in 1775. After Honora died in 1780 Maria's father married Honora's sister Elizabeth (then socially disapproved and legally forbidden from 1833 until the Deceased Wife's Sister's Marriage Act 1907)......

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of Maria Edgeworth: Harrington; Volume 9 Of The Novels Of Maria Edgeworth; Maria Edgeworth reprint Maria Edgeworth Croscup & Sterling Co., 1893

""Harry and Lucy Concluded V1"" is the final installment in the ""Early Lessons"" series by acclaimed author Maria Edgeworth. The book follows the lives of siblings Harry and Lucy as they navigate the challenges of growing up and learning important life lessons. In this volume, readers will see the characters mature and face more complex issues, such as dealing with the consequences of their actions and making difficult decisions. Along the way, they will learn valuable lessons about responsibility, honesty, and the importance of family and friendships. With its engaging storytelling and relatable characters, ""Harry and Lucy Concluded V1"" is a timeless classic that continues to captivate readers of all ages.In Four Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Protecteurs Et Les Protégés; Les Protecteurs Et Les Protégés; Maria Edgeworth Maria Edgeworth, Cohen Ledoux et Tenré, 1816

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814. It is one of her later books, after such successes as Castle Rackrent (1800), Belinda (1801), Leonora (1806) and The Absentee in 1812, to name a few. The novel is a long and ambitious one which she began writing in 1809. It is the longest of her novels. Patronage as a book is path-making; it was among the first novels with a thesis and as such, it opened the way for Sir Walter Scott's historical novels. In the novel, Edgeworth focuses on and scrupulously explores the various types of patronage and the many forms it takes in all strata of English society. Despite the rigor of her analysis, Edgeworth obtains a sense of subtlety through her ingenious use of variations in characterizatons and a well diversified plot. The plot is made up of many incidents, great and small, that take the reader through a wide range of situations. Much like her contemporary, Jane Austen, Edgeworth had a gift for conveying social conventions through brilliant dialogue and acute moral observations. However, unlike Austen, Edgeworth's writing diverges into essay and an overemphasis on ideas (of which she has a large number) and veers once or twice into the didactic. The literary scholar Alastair Fowler notes her "flawless ear for speech" and ability to produce "brilliant dialogue", as well as the way her various subplots are linked by chains of causation that rest ultimately on a trivial plot element, much as Austen later was able to do so superbly. Edgeworth was eldest daughter of Richard Lovell Edgeworth, the Anglo-Irish politician, writer and inventor who had 21 other children with four wives. This book received the imprimatur of her famous father when published.... Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Early life: Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives) and Anna Maria Edgeworth; Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, until her mother's death when Maria was five. When her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland. Maria was sent to Mrs. Lattafière's school in Derby after Honora fell ill in 1775. After Honora died in 1780 Maria's father married Honora's sister Elizabeth (then socially disapproved and legally forbidden from 1833 until the Deceased Wife's Sister's Marriage Act 1907). Maria transferred to Mrs. Devis's school in London. Her father's attention became fully focused on her in 1781 when she nearly lost her sight to an eye infection. Returning home at the age of 14, she took charge of her many younger siblings and was home-tutored in law, Irish economics and politics, science, and literature by her father. She also started her lifelong correspondences with learned men, mainly members of the Lunar Society....

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of Maria Edgeworth: In Twelve Volumes, Volume 5; The Novels Of Maria Edgeworth: In Twelve Volumes; Maria Edgeworth Maria Edgeworth J. M. Dent, 1893

Patronage is a four volume fictional work by Anglo-Irish writer Maria Edgeworth and published in 1814. It is one of her later books, after such successes as Castle Rackrent (1800), Belinda (1801), Leonora (1806) and The Absentee in 1812, to name a few. The novel is a long and ambitious one which she began writing in 1809. It is the longest of her novels. Patronage as a book is path-making; it was among the first novels with a thesis and as such, it opened the way for Sir Walter Scott's historical novels. In the novel, Edgeworth focuses on and scrupulously explores the various types of patronage and the many forms it takes in all strata of English society. Despite the rigor of her analysis, Edgeworth obtains a sense of subtlety through her ingenious use of variations in characterizatons and a well diversified plot. The plot is made up of many incidents, great and small, that take the reader through a wide range of situations. Much like her contemporary, Jane Austen, Edgeworth had a gift for conveying social conventions through brilliant dialogue and acute moral observations. However, unlike Austen, Edgeworth's writing diverges into essay and an overemphasis on ideas (of which she has a large number) and veers once or twice into the didactic. The literary scholar Alastair Fowler notes her "flawless ear for speech" and ability to produce "brilliant dialogue", as well as the way her various subplots are linked by chains of causation that rest ultimately on a trivial plot element, much as Austen later was able to do so superbly. Edgeworth was eldest daughter of Richard Lovell Edgeworth, the Anglo-Irish politician, writer and inventor who had 21 other children with four wives. This book received the imprimatur of her famous father when published........ Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo. Early life: Maria Edgeworth was born at Black Bourton, Oxfordshire. She was the second child of Richard Lovell Edgeworth (who eventually fathered 22 children by four wives) and Anna Maria Edgeworth; Maria was thus an aunt of Francis Ysidro Edgeworth. She spent her early years with her mother's family in England, until her mother's death when Maria was five. When her father married his second wife Honora Sneyd in 1773, she went with him to his estate, Edgeworthstown, in County Longford, Ireland. Maria was sent to Mrs. Lattafière's school in Derby after Honora fell ill in 1775. After Honora died in 1780 Maria's father married Honora's sister Elizabeth (then socially disapproved and legally forbidden from 1833 until the Deceased Wife's Sister's Marriage Act 1907). Maria transferred to Mrs. Devis's school in London. Her father's attention became fully focused on her in 1781 when she nearly lost her sight to an eye infection. Returning home at the age of 14, she took charge of her many younger siblings and was home-tutored in law, Irish economics and politics, science, and literature by her father. She also started her lifelong correspondences with learned men, mainly members of the Lunar Society. She became her father's assistant in managing the Edgeworthstown estate, which had become run-down during the family's 1777-1782 absence; she would live and write there for the rest of her life. With their bond strengthened, Maria and her father began a lifelong academic collaboration "of which she was the more able and nimble mind." Present at Edgeworthstown was an extended family, servants and tenants. She observed and recorded the details of daily Irish life, later drawing on this experience for her novels about t

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of Maria Edgeworth: In Twelve Volumes, Volume 3; The Novels Of Maria Edgeworth: In Twelve Volumes; Maria Edgeworth Maria Edgeworth J. M. Dent, 1893

Lord Colambre, the sensitive hero of the novel, finds that his mother Lady Clonbrony's attempts to buy her way into the high society of London are only ridiculed, while his father, Lord Clonbrony, is in serious debt as a result of his wife's lifestyle. Colambre travels incognito to Ireland to see the country that he still considers his home. When he returns to London he assists his father to pay off the debts, on condition that the Clonbrony family return to live in Ireland. Maria Edgeworth (1 January 1768 - 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe. She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tales And Novels: Castle Rackrent. An Essay On Irish Bulbs. An Essay On The Noble Science Of Self-justification, V. 1-2; Volume 1 Of Tales And Novels; Maria Edgeworth Maria Edgeworth Harper and Brothers, 1850

The Manufacturers is a novel written by Maria Edgeworth, first published in 1803. The story revolves around a family of wealthy manufacturers, the Birch family, and their interactions with other members of society. The patriarch of the family, Mr. Birch, is a shrewd businessman who is determined to maintain his family's status and wealth. His wife, Mrs. Birch, is a social climber who is obsessed with gaining the approval of the upper classes. The couple has three children, who are all caught up in their own struggles with love, money, and social status. The novel explores themes of class, gender, and morality, as well as the changing landscape of England's industrial revolution. Edgeworth's writing style is witty and satirical, and she uses her characters to comment on the societal issues of her time. The Manufacturers is considered one of Edgeworth's most important works and a significant contribution to the genre of the novel.He was sensible that he hazarded the loss of his uncle's favour by the avowal of his prejudices; yet such was his habitual conceit, that he could not suppress frequent expressions of contempt for Mr. Darford's liberal notions. Whenever his uncle's opinion differed from his own, he settled the argument, as he fancied, by saying to himself or to his clerk, ""My uncle Darford knows nothing of the world: how should he, poor man! shut up as he has been all his life in a counting-house?""This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Works, Volume 9; Works; Richard Lovell Edgeworth Maria Edgeworth, Richard Lovell Edgeworth S. H. Parker, 1825

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Frank is a novel written by Maria Edgeworth. It tells the story of Frank, a young man who is the heir to a large estate in Ireland. Frank is a charming and intelligent young man who is loved by all who know him. However, he is also impulsive and prone to making rash decisions. When his father dies, Frank inherits the estate and sets about making changes to improve the lives of the tenants who live there. He also becomes involved in a romantic relationship with a young woman named Mary. However, Frank's impulsive nature leads him into trouble, and he finds himself in debt and facing legal trouble. Through it all, Frank must learn to grow and mature, and to make decisions based on reason rather than impulse. The novel is a portrait of life in Ireland in the early 19th century, and explores themes of love, family, and responsibility.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This collection of literature attempts to compile many classics that have stood the test of time and offer them at a reduced, affordable price in an attractive volume so that everyone can enjoy them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Grateful Negro: And The Birthday Present is a book written by Maria Edgeworth and published in 1874. The story follows the life of an enslaved man named Pedro, who is owned by a wealthy plantation owner named Mr. Villars. Pedro is a loyal and hardworking servant who is grateful for the kindness that Mr. Villars has shown him over the years.As Mr. Villars' birthday approaches, Pedro decides to give him a special gift to show his appreciation. He spends months carving a beautiful wooden box and filling it with flowers from the garden. When he presents the gift to Mr. Villars, he is overjoyed and touched by Pedro's thoughtfulness.However, not everyone is happy about Pedro's actions. The other slaves on the plantation become jealous and resentful, believing that Pedro is trying to gain favor with Mr. Villars. They plot to steal the gift and destroy it, but Pedro is able to outsmart them and save the present.The Grateful Negro: And The Birthday Present explores themes of gratitude, loyalty, and the complexities of relationships between slaves and their owners. It offers a unique perspective on the experiences of enslaved people during this time period and sheds light on the importance of kindness and compassion in even the most difficult of circumstances.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tales And Novels: Tales Of Fashionable Life, V. 7-8, 9-10; Volume 5 Of Tales And Novels; Maria Edgeworth Maria Edgeworth Harper and Brothers, 1850

The False Key is a novel written by Maria Edgeworth and published in 1874. Set in Ireland, the story revolves around the theft of a valuable key and the subsequent search for the culprit. The key in question unlocks a cabinet that contains important documents and money, making its disappearance a serious matter. The main character, a young woman named Rosamond, becomes involved in the investigation and works to uncover the truth behind the theft. Along the way, she encounters a cast of colorful characters, including a group of traveling performers and a wealthy landowner with a dark secret. The False Key is a suspenseful and entertaining tale that explores themes of trust, deception, and morality. It is a classic example of Victorian-era literature and remains a popular read today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of Maria Edgeworth: Harrington. Ormond; Volumes 9-10 Of The Novels Of Maria Edgeworth; Maria Edgeworth Maria Edgeworth Dent, 1893