Bøger af Margaret Wilson Oliphant

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Diana Trelawny is a novel written by the British author Oliphant, Mrs. and first published in 1893. The book tells the story of Diana, a young woman who finds herself in a difficult situation after her father's death. She is left alone and penniless, with no family or friends to turn to. However, Diana is determined to make a new life for herself and sets out to find work in London. Along the way, she meets a variety of people, including a wealthy businessman who takes an interest in her. As Diana navigates the challenges of her new life, she must also confront the painful memories of her past and come to terms with her own identity. The novel explores themes of class, gender, and identity, and offers a vivid portrait of life in late 19th-century England. With its engaging characters and compelling plot, Diana Trelawny is a timeless tale of resilience, perseverance, and hope.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""The House on the Moor V2"" is a novel written by the Scottish author Margaret Oliphant, who used the pen name ""Mrs. Oliphant"". It is the second volume of a two-part series and was first published in 1861. The story revolves around a young woman named Mary Percival, who inherits a large estate on the moors of Scotland from her uncle. Mary moves into the house with her aunt and cousin, but soon discovers that the house holds a dark secret. Strange occurrences begin to happen, and Mary becomes convinced that the house is haunted. As she delves deeper into the history of the estate, she uncovers a tragic past that threatens to destroy her family. ""The House on the Moor V2"" is a gothic novel that explores themes of family, inheritance, and the supernatural. It is a gripping tale that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Ombra"" is a novel written by Mrs. Oliphant. The story follows the life of a young woman named Cecilia, who has been raised in a sheltered environment by her wealthy family. However, when she falls in love with a man named Arthur, her family disapproves of their relationship and forces her to break it off.Cecilia is heartbroken and turns to her cousin, Ombra, for comfort. Ombra is a mysterious and somewhat unsettling figure, but she takes Cecilia under her wing and introduces her to a new world of art, literature, and intellectualism.As Cecilia becomes more involved with Ombra and her circle of friends, she begins to realize that there is more to life than the sheltered existence she has always known. However, she also begins to suspect that Ombra may not be who she seems, and that there may be dark secrets lurking beneath the surface of their seemingly idyllic world.As the story unfolds, Cecilia must navigate the complexities of her relationships with both Arthur and Ombra, and come to terms with the truth about herself and those around her. ""Ombra"" is a gripping tale of love, betrayal, and self-discovery that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Moliere (1879) by Oliphant, Mrs. is a biography of the French playwright and actor Jean-Baptiste Poquelin, known by his stage name Moliere. The book provides a comprehensive account of Moliere's life, from his birth in 1622 to his death in 1673. It covers his early years, his education, his travels, and his rise to fame as a playwright and actor in 17th century France. The book also explores Moliere's personal life, including his relationships with women and his struggles with illness. Throughout the book, Oliphant provides insight into Moliere's works, including his most famous plays such as Tartuffe, The Misanthrope, and The Imaginary Invalid. The book is written in a clear and engaging style, making it accessible to both scholars and general readers. Overall, Moliere (1879) by Oliphant, Mrs. is an informative and engaging biography of one of the most important figures in French literature and theater.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This collection of literature attempts to compile many classics that have stood the test of time and offer them at a reduced, affordable price in an attractive volume so that everyone can enjoy them.

The House On The Moor is a novel written by Margaret Oliphant and published in 1861. The story follows the life of a young woman named Lucy Gerard, who is forced to leave her comfortable life in London and move to a remote house on the moors with her father and brother. The house, which is owned by a distant relative, is in a state of disrepair and the family must work hard to make it habitable.As Lucy adapts to her new surroundings, she discovers that the house holds many secrets. She uncovers a hidden room and learns about the tragic history of the previous occupants. Lucy also meets a mysterious man, who lives in the nearby village, and is drawn to him despite his enigmatic nature.As the story unfolds, Lucy's father becomes ill and she must take on the responsibility of caring for him. She also becomes embroiled in a local scandal involving the village squire and his family. Through it all, Lucy remains steadfast and determined, determined to uncover the truth about the house and its past.The House On The Moor is a classic Victorian novel that explores themes of family, love, and the power of secrets. Margaret Oliphant's vivid descriptions of the moors and the house create a haunting and atmospheric setting, while her complex characters and intricate plot keep the reader engaged until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

I, Martin Dupin (de la Clairière), had the honour of holding the office of Maire in the town of Semur, in the Haute Bourgogne, at the time when the following events occurred. It will be perceived, therefore, that no one could have more complete knowledge of the facts-at once from my official position, and from the place of eminence in the affairs of the district generally which my family has held for many generations-by what citizen-like virtues and unblemished integrity I will not be vain enough to specify. Nor is it necessary; for no one who knows Semur can be ignorant of the position held by the Dupins, from father to son. The estate La Clairière has been so long in the family that we might very well, were we disposed, add its name to our own, as so many families in France do; and, indeed, I do not prevent my wife (whose prejudices I respect) from making this use of it upon her cards. But, for myself, bourgeois I was born and bourgeois I mean to die. My residence, like that of my father and grandfather, is at No. 29 in the Grande Rue, opposite the Cathedral, and not far from the Hospital of St. Jean. We inhabit the first floor, along with the rez-de-chaussée, which has been turned into domestic offices suitable for the needs of the family. My mother, holding a respected place in my household, lives with us in the most perfect family union. My wife (née de Champfleurie) is everything that is calculated to render a household happy; but, alas one only of our two children survives to bless us. I have thought these details of my private circumstances necessary, to explain the following narrative; to which I will also add, by way of introduction, a simple sketch of the town itself and its general conditions before these remarkable events occurred.

Royal Edinburgh: Her Saints, Kings, Prophets, and Poets is a book written by Margaret Oliphant, a Scottish novelist and historical writer, and first published in 1890. The book is a comprehensive guide to the history, culture, and people of Edinburgh, Scotland's capital city. It covers the city's early history, including its founding by King David I, and its development into a royal city. The book also explores the lives of the city's most famous residents, including the saints, kings, prophets, and poets who have shaped Edinburgh's cultural and religious heritage. The author provides detailed descriptions of the city's landmarks, including its famous castle, churches, and monuments, and offers insights into the lives of its most famous residents, such as Mary Queen of Scots and Robert Burns. The book is a fascinating exploration of Edinburgh's rich history and culture, and is a must-read for anyone interested in Scottish history and heritage.1891. Mrs. Oliphant has written biographies of the poet Dante, the cathedral builders, the monks of San Marco, Michael Angelo and others. Contents: Part I. Margaret of Scotland, Atheling-Queen and Saint. Part II. The Stewards of Scotland: James I. Poet and Legislator; James II. With the Fiery Face; James III. The Man of Peace; James IV. The Knight-Errant; James V. The Last of the Heroic Age. Part III. The Time of the Prophets: Under the Queen Regent; Under Queen Mary; The Triumph and End; The Scholar of the Reformation. Part IV. The Modern City: A Burgher Poet; The Guest of Edinburgh; The Shakspeare of Scotland. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

There stands in one of the northern counties of Scotland, in the midst of a wild and wooded landscape, with the background of a fine range of hills, and in the vicinity of a noble trout-stream, a great palace, uninhabited and unfinished. It is of the French-Scottish style of architecture, but more French than Scotch-a little Louvre planted in the midst of a great park and fine woods, by which, could a traveller pass, as in the days of Mr. G. P. R. James, on a summer evening when the sun had set, and find himself suddenly face-to-face with such an edifice amid such a solitude, the effect even upon the most hardened British tourist would be something extraordinary. There it stands, white and splendid, raising its turreted roofs, such a house as a prince might live in, which would accommodate dozens of guests, and for which scores of servants would be needful. But all naked, vacant, and silent, the glassless windows like empty sockets without eyes, the rooms all unfinished, grass growing on the broad steps that lead up to the great barricaded door, and weeds flourishing upon the approach. Round about it are avenues of an exotic splendour, like the building, tall araucarias of kin to nothing else that flourishes in Scotland, blue-green pines of a rare species, and around these, in long-drawn circles, lines of level green terraces, upon which you can walk for miles-terraces more fit for Versailles than for Murkley, where the grass is generally wet, and promenades of this kind not very practicable for the greater part of the year. The pines have taken hold of the soil, have thriven and flourished, the araucarias are unequalled in Great Britain. Nature and the landscape have assimilated them, and made them free of the country in which they are to stand for ages. But the house, being due to human-kind, cannot be thus assimilated. No kindly growth, naturalizes it, no softening of years makes it fit into its place. It is too big and imposing to be run over by honeysuckles and roses like a cottage; it stands like a ghost among all the paths that lead to its blocked-up door. The rows of melancholy openings where windows ought to be glare out in their emptiness, in contrast with that door which never opens, and makes all natural access to the place impossible. An army of tramps might clamber in at the windows, and make carnival in the vacant rooms, but the master of the house could not without an organized assault find admittance in the recognized way. At night, or when the evening glooms are falling, nothing can be more startling than to stray into the presence of this huge thing, which is not a habitation, and which seems, all complete yet so incomplete, to have strayed into regions quite uncongenial and out of sympathy with it, where it stands as much out of its element as a stranded boat.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Margaret Oliphant Oliphant (née Margaret Oliphant Wilson, 1828-1897) was a Scottish novelist and historical writer. Her biographical work was known for its vivacity and sympathetic touch. Interestingly, The Literary History of England from 1760 to 1825, written in 1882, includes Mrs. Radcliffe, but omits Jane Austen.