Bøger af Margaret Atwood

By the author of THE HANDMAID'S TALE and ALIAS GRACEWhat is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift?Margaret Atwood's wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.Praise for On Writers and Writing: '...a streetwise, erudite suggestive enquiry into problems and myths of the writer's role. Her light touch on hard thoughts, her humour and eclectic quotations, lend enchantment to an argument that has as many undulating tentacles as a well developed sea anemone' -INDEPENDENT'Her witty, occasionally self-deprecating and always ingenious approach is a delight' -SUNDAY TIMES'A witty and profound rumination about writing' -THE TIMES

A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatalite. In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

By the author of The Handmaid's Tale and Alias GraceA leathery bog-man transforms an old love affair; a sweet, gruesome gift is sent by the wife of an ex-lover; landscape paintings are haunted by the ghost of a young girl. This dazzling collection of ten short stories takes us into familiar Atwood territory to reveal the logic of irrational behaviour and the many textures lying beneath ordinary life.

* EATING FIRE - Margaret Atwood's poetry - reissued with a stunning new jacket along with other titles from Margaret Atwood's backlist

A treasure trove of collected works from the legendary author of The Handmaid's Tale and Alias GraceQueen Gertrude gives Hamlet a piece of her mind. An ugly sister and a wicked stepmother put in a good word for themselves. A reincarnated bat explains how Bram Stoker got Dracula hopelessly wrong. Bones and Murder is a bewitching cocktail of prose and poetry, fiction and fairytales, as well as some of Atwood's own illustrations. It's pure distilled Atwood: deliciously strong and bittersweet.'A marvellous miniature sample case of Atwood's sensuous and sardonic talents' Times Literary Supplement

By the author of The Handmaid's Tale and Alias GraceTHE DOOR is Margaret Atwood's first book of poetry since the 1995 MORNING IN THE BURNED HOUSE. Its lucid yet urgent poems range in tone from lyric to ironic to meditative to prophetic, and in subject from the personal to the political viewed in its broadest sense. They investigate the mysterious writing of poetry itself, as well as the passage of time and our shared sense of mortality. As the New York Times has said, 'Atwood's poems are short, glistening with terse, bright images. . . ' A brave and compassionate book, THE DOOR interrogates the certainties that we build our lives on.

Punctuated with illustrations, this book presents a collection of short fiction stories from Margaret Atwood.

By the author of The Handmaid's Tale and Alias GraceThis collection of short stories follows a woman at different points in her life, from the loneliness of childhood, the ardour and confusion of young adulthood, and the mortality we must all eventually face up to. Moral Disorder is Margaret Atwood at her very finest. Praise for Moral Disorder: 'Atwood entices us to flip through the photo album of a Canadian woman who closely resembles herself. Come here, sit beside me, she seems to say. Then she takes us on an emotional journey through loneliness, love, loss and old age' Sarah Emily Miano, The Times'Atwood makes it look so easy, doing what she does best: tenderly dissecting the human heart . . . A marvellous writer' Lee Langley, Daily Mail'A model of distillation, precision, clarity and detail . . . Atwood writes with compassion and intensity not only about her characters but also about the 20th century itself' Mary Flanagan, Independent

'A fascinating, freewheeling examination of ideas of debt, balance and revenge in history, society and literature - Atwood has again struck upon our most current anxieties' The Times'A stimulating, learned, and stylish read from an eminent author writing from a heartfelt perspective ... very provocative' Conrad BlackIn this wide-ranging history of debt Margaret Atwood investigates its many meanings through the ages, from ancient times to the current global financial meltdown. Many of us wonder: how could we have let such a collapse happen? How old or inevitable is this human pattern of debt? From the earliest days of finance in ancient Babylon to the modern machinations of the World Bank, the acclaimed author of The Handmaid's Tale turns her incisive eye onto one of humanity's oldest ideas.Imaginative, topical and insightful, Payback urges us to reconsider our ideas of ownership and debt - before it is too late.

Margaret Atwood's witty and informative book focuses on the imaginative mystique of the wilderness of the Canadian North. She discusses the 'Grey Owl Syndrome' of white writers going native; the folklore arising from the mysterious-- and disastrous -- Franklin expedition of the nineteenth century; the myth of the dreaded snow monster, the Wendigo; the relations between nature writing and new forms of Gothic; and how a fresh generation of women writers in Canada have adapted the imagery of the Canadian North for the exploration of contemporary themes of gender, the family and sexuality. Writers discussed include Robert Service, Robertson Davies, Alice Munro, E.J. Pratt, Marian Engel, Margaret Laurence, and Gwendolyn MacEwan.This superbly written and compelling portrait of the mysterious North is at once a fascinating insight into the Canadian imagination, and an exciting new work from an outstanding literary presence.

By the author of The Handmaid's Tale and Alias Grace Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancee and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.'Margaret Atwood not only has a sense of humour, she has wit and style in abundance ... a joy to read' Good Housekeeping'Written with a brilliant angry energy' Observer 'A witty, elegant, generous and patient writer' Punch

By the author of The Handmaid's Tale and Alias Grace'One of the most important novels of the 20th century . . . utterly remarkable' New York Times A young woman returns to northern Quebec to the remote island of her childhood, with her lover and two friends, to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realise that going home means entering not only another place but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she sees that what she is really looking for is her own past.

By the author of The Handmaid's Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood's non-fiction writing.PRAISE FOR Curious Pursuits'A goldmine' Sunday Times'Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp' Spectator'The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit' Times

In this collection of miscellaneous writings by Margaret Atwood, Gertrude describes what really happened in "Hamlet", an ugly sister and a wicked stepmother put in a good word for themselves, and a reincarnated bat explains how Bram Stoker got "Dracula" hopelessly wrong.

From the author of The Handmaid's Tale and Alias Grace*Rabbit superheroes. A theory of masks and capes. Victorian otherlands.From her 1940s childhood to her time at Harvard, Margaret Atwood has always been fascinated with SF. In 2010, she delivered a lecture series at Emory University called 'In Other Worlds: SF and the Human Imagination.' This book is the result of those lectures. It includes essays on Ursula Le Guin and H G Wells, her interesting distinction between 'science fiction proper' and 'speculative fiction', and the letter which she wrote to the school which tried to ban The Handmaid's Tale. *'Spooky . . . wild' - Telegraph'Elegant and witty' - Guardian'Eminently readable and accessible . . . The lectures are insightful and cogently argued with a neat comic turn of phrase . . . Her enthusiasm and level of intellectual engagement are second to none' - Financial Times

Mesterværk fra en af Canadas store forfattere. Den store katastrofe indtræffer, og næsten alt menneskeligt liv udryddes. To kvinder, Ren, en ung natklubdanser, og Toby, som tidligere har været medlem af sekten Guds Gartnere, er blandt de få, som overlever i en verden, hvor man ikke kan stole på nogen eller noget – ikke engang dyrelivet. Syndflodens år er en fascinerende roman, der både rummer ømhed, vold og sort humor. Margaret Atwood mestrer kunsten at give selv det mest usandsynlige troværdighed, og hun har med Syndflodens år skabt en tankevækkende beretning om menneskets forhold til jorden og dens ressourcer. Syndflodens år er en opfølgning til Oryx og Crake, som kom på dansk i 2003.

Snemand bor alene i et træ og kæmper for at overleve den dræbervirus, som har efterladt jorden fuld af vraggods, affald og lumske rovdyr. Hans eneste selskab er crakerne, gensplejsede, menneskelignende væsner, som han har reddet fra katastrofen.Men der var engang, da Snemand ikke var Snemand. I stedet hed han Jimmy. En lidt forsømt og ensom dreng, der boede med sine forældre i et beskyttet og gennemkontrolleret samfund, hvor faderen var genforsker. Senere - lige inden moderen forlod dem - blev Jimmy venner med den karismatiske Crake - drengen med de grønne øjne og det foruroligende blik. Venskabet mellem de to drenge holdt i mange år. Også da de som voksne begge forelskede sig i Oryx, spinkle asiatiske Oryx. Men da Jimmy opdagede indholdet af det forskningsprojekt, som Crake havde udviklet, blev deres venskab sat på den endelige prøve. I sin ensomhed prøver Snemand nu at finde forklaringen på det, som er sket - og ikke mindst forsøger han at udtænke, hvordan han kan undgå den totale udslettelse.ANMELDERNE SKREV"Margaret Atwood har skrevet en skræmmende historie om, hvad der sker, hvis mennesker begynder at opfatte verden som et computersimuleret spil og leger Gud (...) »Oryx og Crake« er imidlertid ikke bare en katastrofefortælling om en fremtid hvor evigt liv, genmanipulation og penge styrer alting. Det er også et tankeeksperiment - humoristisk, afskrækkende - om hvad der sker, hvis mennesker står på bar bund."- BT