Bøger af Marc Zimmerman

"Zimmerman demonstrates his notable gifts as a writer keenly sensitive to the vital literary, socio-cultural and ethno-communal nuances his book explores and illuminates." Roberto Márquez, William Kenan, Jr. Professor Emeritus of Latin American & Caribbean Studies, Mount Holyoke College. Author of The Poet's Prose.and Other Essays. "The range of writers is impressive; Zimmerman's documenting this epoch in the Midwest is monumental." Armando Rendón, author of Chicano Manifesto and founder of the Somos en Escrito Literary Foundation. This book traces the development of Chicago Mexican and Chicano literature from its clouded beginnings to and beyond the Chicago Latino cultural explosion of the 1970s. Author Marc Zimmerman tells how talented and determined Mexican writers spread out from their southside ports-of-entry barrios to more diverse and cosmopolitan northside locales, forging a regional ethnic literature as part of a broader cultural and political movement. The story told provides a rich tapestry showing how these writers portrayed Mexican and Latino Chicago in ways which broadened and deepened the Chicano, Latino, minority, and overall literary field. Part One applies theoretical and historical perspectives to early Chicago Mexican writing. Part Two studies stories portraying Mexican Chicago's steel mill world. Part Three examines the movement north by Mexican poets identifying as Chicano in the 1970s and 80s. Parts Four and Five center on Chicago's most famous writers, Ana Castillo and Sandra Cisneros, who take off toward the wider world. An epilogue surveys the many other writers emerging during and after the Latino explosion and leading to the vital contribution of Chicago Chicano and Mexican writing to Latino and U.S. literature. Marc Zimmerman has authored and edited over forty books on world, Latin and Central American, Caribbean and U.S. Chicano and Puerto Rican cultures and literatures, Latino. transnational and urban processes, as well as Chicago Mexican life and art. Zimmerman is currently writing autofictions about his Chicago Latino experiences. Founder/director of LACASA Chicago, he is emeritus professor of Latin American and Latino Studies at the U. of Illinois-Chicago, and Hispanic and World Literatures at the U. of Houston.

Chicagoland's Latino population developed in relation to labor needs in the steel mills, railroad lines and packing houses. First, the Mexican population grew slowly serving as a buffer against African American and striking workers. Many were deported during the Depression; but in spite of continuing deportations, the population grew, as Mexicans and Puerto Ricans arrived in great numbers after World War II. With the 60s, Cubans joined the wave, so that by the 1970s, the city had become a key Latino population center. With large-scale Mexican and Central American immigration in the 1980s, Chicago experienced a Latino population explosion, leading to intensified ethnic and transnational identifications as well as growing political struggle. Indeed, the evolving situation of Chicago Latinos and Mexicans highlights matters crucial to their own future and the future of the city and the nation itself. This book plots the history of Mexican Chicago and the development of Chicago Mexican and Latino studies. Essays about Chicago Latinos and Mexicans set the stage for a telling interview of Luis Leal, an iconic pioneer of Mexican and Chicano literature, and longtime Chicago resident, evoking the city's Mexican life. Next comes a compilation of comments made by and about early Chicago Mexicans as found in the first studies of this population. A final essay shows how the study of Chicago Mexicans from Guanajuato, can offer new insights affecting our overall view of Chicago's Mexican population. Taken together, these materials, sum up and enrich past work, but also anticipate, corroborate and at times challenge research that has been developing in recent years. The materials are a valuable contribution to the new wave of Chicago Latino and Mexican studies. Editor Marc Zimmerman is Emeritus Professor of Latin American and Latino Studies at the U. of Illinois at Chicago and of World and Hispanic Cultures and Literature, at the U. of Houston. His many books and edited volumes feature several on U.S. and Chicago Latino themes, including studies of Latino transnational processes, Latinos in U.S. cities, U.S. Latino literature, U.S. Puerto Rican culture, and several studies about Chicago Latino artists and writers. His growing body of fiction includes Martín and Marvin: A Chicago Jewish Mexican and their Latin Worlds (2016).

Radical changes in Central America point to a new political era, and the areäs participation in a ¿new world [dis]order¿ involving new processes and new theoretical frames to understand them. Neo-liberal economic policies, persistent socio-political and natural crises, and new issues regarding politics and power in relation gender and ethnic identities, have come to the fore. Now the question of how to study Central American societies has become focused on what were once considered "superstructural" questions, as cultural studies has moved to central stage in an effort to conceptualize and resolve controversial issues crucial to future developments. This book highlights Marc Zimmerman¿s take on these matters. Placing developments in Central American cultural studies in relation to previous efforts, Zimmerman then seeks to outline regional history, culture and literature in relation to broader questions. All this leads to a critique pointing to why so many now risk their lives to leave and live elsewhere. The text explores the role of culture and literature in the overall historical process. Cover art by Carlos Barberena©, "Riding the Beast," 2012.

The conquest, colonization, independence, the liberal reforms, the regimes, revolution, and dictatorships, the insurrections and ongoing peace dialogues all are combined in a narrative projecting the most important forces in Guatemalan history from the Mayan period to our own times.Using

What circumstances lead writers in a poor, multi-ethnic and largely illiterate country to produce a literature that both expresses and affects opposition to the regime? Who are these writers?

A visual and textual journey through the cultural contributions of Puerto Rican artists in the United States