Bøger af Marc Treib

A cross-cultural study of the origins of modern landscape architecture in England, USA and Japan as seen through the work of Christopher Tunnard and Sutemi Horiguchi

While sculpture remained central to his artistic practice, Isamu Noguchi's (1904-1988) interests and production spanned an exceptionally broad terrain that included furniture and lamps, stage sets for dance, plazas, courtyards--and gardens. Noguchi made no distinction between design, craft, and the so-called fine arts: in his view all of these could all be considered art should their aesthetic qualities sufficiently transcend those generated by the simple address of need. Although his gardens include several of the twentieth century's most iconic landscape designs and have received almost universal praise, Noguchi nonetheless occupies a place removed from the normal practice of landscape architecture. As an artist he relied more on intuition--bolstered by focused study where required--than on objective analysis, and he shaped his landscapes as sculpture, with space as their primary vehicle. To Noguchi landscape design was a spatial and formal art, and from his earliest environmental projects to the works of his later maturity, he succeeded in conceiving and constructing a series of remarkable places. In this comprehensive and richly illustrated study of Noguchi's gardens, noted landscape historian Marc Treib describes and critiques projects that date from his early unrealized projects for playgrounds and monuments to a large park in Sapporo, Japan, whose construction was completed only posthumously. The story begins with the discussion of Noguchi sculpture that relate in some way to actual landscapes, then moves to the dance set designs for Martha Graham, finally entering the realm of actual landscapes with his gardens for the Reader's Digest offices in Tokyo and UNESCO House in Paris. Many more projects followed in the United States, Japan, and Israel. Varying in their content and structure, several chapters collectively treat subjects such as landform, water, and the courtyard, while others focus on the major gardens monographically. Accompanied by stunning images from the archives of Isamu Noguchi Foundation and Garden Museum archives and the author's own photographs, the story of Noguchi's Gardens: Landscape as Sculpture will reward those interested in landscape architecture, art history, garden design, and art more broadly.

Poodling is a vernacular approach to pruning shrubbery: a negotiation between gardener and shrub that pits human aesthetic intention against the genetic forces that guide the plant's natural development. Topiary shears shrubs into a singular form geometric or figure; poodling, in contrast, treats each branch individually and shapes its leaves or needles into the forms that remain at their ends. In this informed, if light-hearted, telling of the story, noted landscape historian Marc Treib traces the evolution and characteristics of topiary, espalier, and other forms of plant guidance such as poodling, proposing that what began as functional horticultural practices was transformed into a vehicle for artistic expression. Poodling catalogs the forms of pruning we encounter today and their probable origin in Japan during the eighteenth century. Noting the parallels, he compares the forms of poodling (vegetal) with those of the canine species poodle (animal), and the manners by which the dog's hair has been clipped. Richly illustrated with photographs by the author taken in many countries over three decades, this is an informative book that everyone can enjoy.

The Shape of the Land: Topography & Landscape Architecture-the first book to centre on this subject-presents the contributions of thirteen well-known practitioners and academics who discuss the forms and ramifications of reconfiguring terrain.

A select international group of landscape architects and historians discuss the subject of planting design through the lens of their own work, contemporary and historical.

The first comprehensive study of the milieu, ideas, and designs of Canada's leading landscape architect.

Including previously unseen photographs, Austere Gardens suggests another way to look at the landscape, the garden, and perhaps the entire world around us.