Bøger af Lyndall Gordon

Winner of the Nobel Prize in Literature, T.S. Eliot was considered the greatest English-language poet of his generation. His poems The Waste Land and Four Quartets are classics of the modernist canon, while his essays influenced a school of literary criticism. Raised in St. Louis, shaped by his youth in Boston, he reinvented himself as an Englishman after converting to the Anglican Church. Like the authoritative yet restrained voice in his prose, he was the epitome of reserve. But there was another side to Eliot, as acclaimed biographer Lyndall Gordon reveals in her new biography, The Hyacinth Girl. While married twice, Eliot had an almost lifelong love for Emily Hale, an American drama teacher to whom he wrote extensive, illuminating, deeply personal letters. She was the source of "memory and desire" in The Waste Land. She was his hidden muse.That correspondence-some 1,131 letters-released by Princeton University's Firestone Library only in 2020-shows us in exquisite detail the hidden Eliot. Gordon plumbs the archive to recast Hale's role as the first and foremost woman of the poet's life, tracing the ways in which their ardor and his idealization of her figured in his art. For Eliot's relationships, as Gordon explains, were inextricable from his poetry, and Emily Hale was not the sole woman who entered his work. Gordon sheds new light on Eliot's first marriage to the flamboyant Vivienne; re-creates his relationship with Mary Trevelyan, a wartime woman of action; and finally, explores his marriage to the young Valerie Fletcher, whose devotion to Eliot and whose physical ease transformed him into a man "made for love." This stunning portrait of Eliot will compel not only a reassessment of the man-judgmental, duplicitous, intensely conflicted, and indubitably brilliant-but of the role of the choice women in his life and his writings. And at the center was Emily Hale in a love drama that Eliot conceived and the inspiration for the poetry he wrote that would last beyond their time. She was his "Hyacinth Girl."

Today, following the tsunami of women's protest at widespread abuse, we do more than read them; we listen and live with their astonishing bravery and eloquence.

"Wonderful, and deeply sobering. . . . Lyndall Gordon relates Wollstonecraft's story with the same potent mixture of passion and reason her subject personified."--New York Times Book ReviewThe founder of modern feminism, Mary Wollstonecraft (1759-1797) was the most famous woman in Europe and America in her time. Yet her reputation over the years has suffered--until now. Acclaimed biographer Lyndall Gordon mounts a spirited defense of this brilliant, unconventional woman who held strikingly modern notions of education, single motherhood, family responsibilities, working life, domestic affections, friendships, and sexual relationships.Offering a new interpretation for the 21st century, Gordon paints a vibrant, full portrait of Wollstonecraft, revealing how this remarkable woman's genius reverberated through the generations, influencing not only her daughter, Mary Shelley, and other heirs, but early political philosophy in England and America as well--including the ideas of John and Abigail Adams.

The revealing of the hidden muse - Emily Hale - the Hyacinth Girl of the famous The Waste Land poem - who influenced the life and art of TS Eliot. Over 1000 letters of his to her have only now been unlocked. Lyndall Gordon, the acute biographer of Mary Wollstonecraft and Emily Dickinson, brings us a new way to view the great poet.

An exciting and provocative look at the women who wrote the novels that changed the literary world - Mary Shelley, Emily Bronte, George Eliot, Olive Schreiner, Virginia Woolf - by the renowned biographer of Emily Dickinson

Lyndall Gordon was born in 1941 in Cape Town, a place from which `a ship takes fourteen days to reach anywhere that matters'. Born to a mother whose mysterious illness confined her for years to life indoors, Lyndall was her secret sharer, a child who grew to know life through books, story-telling and her mother's own writings. It was an exciting, precious world, pure and rich in dreams and imagination - untainted by the demands of reality. But a daughter grows up. Despite her own inability to leave home for long, Lyndall's mother believed in migration, a belief that became almost a necessity once the horrors of apartheid gripped their country. Lyndall loves the rocks, the sea, the light of Cape Town, but, struggling to achieve a life approved by her mother, she tries and makes a failure of living in Israel and then, back once again in her beloved South Africa she marries and moves with her husband to New York. It's in America in 1968 when suddenly Lyndall realises she cannot be, and does not want to be, the woman, the daughter and the mother her mother wants her to be. This is a wonderfully layered memoir about the expectations of love and duty between mother and daughter. The particular time and place, the people and the situation are Lyndall's, but the division between generations, the pain and the joy of being a daughter are everywoman's.

Lyndall Gordon, the acclaimed biographer of T.S. Eliot and Virginia Woolf, grew up in Cape Town, South Africa in the 1950s. This intimate and moving memoir is the story of Rosie, Ellie, and Romy- her closest friends from childhood until their early deaths.Daughters of Jewish immigrants, these girls grew into adulthood together, shaped by their parents' and grandparents' Eastern European heritages, the stifling atmosphere of their proper girls' school, South Africa's politics, and the intense pressure within their bourgeois milieu for early marriage. Though miles distanced them as they grew older and went off to New York, Oxford and Paris, their bonds of friendship remained strong, separated only by their untimely deaths.

Emily Dickinson is regarded as one of the greatest poets of all time, but she has come to us as an odd and helpless woman living a life of self imposed seclusion. Lyndall Gordon sees instead a volcanic character living on her own terms and with a steely confidence in her own talent; a woman whose family feuded over a hothouse of adultery and devastating betrayal and a woman who had her own secret. After her death the fight for possession of Emily and her poetry became the feud's focus.'Lives Like Loaded Guns has cracked one of poetry's most enduring enigmas . . . It rescues Dickinson from the image of the passive, heart-broken recluse. It is a worthy monument to a poet even more extraordinary than we realised' Olivia Cole, Financial TimesFrom the acclaimed biographer of Mary Wollstonecraft, T.S. Eliot, Charlotte Bronte, Virginia Woolf and Henry James.

In this groundbreaking and unconventional biography, Lyndall Gordon dismantles the insistent image of Charlotte Bronte as a modest Victorian lady, the slave to duty in the shadow of tombstones, revealing instead a strong and fiery woman who shaped her own life and transformed it into art. 'Sensitive, open-minded, vivid, full of psychological insight, [Gordon's] book is a brilliant reappraisal of Charlotte Bronte's life, work, and the flow between the two . . . It is also a deeply moving story' Jackie Wullschlager, Financial Times

This prize-winning biography, newly revised, sees Virginia Woolf as she saw herself. The first to set out the private life behind the well-known facts of her public career, A Writer's Life rocks back and forth between memories and art to reveal an explorer of 'the infinite oddity of the human position'. Instead of the doom-and-death often imposed on women of genius, here is the robust walker and seeker for what was fertile in her intimacies, in women's nature, and in resistance to power. This edition brings out her ideas for biography itself: to fall on a life 'like a roll of heavy waters... laying bare the pebbles on the shore of the soul'.

"[T]he most informative, most nearly definitive, most judicious word on this major, modern writer."-Scott Elledge

In this stunning new biography of the eighteenth-century writer Mary Wollstonecraft, Lyndall Gordon explores the life of a woman often criticised by biographers, historians and feminists alike. Gordon challenges such slanders, and portrays instead the genius of this extraordinary woman. The two-generation approach to her life examines not only Wollstonecraft herself, but also her effect on her daughters and heirs (Mary Shelley, Fanny Imlay, Claire Clairmont and Margaret Mount Cashell), and the ways in which they carried her influence into subsequent generations.Gordon takes stock of Wollstonecraft's life in accord with her own values rather than through the reputation history has given her. The author looks at her important relationships with Gilbert Imlay and William Godwin, and her ideas about issues such as the problems of communication between the sexes and parenthood. Through this brilliant study, Gordon, the author of biographies of Virginia Woolf and Charlotte Bront among others, successfully reinterprets Mary Wollstonecraft for the twenty-first century.

T. S. Eliot once spoke of a lifetime burning in every moment. He had the mind to conceive a perfect life, and he also had the honesty to admit he could not meet it.'He was a man of extremes whose deep flaws and high virtues were interfused,' writes Lyndall Gordon in this perceptive and innovative biography of the great poet. She brilliantly explores his poetry, drama and essays in relationship to the four quite different women in his life and to his time in America and England. The Imperfect Life of T.S. Eliot follows the trials of a searcher whose flaws and doubts speak to all of us whose lives are imperfect.

This highly acclaimed biography looks beyond the insistent image of the modest Victorian lady, the slave to duty in the shadow of tombstones. Instead we see a strong, fiery woman who shaped her own life and transformed it into art. Lyndall Gordon looks at the shared gifts and class ambitions of the Bronte¿ family, and also at significant people-the active feminist Mary Taylor, the demanding mentor Constantin Heger, the rising publisher George Smith-whom Charlotte strove to possess in life and fiction. Drawing on unpublished letters, the "Roe Head Journal," early stories, the manuscript of Villette, and her last, unfinished novel, Lyndall Gordon explores the gaps in Charlotte Bronte¿'s life. How did she arrive at her understanding of passion from a woman's point of view? Could she resolve the testing conflict between a writer's life and a seemingly incongruous marriage to the devoted curate Arthur Bell Nicholls? Looking into the shadow between the facts, Gordon takes biography into that unseen space where this woman of genius was able to live.

Lyndall Gordon's biographical work on T. S. Eliot has won many dramatic accolades.