Bøger af Luigi Spina

A visually stunning, intimate photographic tour of Pompeii¿s spaces, including many that have never been seen by the public. Pompeii, one of the most astonishing and well-preserved sites of classical antiquity, is also one of the world¿s most visited architectural sites. This lavish volume takes readers on a tour of Pompeii through an array of visually compelling and original photographs by Italian artist Luigi Spina. Produced in partnership with the Parco Archeologico di Pompei, readers are expertly guided through the Roman city¿s nine districts, including many hidden corners that are inaccessible to most visitors. Pompeii¿s architecture is a central feature of the images, which were shot at all times of day, in all seasons, and in natural light. Lacy peristyles and rows of column fragments give way to intimate, atmospheric interior spaces. Mosaic floors and beautiful ¿ albeit fragmentary ¿ wall paintings are reproduced with stunning fidelity and sensitivity. The book also includes an essay by Gabriel Zuchtriegel, director of the Pompeii archaeological park, and several meditations on the history, architecture and natural beauty of the city. Inside Pompeii provides the wondrous experience of wandering through this remarkable site without ever leaving home.

A tour de force of a carver's skill and craftsmanship, the Farnese Cup is the largest cameo hardstone cup to have survived from the ancient world. This book provides that close-up in a series of photographs and varying perspectives that pull back from the delicate infinitesimal cut to the magnificent, perfect whole.

In this publication, through the perceptive lens of art photographer Luigi Spina, we discover nine of the most accomplished Hemba creations whose classical style has triggered comparisons with some kouroi sculptures of ancient Greece.

Mythical Diary is a visual journey through the classical sculpture of Museo Archeologico Nazionale di Napoli, engaging with the marble bodies of myth. Through his black and white photography, Luigi Spina disassembles the limbs of the sculptures, humanising them to establish a dialogue with the observer.