Bøger af Leon Gozlan

Le notaire de Chantilly, est un livre classique et rare, qui a été considéré comme important tout au long de l'histoire de l'humanité, et pour que cet ouvrage ne soit jamais oublié, chez Alpha Editions, nous avons fait des efforts pour sa préservation en rééditant ce livre dans un format moderne pour les générations présentes et futures. . Tout ce livre a été reformaté, retapé et repensé. Ces livres ne sont pas constitués de copies numérisées de leur ¿uvre originale et leur texte est donc clair et lisible. Ce livre remarquable s'inscrit dans les genres de Language and Literatures, Romance literatures

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Ce livre offre des souvenirs fascinants de la vie privée de l'écrivain français Honoré de Balzac, basés sur les expériences de Léon Gozlan, un ami intime de Balzac. Gozlan offre un regard intime et vivant sur la vie quotidienne de Balzac, en explorant sa personnalité complexe ainsi que son talent littéraire.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

" ... La chapelle du château de la Frette était dans les parties basses de la construction, et ne recevait le jour que par les fossés. On y descendait par un escalier tordu en colimaçon, au pied duquel s'ouvrait une chaire en bois de chêne. Les armoires, faites du même bois, travaillé dans le goût du temps, renfermaient des reliques apportées des croisades par les chevaliers de la maison de Beaumont, qui étaient allés en Terre-Sainte. A chaque angle des murs de la chapelle était fixée une bannière aux armes de la famille, brodée par les femmes, et qu'on promenait dans diverses circonstances particulières. L'une était sortie pour implorer la pluie après de longs mois de sécheresse, l'autre pour faire cesser l'épidémie quand elle désolait le canton; mais elles étaient toutes déployées les jours solennels de Noël, de Pâques et de la Fête-Dieu. Suivies de tous les vassaux, elles se montraient au fond des vallées, au sommet, de la montagne et le long du fleuve, au milieu des chants, des encensoirs et des pluies de fleurs. De lumineux vitraux, qui venaient ordinairement de la Suisse, où l'on excellait à les peindre, épanouissaient leurs vives couleurs sur ces objets d'un culte sévère et simple, et remplissaient la chapelle de lueurs douces qui augmentaient dans l'âme le sentiment de la piété. L'épée du maître du château, tant qu'il n'était pas à la guerre, reposait au pied de l'autel, afin qu'elle participât à l'efficacité des prières dites chaque jour dans ce saint lieu, et qu'elle acquît une force invincible par ce contact béni..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Martyrs Inconnus Léon Gozlan Dürr, 1857

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Emotion Of Polydore Marasquin Léon Gozlan Vizetelly & Co., 1888

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Horas De Invierno: (330 P.); Volume 1 Of Horas De Invierno: Gozlan, Federico Soulié, Victor Hugo, Adisson, Washington Irving, Hoffmam[sic], La Duquesa De Abrantes, Alejandro Dumas, Walter Scott, Alfonso Brot, Julio Janin, Trueba, Alfonso Royer, Balzac, Etc; Léon Gozlan Léon Gozlan E. de O. imprenta de I. Sancha, 1836

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Aventures merveilleuses et touchantes du prince Chèvenis et de sa jeune soeur

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Main Droite Et La Main Gauche: Drame En Cinq Actes Léon Gozlan Imprimerie Dondey-Dupré, 1842

Extrait: I La maison dans le bois. Les petites localités champêtres semées autour de Paris ont joui, de tout temps, du privilège plus ou moins réel d'offrir des résidences économiques aux familles peu aisées. Quelques années avant la Révolution, beaucoup de gentilshommes qui avaient perdu leur fortune, ou qui n'en avaient jamais eu, se retiraient à Saint-Mandé, joli village bâti à la lisière du bois de Vincennes, et se prolongeant du côté de Charenton. Si Saint-Mandé ne présentait pas alors, comme aujourd'hui, ces jolis groupes d'habitations moitié urbaines, moitié rurales, s'ouvrant d'un côté sur la rue, et sur des rues avec pavé, réverbères et numéros, de l'autre sur le bois de Vincennes; s'il ne possédait pas encore une avenue d'une beauté, d'une régularité, d'une élégance tout à fait américaines, digne de rivaliser avec quelques quartiers de New-York et de Philadelphie; longues rangées de maisons élevées derrière une longue rangée d'arbres, arbres odoriférants, tilleuls qui embaument le ciel, la terre et l'air vers la fin du printemps, maisons qui ressemblent à de petits palais; si Saint-Mandé n'était pas si joli, il était beaucoup plus sauvage. Le bois de Vincennes le retenait et l'enveloppait en plus d'un endroit; avant d'y arriver, on avait à traverser des portions assez considérables de terrain planté de chênes et d'ormes. L'hiver, il n'était pas prudent de se laisser attarder loin de sa maison, si l'on ne voulait donner aucune inquiétude à ses enfants et à ses serviteurs. Quoique Vincennes élevât toujours au milieu de la brume ses tourelles pleines de poudre, son donjon rempli de fusils, on parlait souvent d'assassinats commis aux environs: la peur en grossissait le nombre. On n'était pas fâché, au fond, d'avoir cette peur qui rend si doux, si étroit, si complet le bonheur de se réunir l'hiver autour de la cheminée, quand on est sûr que la porte de la maison est fermée, que la grille l'est aussi, et que les croisées basses sont barricadées comme pour soutenir un siège.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Lion Empaillé Comédie En Deux Actes, Mèlée De Chant Léon Gozlan Michel Lévy frères, 1866 Fiction; Classics; Fiction / Classics; Literary Criticism / General

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Balzac Chez Lui; Bibliothèque Contemporaine; Collection Michel Lévy 2 Léon Gozlan Michel Lévy, 1862 Literary Criticism; European; French; History / General; Literary Criticism / European / French

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Horas De Invierno: (1837. 336 P.); Volume 3 Of Horas De Invierno: Gozlan, Federico Soulié, Victor Hugo, Adisson, Washington Irving, Hoffmam[sic], La Duquesa De Abrantes, Alejandro Dumas, Walter Scott, Alfonso Brot, Julio Janin, Trueba, Alfonso Royer, Balzac, Etc; Léon Gozlan Léon Gozlan E. de O. imprenta de I. Sancha, 1837

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Un soir de l'hiver dernier, je descendais, bras dessus, bras dessous, avec un ami, une de ces rues qui vont comme elles peuvent, c'est-à-dire parfois tout de travers, des boulevards extérieurs à Notre-Dame de Lorette; rues assez régulièrement bâties; en revanche assez irrégulièrement habitées pour la plupart: moeurs sujettes à l'alignement. Nous avions dîné à Montmartre, non pas dans un riant jardin peuplé de tilleuls et sous une joyeuse tonnelle couronnée de chèvrefeuilles et de clématites, mais dans un salon ni joyeux ni riant, chaudement clos

" "Sollicité par des amitiés communes à Balzac et à moi, pressé par une curiosité publique toute dévouée au grand peintre de moeurs, j'ai risqué ces premières pages sur quelques actes et sur quelques moments de sa vie, prêt à les faire suivre d'autres confidences, si j'ai su répondre à tant de désirs et justifier tant d'empressement."... Quoi qu'il en soit, ces révélations familières sont les dernières que nous publierons sur Balzac. Réunies plus tard aux précédentes, elles formeront un volume appelé peut-être, un jour, à accompagner ses oeuvres, et notre travail aura alors un caractère d'utilité que l'avenir sera chargé de préciser dans la mesure plus ou moins indulgente de son estime..." L.G.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

" Paris ce jour-là, 2 novembre 183., était froid et triste, comme il l'est ordinairement à cette époque de l'année. On eût dit que le ciel était dans le secret de la solennité qu'il éclairait à regret. La veille, il avait légèrement neigé; l'air était devenu plus vif; un brouillard fin et grisâtre arrondissait les angles des maisons. Par moments, il ne faisait ni jour ni nuit, mais une clarté polaire. Les cloches, étouffées dans un espace cotonneux, ne rendaient que des sons sourds. Sur un pavé résistant, mais humide, glissait autant qu'elle marchait la presque population de la ville et celle de la banlieue: bruyantes, mais sans gaîté, elles suivaient les boulevards jusqu'à la naissance des rues qui montent, en coupant le canal, jusqu'au cimetière du Père La Chaise..."

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Médecin Du Pecq, Volume 1; Le Médecin Du Pecq; Léon Gozlan Léon Gozlan Meline, Cans et Compagnie, 1839

""Aventures Merveilleuses Et Touchantes Du Prince Chenevis, Et De Sa Jeune Soeur"" est un livre �����crit par L�����on Gozlan en 1852. Il raconte l'histoire du Prince Chenevis et de sa jeune s�����ur qui vivent dans un royaume enchant�����. Le prince est un personnage courageux et d�����termin����� qui doit faire face ������ de nombreux d�����fis pour prot�����ger sa s�����ur et son royaume. Au fil de leur voyage, ils rencontrent des personnages fantastiques et vivent des aventures incroyables. Cette histoire est remplie de magie, de suspense et de rebondissements, et est une lecture captivante pour les enfants et les adultes qui aiment les contes de f�����es classiques.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.