Bøger af Lawrence Ferlinghetti

A sequence of one hundred and one poems with recurrent themes, it includes various sections on love, art, music, history, and literature, as well as confrontations with major figures in the avant-garde before the arrival of the Beat generation. This edition now includes eighteen new poems from Ferlinghetti's "Pictures of the Gone World" which he publishes under his City Lights imprint. A self-styled "stand-up tragedian," Ferlinghetti has been called "the foremost chronicler of our times." If A Coney Island of the Mind was a generations vibrant eye-opener, A Far Rockaway of the Heart is a wake-up call for a new age.

Lawrence Ferlinghetti lights out for the territories with Book I of his own born-in-the-U.S.A. epic, Americus.Describing Americus as "part documentary, part public pillow-talk, part personal epica descant, a canto unsung, a banal history, a true fiction, lyric and political," Ferlinghetti combines "universal texts, snatches of song, words or phrases, murmuring of love or hate, from Lotte Lenya to the latest soul singer, sayings and shibboleths from Yogi Berra to the National Anthem, the Gettysburg Address or the Ginsberg Address, that haunt our nocturnal imagination." This book is a wake-up call that breaks new ground in the grand tradition of Whitman, W.C. Williams, Charles Olson, and Ezra Pound, as Ferlinghetti cruises our literary and political landscapes, past and present, to create an autobiography of American consciousness.

From the famed publisher and poet, author of the million-copy-selling collection A Coney Island of the Mind, his literary last will and testament -- part autobiography, part summing up, part Beat-inflected torrent of language and feeling, and all magical."e;A volcanic explosion of personal memories, political rants, social commentary, environmental jeremiads and cultural analysis all tangled together in one breathless sentence that would make James Joyce proud. . ."e;Ron Charles,The Washington PostIn this unapologetically unclassifiable work Lawrence Ferlinghetti lets loose an exhilarating rush of language to craft what might be termed a closing statement about his highly significant and productive 99 years on this planet. The "e;Little Boy"e; of the title is Ferlinghetti himself as a child, shuffled from his overburdened mother to his French aunt to foster childhood with a rich Bronxville family. Service in World War Two (including the D-Day landing), graduate work, and a scholar gypsy's vagabond life in Paris followed. These biographical reminiscences are interweaved with Allen Ginsberg-esque high energy bursts of raw emotion, rumination, reflection, reminiscence and prognostication on what we may face as a species on Planet Earth in the future. Little Boy is a magical font of literary lore with allusions galore, a final repository of hard-earned and durable wisdom, a compositional high wire act without a net (or all that much punctuation) and just a gas and an inspiration to read.

Grown Boy came into his own voice and let loose his word-horde pent-up within him. From growing up as an orphan in 1920s New York, to serving in the Navy at the D-Day landings in Normandy, to a vagabond life drinking in Parisian cafes, to befriending America's greatest counter-cultural writers, Little Boy has seen it all.

Motorcycle Diaries for a new generation, this long-awaited volume provides a panoramic portrait of art and life across the twentieth century.

At last, just in time for his 99th birthday, a powerful overview of one of America's most beloved poets: New Directions is proud to present a swift, terrific chronological selection of Ferlinghetti's poems, spanning more than six decades of work and presenting one of modern poetry's greatest achievements.

Motorcycle Diaries for a new generation, this long-awaited volume provides a panoramic portrait of art and life across the twentieth century.

Lawrence Ferlinghetti's first book since Poetry as Insurgent Art, a new call to action and a vivid picture of civilization moving towards its brink.

This bundle of four Poetry Pamphlets (9-12 in the series) includes:Lawrence Ferlinghetti's Blasts Cries LaughterOsama Alomar's Fullblood ArabianOliverio Girondo's Poems to Read on a StreetcarFifteen Iraqi Poets (edited by Dunya Mikhail)

Lawrence Ferlinghetti's Blasts contains blasts, blessings, and curses in the vortex of today, taking its cues from the original little magazine, Blast, published by Wyndham Lewis with Ezra Pound in 1914-15 that helped create the modernist movement in literature and the visual arts. In these fearless new poems, Ferlinghetti, America's everyman bard, speaks for the poor, the forgotten, the beaten, and the bombed.

This collection of recent poems is graced with a short introduction by the poet in which he says, "All I ever wanted to do was to paint light on the walls of life." For more than fifty years Ferlinghetti has been doing just thatilluminating both the everyday and the unusual, all the while keeping true to his original dictum of speaking in a way accessible to everyone. He has been, and remains, "One of our ageless radicals and true bards" (Booklist) and his voice is well-known in many places around the world. He was one of the two American poets (the other being John Ashbery) chosen to participate in the 2001 Celebration of UNESCO's World Poetry Day in Delphi, Greece, where he along with his international confreres each poetically addressed the Oracle.

Wild Dreams of a New Beginning brings together two acclaimed poetry volumes by Lawrence Ferlinghetti, one of our "ageless radicals and true bards" (Booklist).Who Are We Now? (1976), the first half of Wild Dreams, takes a long poetic look at the cultural fallout of a more radical time. This probing of the changes in the American psyche through the 1970s is carried forward in the second part, Landscapes of Living & Dying (1979)-a work originally hailed by Library Journal as "Ferlinghetti's strongest work since his 1957 A Coney Island of the Mind. . . . [He] pursues his disheveled muse with the innocent passion of a young beatnik, hiding his authentic erudition behind a comfortable guise of spontaneous composition."

The long poems of Starting From San Francisco present a new, quieter, more profound aspect of the poet. His original lyricism and caustic humor have been confronted, as it were, with the real presence of evil and death. "Starting from Paumanok... I strike up for a New World" wrote Walt Whitman in 1860. Starting from San Francisco, a hundred years later, Ferlinghetti roved back across the country (this "cradle we rocked out of") then turned south of the border to visionary conclusions in that lost horizon symbolized by Machu Picchu, the Inca city the Spaniards never found. These poems of voyage are autobiographical in that they grew out of Ferlinghetti's travels in South America and Europe, but there are also poems on other themes, including several long "broadsides," which the author identifies as "satirical tirades--poetry admittedly corrupted by the political, itself irradiated by the Thing it attacks." Commenting on this paperbook edition, to which two important poems, "Berlin" and "The Situation in The West" have been added, Ferlinghetti wrote: "These poems represent to me a kind of halfway house in the ascent of a mountain I hardly knew existed until I stopped and looked back at the flatlands below. Like a Zen fool lost in the woods who laughs and lies face down on the earth to find his way."

The Secret Meaning of Things has all the elements of his earlier poetry: lyrical intensity, wit, social concern, satirical bite, and above all a classical claritas. But it goes much further: there is a deepening of vision and a darker understanding of "our clay condition." The six long poems in The Secret Meaning of Things show a progressive continuity and clarity of perception that apprehends both the hard reality and luminous irreality in everyday phenomena. In "Assassination Raga"--on the death of Robert Kennedy--the glass through which the poet sees darkly is the television screen; the poem was first read on the night of RFK's funeral at a mass memorial in San Francisco. "Bickford's Buddha" is a meditation on "Observation Fever" in Harvard Square, while "All Too Clearly" finds a "touch of old surrealism/at a stoplight in La Jolla." "Through the Looking Glass" begins with an actual flight aboard a commercial airliner and moves through a psychedelic vision to a final flash of the Dance of Shiva, which in turn opens out into the worldview of "After the Cries of Birds." "Moscow in the Wilderness, Segovia in the Snow" comes out of Ferlinghetti's travels to Moscow and across the steppes in the winter of 1967.

Poems about the City by the Bay by its first official Poet Laureate.

In 1953 Lawrence Ferlinghetti founded the first paperback bookstore in the United States. In over five decades City Lights, the bookstore and publisher, has become a Mecca for millions. Ferlinghetti's A Coney Island of the Mind (ND, 1958) is a number one best-selling volume of poetry by any living American poet.

"A surreal semi-autobiographical blackbook record of a semi-mad period of my life, in that mindless, timeless state most romantics pass through, confusing flesh madonnas with spiritual ones." This is how the author describes this extraordinary expatriate novel.

Lawrence Ferlinghetti, "one of our ageless radicals and true bards" (Booklist), has gathered here four decades of poetry in his inimitable everyman's voice, including more than fifty pages of new work. The tone has deepened over the years, and he may now be seen as a true maestro in his field. Behind the irresistible air of immediacy and spontaneity lies much erudition and an antic imagination intent on subverting "the dominant paradigm." From his earliest books, including his landmark Coney Island of the Mind, Ferlinghetti has written poetry "in ways that those who see poetry as the province of the few and educated had never imagined. That strength has turned out to be lasting" (Joel Oppenheimer, N. Y. Times Books Review).

Second, expanded edition, with eighteen new poems.